A summary of this month’s reading, in words and pictures.
a notebook in which quotations, poems, remarks, etc, that catch the owner’s attention are entered
Collins English Dictionary
He turned his head to smile at her, apologetically; and his face was haggard in the firelight, so that suddenly she cared nothing for kings and wars, nor bishops nor the soul of man, nor for what Thomas did, only for what Thomas was; and she longed to fling her arms round him and hold him close because he was like a lute that was strung too tight.
The Rider of the White Horse by Rosemary Sutcliff (1959)
No banners were raised above the company and they wore no livery, anonymity as well as haste their ally this April morning. Where Watling Street cut its blade-straight course towards the Great Ouse, the last of the sentries who had ridden on ahead to silence any word of their coming joined the company and, together, the horsemen thundered towards the small market town of Stony Stratford and the object of their race: the boy who had become king.
Sons of the Blood by Robyn Young (2016)
Nash is a follower of the playwrights and knows their best bons mots by heart, but I am fascinated by the actors themselves. I wonder about the life behind the stage and the precariousness of it. The thought of it gives me a shiver. Perhaps my interest stems from the apprehension that actors, whose calling depends on looks and voices and bodies that cannot last, must confront the same hard laws of life that women do. When the brightness of our beauty dies, we are plunged into the dark.
The Revelations of Carey Ravine by Debra Daley (2016)
And is it any different with love? Isn’t love the reverse side of the same medal? To love is to have, but rare does it happen that what we have is what we love. Love buys cheap and seeks to sell at a higher price; our greed is for gain that lies outside our reach. We desire those who don’t desire us in return.
Mrs Engels by Gavin McCrea (2015)
Before him lay the well-kept grounds, the clipped rose trees already beginning to put forth their glossy leaves, the panes of the glass-house gleaming like ice in the moonlight, the fountain where the water splashed in silver threads, hollow-eyed termini set between yew trees. The windows in the side of the pleasure house facing Desgrez were shuttered; he crept along, however, most warily; he did not know who was posted in the gardens nor what sentries might be placed about the house and grounds.
The Poisoners by Marjorie Bowen (1936)
They glided away through the spangled water, and he filled his lungs with the haunting sea air. Other gondolas slipped past with lovers or merrymakers. A delicious languor filled the night, lapping of water, wandering of music. He felt a longing, sweeter than possession, for the indescribable, the unattainable. He would return here someday with her; he would occupy one of these palaces; they would live in terms of color – sapphire and silver – in terms of a casement open on the sea-scented night.
Prince of Foxes by Samuel Shellabarger (1947)
“Oh, don’t worry, we’re still appalling know-it-alls. We dig things up, but then we photograph and catalogue, record and document, and as often as not we put things back. It’s not the finds so much as the findings. Not the objects but the stories they tell.”
Sandlands by Rosy Thornton (2016)
Under the shade of the pavilion, he noted a table in readiness, stools around it, and parchment and pens and wax all ready, with clerks and knights waiting. They had at least the grace to stand when he entered and, without speaking, took the stool at the table-head. Before him lay the long charter. He knew it by heart, each clause of it had burned into him with rage while impotently he had listened to these rogues’ demands.
The Devil and King John by Philip Lindsay (1943)
Favourite books this month: Prince of Foxes and The Revelations of Carey Ravine.