Devil Water by Anya Seton

Several years ago I had the pleasure of discovering Anya Seton’s historical fiction novels. The first one I read was Katherine, the story of Katherine Swynford and John of Gaunt, quickly followed by Green Darkness, Avalon and The Winthrop Woman. After that I moved on to other authors and never got round to reading Seton’s other novels. And so I was pleased to come across one I hadn’t read, Devil Water, in the library. This book was originally published in 1962 and the story takes place during the Jacobite Rebellions of 1715 and 1745.

Devil’s Water is the name of the river that flows past Dilston, a village in Northumberland in the north east of England. In the early 18th century, when Anya Seton’s novel begins, Dilston is home to the Radcliffe family. James Radcliffe, the 3rd Earl of Derwentwater, and his younger brother, Charles, are descendants of King Charles II and were both real historical figures.

The first half of the book concentrates on the life of Charles Radcliffe and his secret marriage to a working-class Northumberland girl, Meg Snowdon, with whom he has a daughter, Jenny. Both Charles and his brother, the Earl, are Catholics and Jacobites (supporters of the Catholic James Stuart who is living in exile in France while his half-sister, the Protestant Queen Anne, reigns in his place). In 1715 the Radcliffes join the Jacobite Rising in an attempt to put James, who they consider their rightful king, on the throne. When the rebellion ends in defeat, Charles escapes to France and leaves Jenny to be raised in London by his friend, Lady Betty Lee. Throughout the second half of the book the focus is on Jenny’s adventures which take her across the Atlantic to the plantations of colonial Virginia in search of Rob Wilson, the man she loves.

This book was particularly interesting to me as I’m from the north east of England myself. There are very few novels set in this part of the country so it was nice to read about places that I’m familiar with. I appreciated the effort Seton made to reproduce various local dialects, depending on whether a character comes from Northumberland, London, Scotland, Ireland, Virginia or elsewhere. Although the northern dialects didn’t always seem quite right to me, it wasn’t a bad attempt and it gave the book a more authentic feel. And the characters never sounded too modern or used language that felt out of place either.

Although I knew absolutely nothing about the Radcliffes before reading Devil Water, you can always trust that an Anya Seton novel would have been well researched and as historically accurate as she could make it, while bearing in mind that it’s still fiction and not everything that happens in the book will be completely factual. This book includes two author’s notes at the beginning and end in which she details the research she carried out and explains which parts of the story are likely to be true. There are also some useful maps and family trees which I found myself referring to occasionally. Don’t worry though, because the book is easy enough to read and doesn’t feel like a history lesson at all.

So, I loved the settings and the time period (I’ve read historical fiction about the Jacobites before and it always makes me feel sad, knowing what the outcome will be) but I did have one or two problems with the book. I thought it was much longer than it needed to be and seemed to take forever to read; the pacing didn’t feel right either – some parts of the book dragged and there were some big jumps forward in time, often leaving gaps of ten years. But the main thing that prevented me from really loving this book was that some of the characters were very difficult to like. I never managed to feel any connection to Charles and was more interested in his brother, the Earl of Derwentwater. And another character, who I had just started to warm to, does something really unforgivable that completely changed my impression of them. I did like Jenny (and a few of the minor characters, such as Betty Lee) but because the people around her were so unlikeable, the story didn’t have the emotional impact on me that it might otherwise have done.

Have you read any other Anya Seton books that I haven’t read yet? Which ones would you recommend?

The Swimmer by Roma Tearne

The Swimmer is a beautifully written novel by Roma Tearne set in the small English town of Orford in Suffolk. It’s the story of Ria, a forty-three-year-old poet, and Ben, a young refugee from Sri Lanka.

Ria is a single woman who lives alone in Eel House, a cottage which once belonged to her uncle. She’s quite happy to be there on her own; if she needs company there’s Eric, an older man from the neighbouring farm, and her brother and his family visit occasionally too – although these visits aren’t entirely welcome. Sometimes, though, life can be lonely for Ria. After a few failed relationships in the past she’s almost given up hope of finding someone to love…until she discovers Ben swimming in the river behind her house.

Ben, a Tamil refugee, left Sri Lanka to escape from the violence there. His asylum application has not yet been processed and so he’s living and working in Britain as an illegal immigrant. Although he’s eighteen years younger than Ria and from an entirely different background, the two begin to fall in love.

I really liked the first section of this book and enjoyed watching Ria and Ben’s relationship slowly develop. I thought the rest of the novel would continue in the same way, but then something happened which I wasn’t prepared for. The plot started to go in another direction, there was a new narrator to get used to, and I felt as if I was reading a completely different book to the one I had been expecting. This wasn’t necessarily a bad thing, though; the second part of the book was interesting, moving and relevant and the narrator was a more passionate person than Ria.

The third, and shortest, section of the book also switches narrator and again took me by surprise. Although I found the third narrator difficult to like, I thought seeing things from this person’s point of view helped to pull the story together and set up a perfect ending to the book.

I was impressed by Roma Tearne’s wonderfully descriptive writing and the way she portrayed the hot summer days in Orford and the Suffolk landscape with its marshlands and rivers. I particularly liked the references to the eels in the rivers which migrate from the Sargasso Sea (‘swimmers’, like Ben). But at times there was too much description, too much detail, which made the story move at a very slow pace.

I was pleased to find that I enjoyed this book because before I started it I wasn’t sure if it would be for me. I can imagine that if you’ve read a lot of other novels about immigration and refugees you might find this book unoriginal and contrived, but I haven’t read much fiction on this subject so The Swimmer did leave me with a few things to think about.

Framley Parsonage by Anthony Trollope

Framley Parsonage is the fourth novel in Anthony Trollope’s Chronicles of Barsetshire series. I’ve been slowly working my way through these books during the last year and in my opinion this one is neither the best nor the worst of the four I’ve read so far.

A common question asked by people new to Trollope is whether this series needs to be read in the correct order. Well, I don’t think it’s necessary at all and I’m sure this book could be enjoyed as a first introduction to Trollope, but personally I would recommend beginning with The Warden and reading each book in the series in turn. Framley Parsonage draws together a lot of characters from the first three books, including the Grantly and Proudie families from Barchester Towers and the Thornes and Greshams from Doctor Thorne, as well as some that I hadn’t expected to meet again, including one of my personal favourites, Miss Dunstable. I’m glad I chose to read the series in order because it’s nice to be able to recognise references to people, places and events and to feel that I’m getting to know the whole Barsetshire community.

Framley Parsonage consists of two main storylines. In the first, we follow Mark Robarts, the vicar of Framley. Mark became vicar at a younger age than would normally be expected, due to the influence of his friend, Lord Lufton, and his mother, Lady Lufton of Framley Court. He is still very ambitious and to Lady Lufton’s dismay he begins to mix with unscrupulous politicians whom he believes can help him further his career. When one of these politicians, Nathaniel Sowerby, persuades him to sign his name to a note for five hundred pounds, Mark finds himself getting deeper and deeper into debt – which is not the way a respectable clergyman should behave!

The second storyline involves Mark’s sister, Lucy Robarts, who comes to live at Framley Parsonage following the death of their father. Lucy falls in love with Lord Lufton, who soon proposes to her. However, Lucy is aware that Lord Lufton’s mother does not consider her a suitable wife for her son, so she vows not to marry him until she wins Lady Lufton’s approval – even though it means sacrificing her own happiness.

I found this book harder to get into than the previous three that I’ve read – it seemed to have a very slow start and didn’t really pick up until the character of Lucy Robarts made her first appearance. But as with all Trollope’s novels, once I did get into the story I became completely absorbed in the moral dramas and dilemmas taking place. Based on the first three Barsetshire books, I had a strong suspicion that all of Mark’s and Lucy’s problems would be resolved by the end, and yet this didn’t stop me from enjoying the book and wondering exactly how those problems would be resolved. As usual, Trollope’s characters feel completely believable with understandable motives and emotions. We can have sympathy with Mark Robarts because he is not a bad person – just young and naïve. And even when a character is cast as one of the villains of the book, such as Mr Sowerby, Trollope still asks us to remember that they do have some good qualities.

Although Anthony Trollope is not my favourite Victorian author (that would be either Wilkie Collins or Thomas Hardy) he does have a wonderful warm and observant writing style all of his own and if you haven’t tried one of his books yet then I highly recommend spending some time in Barsetshire soon.

The American Boy by Andrew Taylor

After I read The Anatomy of Ghosts earlier in the year, I asked for opinions on Andrew Taylor’s other books. Well, I’d like to thank the three people who left comments recommending The American Boy (published in the US as An Unpardonable Crime) as I thought this one was even better than The Anatomy of Ghosts. As someone who loves classic sensation novels (Wilkie Collins, Mary Elizabeth Braddon, Ellen Wood etc) it’s maybe unsurprising that I enjoyed this book so much. It has all the elements of a sensation novel and although it was published in 2003 it almost feels as if it could have been written in the 19th century.

The American Boy is set in England during the final months of the reign of George III. The story begins in September 1819 when our narrator, Thomas Shield, is starting a new job as a teacher at a small private school in the village of Stoke Newington. One of the boys at the school is the ten-year-old Edgar Allan Poe, the ‘American boy’ of the title. Shield is given special responsibility for tutoring Edgar and his best friend, Charles Frant, and through the two boys he becomes acquainted with two rich banking families – the Frants and their cousins, the Carswells. He soon becomes caught up in the dramas that are unfolding within the Frant and Carswell families and when two murders take place it seems that Shield’s own life could also be in danger.

The plot is so intricate and complex I won’t even try to go into any more detail, but in addition to the murders, there’s also a disputed will, mistaken identities, family secrets, betrayal, revenge and even romance. Thomas Shield’s adventures take place in a variety of wonderfully atmospheric locations from the dark, foggy streets and over-crowded slums of London to the snowy landscape of the Carswells’ country estate in Gloucestershire, complete with an ice house and ruined abbey. Taylor made his settings feel vivid and real without going into pages and pages of description.

I should point out that although Edgar Allan Poe does have an important part to play in the story, he’s really just a minor character. I actually thought this whole aspect of the book was unnecessary as the plot would have been strong enough without it and a fictional character could easily have been used in his place. I’m not complaining as I do like Poe and found his brief appearances interesting, but I don’t want to mislead anyone into thinking this is a book about Poe because it really isn’t.

Although I hadn’t included this book on my list for the RIP challenge, I’m going to count it as my first book for RIP anyway (I don’t know why I bother making lists for challenges as I never, ever stick to them!) The American Boy isn’t what I would describe as a scary book, but it is a very dark and suspenseful mystery – a perfect book to curl up with and enjoy at this time of year.

I know it’s a cliché but I didn’t want to put this book down and the very short chapters made it even more tempting to keep reading. If it hadn’t been so long (500 pages) I could have read it all in one sitting. I also appreciated the author’s attempts to make the book feel like an authentic 19th century novel through his use of language and Thomas Shield’s narrative style. It won’t be for everyone though; you either like this type of book or you don’t, but for anyone who has enjoyed books such as The Quincunx by Charles Palliser, The Meaning of Night by Michael Cox or The Woman in White by Wilkie Collins, I can highly recommend this one.

The Champion by Elizabeth Chadwick

Considering how much I enjoy historical fiction, Elizabeth Chadwick is one of those authors I feel I should probably love. Until recently though, I had only tried to read one of her books – which I think was Lords of the White Castle – and couldn’t get into it at all. On a visit to the library a couple of weeks ago I decided it was time to give her another chance and as I don’t know much about any of her books, I chose this one almost at random.

The Champion is set in France, Wales and England towards the end of the 12th century. Our hero is Alexander de Montroi, a seventeen-year-old novice monk who runs away from the monastery after being abused by the sub-prior. Deciding to swap the religious life for the battlefield, Alexander asks his older brother, Hervi, to help him become a knight. He proves to be a skilled fighter and is soon an important member of Hervi’s camp, jousting and taking part in tourneys (tournaments).

It’s here that Alexander meets and falls in love with Monday de Cerizay, the daughter of Hervi’s friend and fellow knight. Despite having wealthy relatives in England, Monday has spent her whole life travelling around the tourney circuit. Having seen what this lifestyle has done to her parents, Monday longs to better herself. So when Alexander asks her to marry him, she panics and leaves the camp without letting him know where she is going. Years later, Monday and Alexander meet again and have to begin rebuilding their relationship all over again, despite the attempts of Monday’s rich and powerful grandfather to split them up – and the reappearance of Alexander’s sworn enemy, Eudo Le Boucher.

The medieval world Elizabeth Chadwick has created in The Champion is amazingly vivid and believable. The amount of detail she goes into when describing clothes, fabrics, food and drink etc is very impressive. In particular I thought the descriptions of the knights’ camps at the tourneys were very well written and felt realistic. Chadwick shows us the less glamorous side of a knight’s life: worrying about money, searching for a rich man to sponsor them in the tourneys, looking for work in the winter, as well as the constant travelling around from camp to camp, running the risk of being defeated in battle and losing their horse, their possessions or even their life.

There are a few real historical figures who appear in the book, including Richard Coeur de Lion (Richard the Lionheart), his brother John, Count of Mortain (the future King John of England) and the knight, William Marshal. But it’s not really necessary to be familiar with the history of this period, as the focus is very much on the fictional lives of Alexander and Monday. I liked Alexander from the beginning, though I wasn’t so fond of his brother Hervi (maybe because his first appearance in Chapter One doesn’t really endear him to the reader) but as the story progressed I loved watching his relationship with Alexander develop, playing the role of the protective older brother. In fact, I thought the male characters in this book were stronger overall than the female ones. I didn’t find Monday a very memorable character and I didn’t always agree with or understand her actions either.

Once I got into this book, I really enjoyed it. I didn’t think the romantic storyline was very original or imaginative, but the wonderful medieval setting more than made up for it. I feel more like giving Elizabeth Chadwick’s other books a chance now that I know I do enjoy her work and my failure with Lords of the White Castle was probably just a case of the wrong book at the wrong time. Any suggestions as to which one I should try next?

When God Was a Rabbit by Sarah Winman

When God was a Rabbit is the story of Eleanor Maud Portman (known as Elly) and is divided into two parts. In the first part, Elly tells us about her childhood growing up in England in the 1970s and introduces us to some of the important people in her life, including her older brother, Joe, her best friend, Jenny Penny – and a pet rabbit called God. We then jump forward fifteen years and rejoin Elly as an adult in the 1990s. Over the years the family experience more than their fair share of dramas and disasters, though there are some good times too. I don’t want to go into too much detail about what happens to them, but the Portmans’ lives are affected by murder, illness, kidnapping, child abuse and terrorism, to name just a few of the tragic events covered in the book.

I enjoyed When God was a Rabbit but I did think it had a few flaws. I often complain that books are too slow for me but if anything, the pace of this one was too fast. I felt that some of the things that happened to Elly and her family deserved to be explored in more depth, but instead the story moved quickly on to a new topic and a new tragedy – it was hard to believe that so many things could possibly happen to one family. I can appreciate that this is fiction and doesn’t have to be realistic, but I was still overwhelmed by the sheer amount of issues the book touches on.

I’m younger than Elly but a lot of the things from her childhood felt familiar to me too. I think for people of a certain age (especially those born around the time Elly was, in 1968) this is a book that could be enjoyed almost as much for the nostalgia and the memories as for the plot. Elly’s personal story is set against a backdrop of historical events including the Queen’s Silver Jubilee in 1977, John Lennon’s death in 1980 and the 9/11 tragedy in 2001. These events and others all affected Elly, either directly or indirectly, and again this is where I felt Sarah Winman was trying to pack too much into one novel.

I don’t want to sound too negative though, because I really was impressed by When God was a Rabbit. I loved the first half of the book and although the second half didn’t have the same feel of magic and innocence, I still found it compelling. I wanted to read on and find out what had happened in the intervening years and how the story would end for Elly, Joe, Jenny Penny and the others. Despite the whimsical title and cover, this book deals with some heavy themes and beneath the charm and humour there’s also a lot of sadness and poignancy. I often had tears in my eyes while I was reading but there were an equal number of scenes that made me smile (especially the school nativity play!). And although I had mixed feelings about this book, I thought the good points outweighed the bad. I would advise you to try it for yourself and see what you think!

The Mystery of the Blue Train by Agatha Christie

Ruth Kettering is an American heiress who receives a set of valuable rubies as a gift from her father. Despite his warnings to keep them somewhere safe, Ruth takes the jewels with her on a trip to Nice. During her journey through France on the famous Blue Train, Ruth is found strangled to death in her compartment – and the case containing the rubies has disappeared. Hercule Poirot, who also happens to be travelling on the same train, promises to help Ruth’s father solve the crime and identify the killer. Suspicion falls first on Ruth’s husband, Derek Kettering, whom she had been about to divorce, and then on the mysterious Comte de la Roche. Is one of them the murderer?

I grabbed The Mystery of the Blue Train from the library shelf without really knowing anything about it. A bit of research now tells me it’s one of Agatha Christie’s less popular Poirot novels and now that I’ve read it I think I can see why. It was written quite early in her career and at a troubled time in her personal life, and apparently the author herself was unhappy with it. The book does have all the elements that should have added up to a classic Christie novel (a rich heiress, a journey on a luxury train, jewel thieves, the South of France – and Hercule Poirot himself, of course) but while I did enjoy it, I still felt there was something missing.

Compared to the other Agatha Christie books I’ve read, which admittedly isn’t all that many, this one was much longer and seemed to take a while to really get started (the actual crime doesn’t take place until about 100 pages into the book). There was a very long wait before Poirot made his first appearance and instead we spend a lot of time being introduced to other characters, which would have been okay had I liked these characters, but I found them a bit stereotypical, from the American millionaire to the French count to the old antiques dealer.

There were also a few sub-plots that I felt didn’t really add much to the story, although I did enjoy the dialogue between Poirot and Katherine Grey, a young woman he meets on the train who becomes involved in the murder investigation. The mystery itself kept me guessing, though I think there were probably enough clues to be able to work out at least part of the solution, if you were paying more attention than I was! The Mystery of the Blue Train was entertaining in places but is probably my least favourite Christie novel so far.