When God Was a Rabbit by Sarah Winman

When God was a Rabbit is the story of Eleanor Maud Portman (known as Elly) and is divided into two parts. In the first part, Elly tells us about her childhood growing up in England in the 1970s and introduces us to some of the important people in her life, including her older brother, Joe, her best friend, Jenny Penny – and a pet rabbit called God. We then jump forward fifteen years and rejoin Elly as an adult in the 1990s. Over the years the family experience more than their fair share of dramas and disasters, though there are some good times too. I don’t want to go into too much detail about what happens to them, but the Portmans’ lives are affected by murder, illness, kidnapping, child abuse and terrorism, to name just a few of the tragic events covered in the book.

I enjoyed When God was a Rabbit but I did think it had a few flaws. I often complain that books are too slow for me but if anything, the pace of this one was too fast. I felt that some of the things that happened to Elly and her family deserved to be explored in more depth, but instead the story moved quickly on to a new topic and a new tragedy – it was hard to believe that so many things could possibly happen to one family. I can appreciate that this is fiction and doesn’t have to be realistic, but I was still overwhelmed by the sheer amount of issues the book touches on.

I’m younger than Elly but a lot of the things from her childhood felt familiar to me too. I think for people of a certain age (especially those born around the time Elly was, in 1968) this is a book that could be enjoyed almost as much for the nostalgia and the memories as for the plot. Elly’s personal story is set against a backdrop of historical events including the Queen’s Silver Jubilee in 1977, John Lennon’s death in 1980 and the 9/11 tragedy in 2001. These events and others all affected Elly, either directly or indirectly, and again this is where I felt Sarah Winman was trying to pack too much into one novel.

I don’t want to sound too negative though, because I really was impressed by When God was a Rabbit. I loved the first half of the book and although the second half didn’t have the same feel of magic and innocence, I still found it compelling. I wanted to read on and find out what had happened in the intervening years and how the story would end for Elly, Joe, Jenny Penny and the others. Despite the whimsical title and cover, this book deals with some heavy themes and beneath the charm and humour there’s also a lot of sadness and poignancy. I often had tears in my eyes while I was reading but there were an equal number of scenes that made me smile (especially the school nativity play!). And although I had mixed feelings about this book, I thought the good points outweighed the bad. I would advise you to try it for yourself and see what you think!

The Mystery of the Blue Train by Agatha Christie

Ruth Kettering is an American heiress who receives a set of valuable rubies as a gift from her father. Despite his warnings to keep them somewhere safe, Ruth takes the jewels with her on a trip to Nice. During her journey through France on the famous Blue Train, Ruth is found strangled to death in her compartment – and the case containing the rubies has disappeared. Hercule Poirot, who also happens to be travelling on the same train, promises to help Ruth’s father solve the crime and identify the killer. Suspicion falls first on Ruth’s husband, Derek Kettering, whom she had been about to divorce, and then on the mysterious Comte de la Roche. Is one of them the murderer?

I grabbed The Mystery of the Blue Train from the library shelf without really knowing anything about it. A bit of research now tells me it’s one of Agatha Christie’s less popular Poirot novels and now that I’ve read it I think I can see why. It was written quite early in her career and at a troubled time in her personal life, and apparently the author herself was unhappy with it. The book does have all the elements that should have added up to a classic Christie novel (a rich heiress, a journey on a luxury train, jewel thieves, the South of France – and Hercule Poirot himself, of course) but while I did enjoy it, I still felt there was something missing.

Compared to the other Agatha Christie books I’ve read, which admittedly isn’t all that many, this one was much longer and seemed to take a while to really get started (the actual crime doesn’t take place until about 100 pages into the book). There was a very long wait before Poirot made his first appearance and instead we spend a lot of time being introduced to other characters, which would have been okay had I liked these characters, but I found them a bit stereotypical, from the American millionaire to the French count to the old antiques dealer.

There were also a few sub-plots that I felt didn’t really add much to the story, although I did enjoy the dialogue between Poirot and Katherine Grey, a young woman he meets on the train who becomes involved in the murder investigation. The mystery itself kept me guessing, though I think there were probably enough clues to be able to work out at least part of the solution, if you were paying more attention than I was! The Mystery of the Blue Train was entertaining in places but is probably my least favourite Christie novel so far.

The House by the Sea by Santa Montefiore

The House by the Sea is the first book I’ve read by Santa Montefiore. The novel consists of two alternating stories, one set in present day England and the other in Italy several decades earlier. The Italian storyline begins in 1966 with Floriana, a ten-year-old girl who lives with her drunken father in a small village in Tuscany. Looking over the crumbling wall of a beautiful villa by the sea, Floriana comes face to face with seventeen-year-old Dante, whose parents own the house. Floriana dreams of one day marrying Dante and escaping from her lonely, miserable life but unfortunately things don’t go exactly as she planned.

In 2009 we meet Marina, a woman in her fifties who runs a hotel on the Devon coast. The hotel is in financial difficulties and in an attempt to save her struggling business, Marina advertises for an ‘artist-in-residence’ to spend the summer at the hotel teaching guests to paint. And so Rafa Santoro, an artist from Argentina, arrives in Devon and proves to be a big success – particularly with Marina’s stepdaughter, Clementine. But as Clementine begins to fall in love with Rafa, she starts to suspect that he may be hiding something.

What is Rafa’s secret? And what is the link between Floriana’s story and Marina’s? At first I had no idea; I couldn’t understand how the two could be connected. Eventually, though, the answers to these questions started to become clear – and there were a few other interesting sub-plots which also kept me guessing. I found myself completely engaged with both threads of the book. We spend quite a lot of time in each period before switching back to the other one, long enough to really get to know the characters and become absorbed in their lives. All of the characters were interesting to read about, even Clementine, who spent most of the book being completely annoying and irritating.

I thought Montefiore did a wonderful job of bringing two such different locations to life. The Devon chapters, with descriptions of cream teas, fishing trips and the office where Clementine works, have a very ‘English’ feel, while the Tuscan sections conjure up the sights and sounds of Italy. I loved both, though the Italian one felt particularly vivid and magical.

I really enjoyed this book and would be happy to read more books by Santa Montefiore, definitely. With mystery, romance, beautiful settings and well-developed characters, The House by the Sea proved to be a perfect summer read!

I received a copy of this book for review from Simon & Schuster

Powder and Patch by Georgette Heyer

Philip Jettan has grown up in the country on his family estate and has never shown any interest in fashionable society. As he grows older he falls in love with his childhood friend and neighbour, Cleone Charteris, but Cleone is unimpressed by Philip’s simple country ways and makes it clear she’s looking for a man with better manners and nicer clothes. And so, with the help of his Uncle Tom, Philip goes to Paris to learn how to be a gentleman…but when ‘le petite Philippe’ returns wearing powder and patches, writing French poetry and fighting duels, Cleone starts to wish she could have the old Philip back.

Powder and Patch is a very early Georgette Heyer novel and in my opinion not an example of her best work. If this had been my first experience of Heyer I think I would have been disappointed, but because I’ve read and enjoyed some of her other novels I’m prepared to accept that I’ll come across the occasional book that’s not as good. And having read some of her later books, it was interesting to see an early indication of her storytelling ability and talent for witty dialogue. There’s a lot of humour in the story but I didn’t find it as amusing as it was obviously intended to be – although I have to say, the final few chapters were quite funny and redeemed the book for me.

None of the characters in this book seemed to have much depth, with Cleone being particularly silly, especially in comparison to some of the stronger, more complex heroines in the other Heyer books I’ve read. I found it difficult to warm to her from the start because I thought Philip was fine the way he was: sincere, honest and reliable, and Cleone’s inability to accept him made me feel annoyed with her. The moral of the story is obvious: that outward appearances can be deceiving and it’s what’s inside that counts.

This book is set in the Georgian era, rather than the Regency period which Heyer is more famous for, and this gives the story a slightly different feel, although I don’t personally have any preference for one period over the other. I should point out that if you’re like me and have only a very basic knowledge of the French language (or none at all) be warned that there are a lot of French phrases scattered throughout the book, including an entire poem written in French. I don’t think it actually affected my understanding of the plot at all but I did keep wondering if I might be missing something.

Powder and Patch is a short novel but just the right length really because I don’t think the plot would have been strong enough to sustain a longer book. I found it a very quick and easy read which kept me entertained for a while, but definitely the weakest of the Heyer novels I’ve read so far.

The Novel in the Viola by Natasha Solomons

I love reading fiction set during World War II and The Novel in the Viola is one of the best I’ve read for a while. The story begins in 1938 when we meet nineteen-year-old Elise Landau, a girl from a rich Austrian family (her mother, Anna, is a successful opera singer and her father, Julian, a famous author). Until now, Elise has lead a secure and comfortable life but that’s all about to change because the Landaus are Jews, and with Europe on the brink of war Austria is no longer a safe place to live. And so Elise is sent away from her home in Vienna and travels alone to Tyneford House, a mansion on the south coast of England, where she will work as a maid for Mr Rivers and his son, Kit. Her parents have remained in Austria while they await American visas and they promise to send for Elise as soon as possible – but as the war continues, she begins to wonder if they’ll ever be reunited.

The portrayal of life in an English country house forms a big part of the story, with insights into the class system, social conventions of the time, and the relationships between servant and master. Elise has to get used to working as a parlour maid after spending most of her life having servants of her own. Her background makes it difficult for her to fit in with the other servants at Tyneford but her status as a maid and a Jewish refugee prevents her from being accepted by some of the Rivers’ upper class friends. Elise is a wonderful character and I enjoyed following her as she settled into her new life – I thought Natasha Solomons displayed a real understanding of what it was like to be newly arrived in an unfamiliar country, feeling homesick and struggling with the language and the culture.

There are lots of beautiful, atmospheric descriptions of the Dorset countryside and coast which gave me a true feel of what it was like to live there during the Second World War. The story also looks at the effects the war had on the village of Tyneford and the house itself. The author’s note at the end of the book was very interesting and explained how Tyneford was based on a real place that became a ghost town because of the war.

There are so many other things I could say about this book – there’s the secret of the ‘novel in the viola’ itself, and I haven’t even mentioned yet the romantic storyline which develops as Elise begins to fall in love with someone she meets at Tyneford. But I don’t want to spoil this book for you, so I’ll just say that The Novel in the Viola was a real pleasure to read, a great story with just the right balance of sadness and humour. And I thought the way the book ended was perfect – the only problem was that I had grown to care for Elise and the others so much I didn’t want to leave them behind.

The Somnambulist by Essie Fox

With my love of all things Victorian I had high hopes for this book, the debut novel by Essie Fox, and I wasn’t disappointed. The Somnambulist is a beautifully written story with memorable characters, an intricate plot and a distinctly gothic feel.

Phoebe Turner is a seventeen-year-old girl who lives in the East End of London. Her mother, Maud, a member of the Hallelujah Army, has done her best to keep Phoebe from sin and to protect her from what she considers to be the bad influence of her sister, Cissy. Phoebe, though, adores her glamorous Aunt Cissy and she is left devastated by her sudden death early in the novel.

Maud is struggling with the loss of Cissy’s income and when the wealthy Nathaniel Samuels offers Phoebe a position as companion to his wife, it seems this could be the solution to their financial problems. And so Phoebe leaves London behind and travels to Dinwood Court, the Samuels’ mansion in Herefordshire, where she begins to uncover some dark family secrets…

Essie Fox is the author of the Virtual Victorian blog and one thing that is very apparent in The Somnambulist is her knowledge and love of the Victorian period. It was interesting to read the author’s note at the back of the book in which she gives us some of the historical fact behind the fiction and lets us know which of the people and places mentioned in the novel are ones that really existed. I was impressed by the amount of period detail and the vivid descriptions which really brought the settings to life, particularly Wilton’s Music Hall and the magnificent Dinwood Court, two contrasting but equally well-drawn locations. The characters, too, are colourful and vibrant and Phoebe herself is a complex character who grows and develops as a person over the course of the novel.

I guessed one of the book’s big secrets almost from the beginning (a sign that I’ve read too many books of this type, maybe!) but that didn’t matter at all because I enjoyed watching Phoebe as she slowly pieced the parts of her history together. There were other surprises and twists that I didn’t see coming and overall I thought the story was very cleverly plotted. I also loved the sleepwalking theme which is indicated in the title and gently woven throughout the book with references to the Millais painting, The Somnambulist, which is widely believed to have been inspired by either the Wilkie Collins novel The Woman in White or the Bellini opera La Sonnambula. The story itself is often ghostly and dream-like and Phoebe’s world is a place where nothing is exactly as it seems.

The Somnambulist is an impressive debut novel and I’ll certainly look out for any future books from Essie Fox.

North and South by Elizabeth Gaskell

North and South is the story of Margaret Hale, a young woman who lives with her parents at their parsonage in the idyllic village of Helstone in the south of England. When Margaret’s father decides to resign as parson and takes a new job as a tutor in the northern manufacturing town of Milton, the Hale family initially find it difficult to adapt to their new environment. It is not until Margaret meets some of the inhabitants of Milton that the town begins to feel like home. She forms a close friendship with the Higgins family – the invalid Bessy, her younger sister Mary and their father, Nicholas, who works at the cotton mill. But when the Hales also get to know Mr Thornton, a wealthy mill owner, Margaret finds herself caught in a conflict between the poor mill workers and their rich masters.

There’s also a romantic element to the novel: Mr Thornton falls in love with Margaret who unfortunately is prejudiced against what she calls ‘shoppy people’. She seems to make up her mind to dislike him before she even gets to know him because he’s a tradesman who has earned his money rather than inheriting it and is not her idea of a real gentleman. And to make things worse, Mr Thornton’s mother thinks Margaret is haughty and wants to stop her son from becoming involved with her.

Although there were also a lot of things to like about Margaret, her attitude towards Mr Thornton prevented me from really warming to her until the second half of the book when after meeting different types of people and being exposed to important social issues she begins to reassess some of her views and starts to grow as a person. By the end of the book I didn’t find her the annoying character I did at the beginning. It was interesting to see how both Mr Thornton and Nicholas Higgins also changed due to Margaret’s influence. There’s a lot of character development in this book, which was one of the things I loved about it.

The book takes place during the industrial revolution, an important and interesting period of history. It was a time of progress, allowing the factory owners to develop great wealth and the country’s economy to grow. However, the factory employees were working under appalling conditions, with absolutely no regard for their health and safety. Bessy Higgins is one example of this: she is only nineteen years old and has already developed a lung disease which she blames on inhaling ‘fluff’ from the cotton in the mill where she used to work.

Most of this industry was concentrated in the north of the country, in towns and cities such as the fictional Milton. Gaskell herself was born in London but spent most of her childhood in Cheshire and then settled in Manchester after her marriage (the town of Milton is thought to be based on Manchester), so she would have had first-hand knowledge of the northern way of life and how it may have differed from life in the south. Even today many people still have certain views and misconceptions about the differences between northern and southern England and even more so at the time when Gaskell was writing this novel, so I did appreciate the way she showed both the positive and the negative things about both regions.

North and South hasn’t become one of my favourite classics, but I did still enjoy it, although I was slightly disappointed by the way the book ended – not because I was unhappy with the outcome but because it seemed too abrupt. After reading The Moorland Cottage in February, I’ve now read the required two books to complete the Gaskell Reading Challenge, but as I’ve enjoyed both of my choices I’m sure I’ll be reading more of Gaskell’s work in the future!