This is only the second book I’ve read by Margaret Atwood. The first was The Handmaid’s Tale, which I read in December 2012 and loved; thinking about which one to read next, Alias Grace sounded the most appealing to me but it wasn’t until it was selected for my Ten From the TBR project last month that I actually got round to reading it.
Alias Grace is a work of fiction based on a true story: the story of Grace Marks, a woman sentenced to life imprisonment for murder in 1840s Canada. Grace (who was only sixteen at the time) and her alleged accomplice, James McDermott, were accused of the murders of their employer, Thomas Kinnear, and his housekeeper, Nancy Montgomery. Grace has been in the Kingston Penitentiary for fifteen years when Simon Jordan, a doctor with an interest in criminal behaviour, decides to visit her as part of his research.
Although Grace claims to have no memory of the murders, she does have plenty of other memories which she gradually shares with Dr Jordan: her childhood in Ireland, her journey across the Atlantic and arrival in Canada, her first job as a maid and her friendship with a girl called Mary Whitney – and finally, the time she spent in Kinnear’s household prior to the murders.
As Dr Jordan listens to her story unfold, he tries to make up his mind about Grace. Is she being completely honest with him? Is she really guilty of the crimes of which she has been accused? Margaret Atwood doesn’t offer any answers here; it is left up to the reader to decide – but proving Grace’s guilt or innocence is not really the point of this book. Grace’s life story is interesting in itself, giving us some insights into what it was like to be an Irish immigrant in the 19th century, and the novel also explores attitudes towards women and towards mental illness at that time.
Alias Grace is a fascinating blend of fact and fiction. Grace Marks really existed but although Atwood states in her author’s note that she has not changed any of the known facts regarding the murder case, there were enough gaps in the records to allow her to invent parts of the story. Simon Jordan is a fictional character, but his inclusion in the novel adds another perspective – and also another layer, because we can never be sure whether Grace is telling him the truth or just saying what she thinks he would like to hear. Hannah Kent uses a similar device in Burial Rites and as I read, I did keep being reminded of Burial Rites (although Alias Grace was published first, of course).
I loved Alias Grace, but it’s a very different type of book from The Handmaid’s Tale, which has made me curious about the rest of Margaret Atwood’s novels. Which one do you think I should read next?