This novel by Italian author Giuseppe Tomasi di Lampedusa, published posthumously in 1958, is one I had been interested in reading for a few years, having seen lots of very positive reviews, but it was including it on my 20 Books of Summer list that pushed me into picking it up towards the end of June. I have to confess, when I first started reading it I wasn’t at all sure whether I was going to like it, but I think that was mainly because I had no understanding of the historical context. Google came to the rescue and after I’d familiarised myself with the background to the novel I found it much easier to follow what was happening.
The Leopard is set in 19th century Sicily during the Risorgimento (the movement for the unification of Italy). We explore this period of Italian history through the eyes of a Sicilian nobleman, Don Fabrizio Corbera, Prince of Salina, who is forced to watch as the world around him changes beyond his control. Beginning in 1860, the year Garibaldi lands on the coast of Sicily, we see the gradual decline of the Prince’s family and the nobility as a whole.
While Don Fabrizio regrets the loss of values he once held dear and hopes that somehow, once Italy has been united, the class system will be able to survive, his nephew Tancredi has a very different outlook, explaining that “everything needs to change, so that everything can stay the same”. The relationship which develops between Tancredi and the beautiful Angelica, daughter of a wealthy businessman, is only possible because of the breakdown in the class structure; characters like Angelica represent the future, whereas those like Don Fabrizio are becoming part of history.
Although the novel is set in the past – and does immerse the reader in another time and place, with some elegant and vivid descriptive writing – the author occasionally reminds us that he is viewing events from a point many years in the future. For example, he lets us know that the palace he is describing with painted gods on the ceiling will be destroyed by a bomb in 1943. It all adds to the poignancy and to the atmosphere of decay and decline.
If you’re wondering about the title, it refers to the symbol of the Salina dynasty and, I think, the power and grace of the aristocracy. As the Prince himself muses, “We were the Leopards, the Lions; those who’ll take our place will be little jackals, hyenas…” The whole novel is rich in symbolism: a stone leopard above the door has the legs broken off in a sign of things to come, while the initals engraved on Don Fabrizio’s wine glass are fading away and even the fate of his dog Bendico is another reminder that everything must come to an end.
The Leopard is a beautifully written book and although it’s surprisingly short, there’s so much packed into its pages I think a re-read would be necessary to be able to fully appreciate it. After an uncertain start, I was very impressed with this book and can see why it is considered a classic Italian novel.
This is Book 4/20 for my 20 Books of Summer challenge.