The Doll Factory was one of the books on my 20 Books of Summer list that I never got round to reading, so I added it to my Autumn TBR list instead, hoping that would give me a push into picking it up sooner rather than later. Now that I’ve finally read it, I can say that it was worth waiting for – and it was actually a perfect October read.
The Doll Factory is set in Victorian London and follows three main characters whose stories become more and more closely entwined as the novel progresses. First, we meet Silas Reed, a lonely and eccentric man of thirty-eight whose ‘shop of curiosities’ houses stuffed animals, jars of specimens and cabinets of butterflies. He dreams of one day opening his own museum and hopes he will get his chance to make a name for himself at London’s upcoming Great Exhibition, but a chance encounter with Iris Whittle proves to be a distraction.
Iris – like her sister, Rose – works at Mrs Salter’s Doll Emporium, painting faces on china dolls. What Iris really wants is to develop her skills as an artist and be taken seriously as a painter in her own right, so when she is approached by Louis Frost, a member of the Pre-Raphaelite Brotherhood who asks her to model for him, she jumps at the opportunity…on the condition that Louis teaches her to paint. As she and Louis begin to spend time together, Iris discovers that she is falling in love – but she is being watched by Silas Reed, who has already decided that Iris is the woman he has been waiting for all his life.
Ten-year-old Albie has links with both Silas and Iris, providing dead animals for the curiosity shop and running errands for the doll factory. Albie is a bright and observant boy, but has grown up in poverty; he needs all the money he can get if he is ever going to help his sister out of prostitution and achieve his dream of buying a new set of teeth for himself. Albie can see that Silas is becoming dangerously obsessed with Iris, but will he be able to help her before it’s too late?
There are so many things to admire about The Doll Factory. I loved the Victorian setting, which in Elizabeth Macneal’s hands feels vivid and convincing, and I loved the way she blends her fictional characters and storylines together with real history. I enjoyed reading about the art world of the 1850s; although we do meet some of the real Pre-Raphaelites such as Rossetti and Millais, they are just minor characters while the focus is on Iris’s relationship with the fictional Louis Frost (and his wombat, Guinevere). As a woman trying to find her way into this world, Iris knows she faces huge challenges and obstacles but she knows she has talent as an artist and is determined to find a way to express herself.
Because of the Pre-Raphaelite element of the novel, I kept being reminded of Crimson and Bone by Marina Fiorato, another book in which a young woman becomes an artist’s model, although I think this is the stronger and better written of the two. It’s also quite a dark novel; the signs are there from the beginning with the descriptions of taxidermy, the collection of dead creatures and some of the macabre paintings Iris and her sister create for mourning parents in the doll factory, but it becomes much darker and more disturbing in the second half of the book as Silas becomes increasingly obsessed with possessing Iris. The ending wasn’t perfect – the climax of the story seemed to go on for far too long and was the one part of the book that, for me, felt contrived and over the top – but other than that, I really enjoyed The Doll Factory. It’s an impressive first novel and I will be hoping for more from Elizabeth Macneal.