The Doll Factory was one of the books on my 20 Books of Summer list that I never got round to reading, so I added it to my Autumn TBR list instead, hoping that would give me a push into picking it up sooner rather than later. Now that I’ve finally read it, I can say that it was worth waiting for – and it was actually a perfect October read.
The Doll Factory is set in Victorian London and follows three main characters whose stories become more and more closely entwined as the novel progresses. First, we meet Silas Reed, a lonely and eccentric man of thirty-eight whose ‘shop of curiosities’ houses stuffed animals, jars of specimens and cabinets of butterflies. He dreams of one day opening his own museum and hopes he will get his chance to make a name for himself at London’s upcoming Great Exhibition, but a chance encounter with Iris Whittle proves to be a distraction.
Iris – like her sister, Rose – works at Mrs Salter’s Doll Emporium, painting faces on china dolls. What Iris really wants is to develop her skills as an artist and be taken seriously as a painter in her own right, so when she is approached by Louis Frost, a member of the Pre-Raphaelite Brotherhood who asks her to model for him, she jumps at the opportunity…on the condition that Louis teaches her to paint. As she and Louis begin to spend time together, Iris discovers that she is falling in love – but she is being watched by Silas Reed, who has already decided that Iris is the woman he has been waiting for all his life.
Ten-year-old Albie has links with both Silas and Iris, providing dead animals for the curiosity shop and running errands for the doll factory. Albie is a bright and observant boy, but has grown up in poverty; he needs all the money he can get if he is ever going to help his sister out of prostitution and achieve his dream of buying a new set of teeth for himself. Albie can see that Silas is becoming dangerously obsessed with Iris, but will he be able to help her before it’s too late?
There are so many things to admire about The Doll Factory. I loved the Victorian setting, which in Elizabeth Macneal’s hands feels vivid and convincing, and I loved the way she blends her fictional characters and storylines together with real history. I enjoyed reading about the art world of the 1850s; although we do meet some of the real Pre-Raphaelites such as Rossetti and Millais, they are just minor characters while the focus is on Iris’s relationship with the fictional Louis Frost (and his wombat, Guinevere). As a woman trying to find her way into this world, Iris knows she faces huge challenges and obstacles but she knows she has talent as an artist and is determined to find a way to express herself.
Because of the Pre-Raphaelite element of the novel, I kept being reminded of Crimson and Bone by Marina Fiorato, another book in which a young woman becomes an artist’s model, although I think this is the stronger and better written of the two. It’s also quite a dark novel; the signs are there from the beginning with the descriptions of taxidermy, the collection of dead creatures and some of the macabre paintings Iris and her sister create for mourning parents in the doll factory, but it becomes much darker and more disturbing in the second half of the book as Silas becomes increasingly obsessed with possessing Iris. The ending wasn’t perfect – the climax of the story seemed to go on for far too long and was the one part of the book that, for me, felt contrived and over the top – but other than that, I really enjoyed The Doll Factory. It’s an impressive first novel and I will be hoping for more from Elizabeth Macneal.
14 thoughts on “The Doll Factory by Elizabeth Macneal”
Helen, as always such a great review! I have been on that edge of planning to read or not read this; now I must read this, though the dark themes of the novel, are not my particular favorites, but everything else sounds so up my alley! Thanks so much!
It is quite a dark book but there are plenty of other things to enjoy too. I hope you like it if you do read it. 🙂
Yes, pet wombats were all the rage amongst the real Pre-Raphaelites apparently!
This sounds very good; an impressive sounding first novel.
It is! I really enjoyed it.
I liked it a great deal as well. Like you, I was impressed on how vividly Macneal brought Victorian London and the Pre-Raphaelite Brotherhood to life. I’ve got to say, that Silas gave me the creeps from the start. 🙂 Another book on the PRB, this one based on the relationship between Dante Rosetti and Lizzie Siddall, is Ophelia’s Muse by Rita Cameron, which I think is a perfect companion to The Doll Factory.
Yes, Silas was very creepy! I hadn’t heard of Ophelia’s Muse, so thanks for telling me about it.
Sounds a little creepy. Perfect for this time of year!
Yes, I’m glad I didn’t have time to read it in the summer as it was a perfect October read.
A woman who wants to be a true artist but has to paint doll faces reminds me of the heroine in The Blue. That was a great read and this one sounds great too.
I loved The Blue and yes, there are some similarities between the heroines.
For some reason, Posession by A. S. Byatt came into my head while reading this review. Different story, but examining the same period of history, and also inspired by the same group of artists if I remember correctly. It’s a long time since I’ve read it.
It’s been years since I read Possession too! I found this book a much quicker and easier read, but yes, I think they cover some similar topics and themes.