The Pharmacist’s Wife by Vanessa Tait

Vanessa Tait is a new author for me, although it seems she has written one previous novel, The Looking Glass House – a book inspired by Alice in Wonderland, which sounds particularly intriguing as Tait is the great-granddaughter of ‘the real Alice’, Alice Liddell. I was drawn to her latest novel, The Pharmacist’s Wife, by the eye-catching cover and then by the promise of “A dark and thrilling tale of Victorian addiction, vengeance and self-discovery, perfect for fans of Sarah Waters, Jessie Burton’s The Miniaturist and Sarah Perry’s The Essex Serpent.”

The Pharmacist’s Wife is set in Victorian Edinburgh, a setting which interested me immediately. There are so many novels set in Victorian London, it always makes a nice change to find one set somewhere else! Although I felt that the sense of place could have been strengthened by the use of more Scottish dialect, I did like the contrasting descriptions of the Old Town and the New Town.

North Bridge, the road linking Old to New, is the location Rebecca Palmer’s husband Alexander has chosen for his new pharmacy, the Grand Opening of which is celebrated with a brass band and a performing monkey. These are exciting times for Rebecca who, as a spinster of twenty-eight, had given up hope of ever marrying anyone, let alone such a clever and distinguished man as Alexander. Almost as soon as they move into their new home, however, Rebecca is forced to question whether her husband really is the man he appears to be. She suspects him of having an affair with Evangeline, a woman from the Old Town, and when she finds a ladies’ red shoe on his desk she’s sure her suspicions have been confirmed.

Alexander doesn’t like a wife who asks questions or has too many ideas of her own and, with this in mind, he has been developing a new medicine in his laboratory above the pharmacy – a medicine which he hopes can be used to control women and which he persuades Rebecca to try by telling her it will make her happy and content. Soon Rebecca is dependent on her medicine, taking it more and more often and relying on her husband to provide it for her. It is, of course, heroin – and it seems that Rebecca is not the only woman on whom Alexander has been testing his new invention…

This is certainly a dark novel but I didn’t find it a particularly thrilling one and it wasn’t until near the end that I started to feel gripped by the story. I suppose I was expecting more from the plot; there are lots of good ideas and plenty of interesting topics are touched on, but it’s only when (without wanting to spoil too much) things begin to go less smoothly for Alexander that it becomes really compelling, in my opinion. What this book does do, very well, is explore the inequalities between men and women in 19th century society. Although Alexander is not a real person and his discovery of heroin is fictitious, he uses the drug to keep his wife quiet and submissive and to take away whatever small amount of independence and freedom she may have had. Rebecca’s situation is oppressive and frightening and as her addiction to the drug deepens it becomes difficult to see how she is going to break out of the cycle in which she has found herself.

I liked Rebecca as a character and was pleased to see that she does develop as a person as the novel progresses, but I thought the villains, Alexander and his friend Mr Badcock, were too obviously ‘villainous’ and could have been given more depth. As well as the drugs, it seems that there’s no type of cruelty or depravity of which they’re not capable! Thankfully, there are two decent male characters to balance things out slightly – Lionel, the apprentice who helps Alexander in the pharmacy, and Gabriel, Rebecca’s first love.

The Pharmacist’s Wife is an interesting novel and, as I’ve said, a very dark one. I couldn’t love it, but I would be happy to read more books by Vanessa Tait. Has anyone read The Looking Glass House? What did you think of it?

Thanks to Atlantic Books for providing a review copy via NetGalley.

The Oaken Heart by Margery Allingham

Having read several of Margery Allingham’s detective novels, I was intrigued to come across The Oaken Heart, an account of life in her small English village during the Second World War. Originally published in 1941, it was apparently based on letters written to some American friends and expanded into a book at the suggestion of her publisher. It’s interesting to think that she was writing this while the war was still taking place and when nobody knew how much longer it would last or what the outcome would be.

Allingham’s village was Tolleshunt D’Arcy in Essex, but she refers to it in the book as ‘Auburn’ after a line from the poem The Deserted Village by Oliver Goldsmith. She is obviously very proud of Auburn and the way the people who live there work together to cope with whatever the war throws at them; it’s true that all towns and villages have their own unique characteristics, but I think it’s also true that the wartime experiences of the residents of Auburn will have been similar to the experiences of people in other parts of Britain.

Like many other villages, Auburn, in 1938 when the book opens, is still suffering from the effects of the previous war which ended just twenty years earlier. There’s a sense that Allingham and her friends are putting all their faith in Neville Chamberlain, not really believing or wanting to believe that war could possibly happen again. Of course, it does happen again – after a year of preparations, gas mask distributions and discussions of who should take in how many evacuees. The subject of evacuees is an important one to the people of Auburn; at first they are excited at the thought of groups of little schoolchildren from London arriving in the village (since the First World War there has been a shortage of young people in Auburn), but the reality is very different – hundreds of young mothers and babies! Allingham’s descriptions of the newcomers, the culture differences and how the villagers dealt with all of this are quite funny to read about.

I have never read anything about Margery Allingham as a person before, so I don’t know what she was supposed to be like or what impression the people who knew her had of her, but based on her own words in The Oaken Heart, she seems very likeable and down-to-earth. She makes a few references to her writing career now and then (she was working on Traitor’s Purse at the time), but there is never any sense of self-importance or superiority over anyone else in the village. Her writing style is warm, conversational and, as you would expect, very readable.

This is a wonderful book, which I would recommend to anyone who enjoys reading about life during the war. The fact that it is a first-hand account written in 1941 rather than a memoir written years later gives it another layer of interest. As we reach the final page, there is still no end to the war in sight and nobody has any idea if or when it’s all going to stop. I was sorry that the book ended when it did, as I would have liked to have continued reading about the people of Auburn and to find out how they fared later in the war.

The Fire Court by Andrew Taylor

This is the second in Andrew Taylor’s new historical mystery series set during and after the Great Fire of London. The first book, The Ashes of London, set in 1666, deals with the Fire itself and the devastation it causes, as well as introducing us to our protagonists – James Marwood, son of a Fifth Monarchist, and Cat Lovett, daughter of a regicide involved in the execution of King Charles I. It’s not completely necessary to have read The Ashes of London before beginning The Fire Court as they both work as standalone mysteries, but I would still recommend it.

In The Fire Court, we watch as London begins to rebuild in the aftermath of the Great Fire. With so much of the city destroyed, so many homes and businesses burned to the ground, there’s a lot of rebuilding to be done! Naturally, this gives rise to disputes between landlords and tenants, and disagreements as to how land should be redeveloped and who is responsible for paying for it. A special court is established to deal with all of this: the Fire Court.

At the beginning of the novel, James Marwood’s elderly father dies after falling beneath the wheels of a wagon in a London street, but not before he has time to tell James about a horrific discovery he made in one of the chambers of the Fire Court – the body of a murdered woman, with blood on her yellow gown. At first, Marwood dismisses these claims as the ramblings of an old, ill man, but when he begins to investigate he comes across some clues which suggest that maybe his father was telling the truth after all.

Marwood wants to find out more, but it seems that his employers – Joseph Williamson, the Under-Secretary of State, and William Chiffinch, Keeper of the King’s Private Closet – would prefer him to leave things alone. He can’t walk away now, though; he’s already much too deeply involved. Others have become caught up in the mystery too, among them Cat Lovett who, following the events of the previous novel, is now living in the household of her cousin Simon Hakesby, the architect – and another young woman, Lady Jemima Limbury, whose marriage, it appears, is based on lies and deceit. All of these people have a part to play in the mystery that unfolds and none of them know who to trust.

I enjoyed The Ashes of London, but I thought The Fire Court was even better. The plot was a complex, interesting one and with the focus on lawyers and court cases, it reminded me at times of CJ Sansom’s Shardlake novels, which I love. Being the second book in the series, I felt that both main characters – Marwood and Cat – are starting to feel more fully developed now. I sympathised with Marwood’s conflicting feelings for his father and the dilemma he faces when he is forced to choose between his two masters, Williamson and Chiffinch. As for Cat, she continues to be in a dangerous position should her true identity be discovered, so she has taken the name Jane Hakesby and is pretending to be her cousin’s servant. In her situation, you would think it would be a good idea to keep a low profile, but with her courageous and fiery personality, she does nothing of the sort! I really like the way the relationship between Marwood and Cat is progressing; it has taken a while, but they are beginning to trust each other and work together.

There are some interesting secondary characters in this book too, ranging from Marwood’s servant, Sam, who lost a leg in the wars against the Dutch, to the sinister Lucius Gromwell, in whose room the murdered woman was found. I particularly enjoyed reading about Jemima Limbury: her background and lifestyle are very different from Cat’s but the situation in which she finds herself is no easier to endure.

I’m looking forward to reading more books about James Marwood and Cat Lovett – and am assuming that there are going to be more, as they are being marketed as ‘a series’ which would suggest that there won’t just be two! Meanwhile, I still need to read my copy of Bleeding Heart Square, the only historical mystery by Taylor that I still haven’t read!

The Sapphire Widow by Dinah Jefferies

I love Dinah Jefferies’ books; they always have such interesting settings. So far they have taken me to 1950s French Indochina (The Silk Merchant’s Daughter), Malaya during the Emergency of 1955 (The Separation) and 1920s Ceylon (The Tea Planter’s Wife). Her new novel, The Sapphire Widow, takes us back to Ceylon again but the story this time is quite different.

It’s 1935 and Louisa Reeve is grieving for her stillborn daughter, one of several miscarriages and stillbirths she has suffered over the years. She should be able to rely on her husband Elliot for support, but Elliot has become withdrawn and distant, spending more and more of his time visiting a nearby cinnamon plantation in which he says he has bought shares. When he tells her about his latest business venture – converting an old Print House into a shop trading in jewels and spices – Louisa feels more optimistic. It will be something they can work on together – and if they could only have another child, surely their marriage will survive.

Sadly, Louisa will never know what the future might have held for the two of them, because Elliot is killed in a tragic accident. Before she has even begun to come to terms with losing him, she makes a series of shocking discoveries that leave her questioning whether she ever really knew her husband at all. Hoping to find answers at Cinnamon Hills, she only uncovers more lies and secrets, but when she meets Leo, the plantation owner, and a little boy called Conor, she begins to find the strength to move on.

I think The Sapphire Widow could be my favourite of the four Dinah Jefferies novels I’ve read. It was lovely to return to Sri Lanka (or Ceylon, as it was then) and a nice surprise to be reacquainted with characters from The Tea Planter’s Wife, which I hadn’t expected! Although this book doesn’t explore the history and politics of 1920s/30s Ceylon in the way that the earlier book did, it doesn’t really need to because this is a different type of story. Unlike Gwen in The Tea Planter’s Wife, Louisa doesn’t have the same level of interaction with people of different backgrounds and beliefs; her story revolves around Elliot’s lies, her constant battles with her mother-in-law Irene, and the relationships that are beginning to form with Leo and with Conor.

This doesn’t mean that the setting is any less wonderful, of course! Dinah Jefferies writes so beautifully about Ceylon, bringing each location to life as the action moves between the coastal city of Galle, the capital Colombo and the cinnamon plantation where Leo lives. The characters are great too. I loved Louisa and really admired her patience with the interfering Irene, for whom Elliot can do no wrong and Louisa can do no right. I was glad that Louisa had a good friend in her sister-in-law Margo, who helps her through this difficult time despite the problems she is experiencing in her own personal life.

I really enjoyed The Sapphire Widow and will look forward to whatever Dinah Jefferies writes next. Meanwhile, I need to go back and read Before the Rains, her novel set in India in the 1930s. I’m not sure how I still haven’t read that one!

Thanks to Penguin for providing a copy of this book for review via NetGalley.

Mini-reviews: Three books, three queens

I have read three older historical fiction novels recently which I’ve decided to write about all in one post to avoid boring those of you who don’t share my interest in ‘kings and queens’ novels – and also because I’ve fallen hopelessly behind with my reviews again and need to start catching up!

The first book I’m going to mention is With All My Heart by Margaret Campbell Barnes (1951), which tells the story of Catherine of Braganza, the Portuguese princess who comes to England as the wife of King Charles II. Although I’ve read a lot of other novels set during the reign of Charles II, this is the first one that specifically focuses on Catherine. Catherine is portrayed very sympathetically throughout this novel, beginning with her early days in England, trying to adjust to a climate and culture so different from Portugal’s, and later, when she discovers that she will have to share her husband with his many mistresses.

There is some overlap between this book and the last one I read by Barnes – Lady on the Coin – which is about Frances Stuart, one of the other women at the court of Charles II, but the two novels have a different feel, probably due to the very different personalities and positions of their heroines. One notable difference between the two books is that while major events such as the plague and the Fire of London are only touched on lightly in Lady on the Coin, they are given much more attention in this book and that made this one a more interesting read.

The second queen to feature in my recent reading was only queen for nine days: she is, of course, Lady Jane Grey and her story is told in Destiny’s Lady by Maureen Peters. The book takes us through Jane’s life from her childhood in the household of Catherine Parr and Thomas Seymour to her acceptance of the crown, her imprisonment and finally her beheading in 1554. Jane’s mother, Frances Brandon, is very much the villain of the novel, but remembering that it was published in 1972, I think that was the accepted view of Frances at the time – it only seems to be more recently that historians have started reassessing what we know of her again.

I have read a few other books by Peters and I complained that they were too short to do the subject justice. This is another short one, but as Jane Grey’s life was sadly also very short, I felt that the length of the book was adequate for everything that needed to be said. The pacing is better and there is not the same sense of struggling to squeeze a person’s entire lifetime into two hundred pages. Having said that, I would only really recommend Destiny’s Lady if you just want a brief overview of Jane’s life or are looking for a light and undemanding read set in this period. If you would prefer a more in-depth novel about Jane, you will need to look elsewhere.

Finally, I read The Queen’s Caprice by Marjorie Bowen, a book about a queen of Scotland this time. The story of Mary, Queen of Scots, is a fascinating, eventful one and always a good subject for historical fiction. Bowen’s novel is a straightforward fictional biography of Mary, covering the period from her return to Scotland in 1561 following the death of her husband, the King of France, and her imprisonment at Lochleven. In between, there’s always something happening: a murder, a plot, a rebellion or a disastrous marriage or two!

This is an interesting look at Mary’s life, although as it was published in 1933 I think the style will be too dated for some readers and it’s probably not the best book to read as a first introduction as Bowen does seem to assume we have some background knowledge of the period. It isn’t a very flattering portrayal of Mary either – as the title suggests, a lot is made of her capriciousness and her tendency to think with her heart rather than her head, making poor decisions regardless of the consequences. I was never sure whether our sympathies were supposed to be with Mary or with her ambitious half-brother, James Stewart, the Earl of Moray. I’ve read a few other books by Marjorie Bowen and while I thought this one was worth reading, it isn’t one of my favourites.

Have you read any books about Catherine of Braganza, Lady Jane Grey or Mary, Queen of Scots? Which would you recommend?

Dear Mrs Bird by AJ Pearce

It’s 1941 and Britain is at war. Emmeline Lake has always wanted to be a journalist and is thrilled when she sees an advertisement in the newspaper for a job at the London Evening Chronicle. This could be her opportunity to become a Lady War Correspondent. How exciting!

To her delight, Emmy is offered the job and arrives at the Chronicle offices ready to ‘sniff out Political Intrigue, launch Difficult Questions at Governmental Representatives, or best of all, leap onto the last plane to a far-off country in order to send back Vital Reports of resistance and war’. Unfortunately, it soon becomes clear that there has been a misunderstanding. Emmy isn’t going to be a War Correspondent – she won’t even be working for the newspaper at all. Her new job actually involves typing up letters for Mrs Henrietta Bird’s problem page in the weekly women’s magazine Woman’s Friend, which happens to be based in the same building as the Chronicle. Emmy does her best to pretend that Everything Is Absolutely Tip Top (as you can see, she likes to think in capital letters), but really she is devastated. This is not what she had expected at all!

Trying to make the best of things, Emmy begins sorting through the letters, picking out some for Mrs Bird to reply to. She quickly discovers, though, that Mrs Bird has a whole list of words and topics which she considers unsuitable for publication in the magazine. Any letters which mention love, marriages, pregnancies, affairs or romantic relationships of any kind – almost all of them, in other words – must be rejected and thrown away immediately. Emmy can’t bear to see so many readers’ problems being ignored; if only there was something she could do to help…

Dear Mrs Bird was an absolute joy to read from start to finish! I loved Emmy from the beginning and her friendly, enthusiastic narrative voice pulled me straight into her world. She’s such a kind-hearted, well-meaning person, yet she doesn’t always say or do the right thing, which makes her feel very human. The language is perfect for the time period too and I could easily have believed that I was reading a much older book – and as I usually complain about language feeling too ‘modern’, that’s high praise from me!

At first, much as I was enjoying following Emmy’s adventures at Woman’s Friend and meeting the other characters in the story – who include her best friend Bunty, her fellow typist Kathleen, and the formidable Mrs Bird herself – I thought this was going to be a very light-hearted, cheerful novel despite the wartime setting. However, in the second half of the book there’s a noticeable change in the tone, as the bombing raids on London become more frequent and more ferocious. There’s drama, there’s tension and there’s heartbreak…but there’s never too much of any of these things and the book never loses its charm and its warmth.

Dear Mrs Bird is a lovely book and I was pleased to discover that there is already the possibility of a television adaptation. It will be perfect for a Sunday evening, I think. Meanwhile, I highly recommend finding yourself a copy of this book and getting to know Emmy and her friends.

Thanks to Pan Macmillan for providing a review copy via NetGalley.

The Japanese Lover by Isabel Allende

The Chilean author Isabel Allende is probably best known for her first novel The House of the Spirits, but since its publication in 1982 she has written over twenty other books, most recently last year’s In the Midst of Winter. The Japanese Lover (2015) is the first one I’ve read; I was drawn to it by its wartime setting and by the fact that, unlike some of her other books, it didn’t seem to include any magical realism, of which I’m not really a fan.

The novel opens in the present day with Irina Bazili, a young woman from Moldova, starting a new job at Lark House, a home for the elderly in San Francisco. Irina soon settles in, getting to know the old people in the home and forming a special bond with one of them, a woman called Alma Belasco who is able to live independently on the ground floor of the building but knows the day could soon come when she no longer can. When Irina is introduced to Seth, Alma’s grandson, the two are united in their concern for Alma and their curiosity over her occasional disappearances from Lark House. Eventually they piece together the story of Alma’s life, but this only happens gradually over the course of the entire novel.

When I first read the synopsis for this book I assumed it was a dual timeline novel with two alternating stories – Irina’s in the present day and Alma’s in the past. Well, it is, but not in the same way as dual timeline novels written by authors like Lucinda Riley, Kate Morton or Susanna Kearsley, for example. In other words, it doesn’t feel like a book with two distinct storylines, but more like a book set in the present with some chapters describing events from Alma’s past.

And Alma is a character with a very interesting past. At the beginning of the Second World War, she is sent away from her native Poland to stay with rich relatives in San Francisco and here she meets Ichimei Fukuda, the son of the family’s Japanese gardener. As time goes by, Alma and Ichimei begin to fall in love, but when war finds its way to America and the Japanese become ‘the enemy’, the Fukudas are sent to an internment camp. The two young lovers are later reunited, only to be separated again, a pattern which will repeat itself several times over the decades and their relationship will endure despite Alma’s marriage to another man. It is this relationship which Irina and Seth find so intriguing and which they hope to learn more about.

Although I struggled to believe in the love Alma and Ichimei felt for each other (I couldn’t sense much passion between them and, for me, it just wasn’t the heartbreaking romance I thought it should have been, given the setting and subject), I did find it interesting to read about the injustices suffered by the Fukuda family, their time in the internment camp, and the racial, cultural and class barriers that stood in the way of Ichimei and Alma’s happiness. However, Allende does not just focus on this storyline; she also delves into Irina’s background and those of some of the other characters, touching on a huge number of issues such as child abuse, homosexuality, pornography, drug use and abortion. All things which are relevant to modern life, but the book was not really long enough to explore them in much depth.

I found plenty of things to like about this book, but there were times when I felt that I was reading a long string of facts and information rather than an engaging story – too much ‘telling instead of showing’ – and there’s also not much dialogue, which could explain why I found it difficult to connect with Alma and Ichimei. I was slightly disappointed, but it’s possible that I just chose the wrong Isabel Allende book to begin with. I know she has a lot of fans who love her writing, so I’m hoping that if I try another of her books I’ll understand why.

This book counts towards this year’s What’s in a Name? Challenge: A title containing a nationality.