Category: Reviews

The Map of Time by Felix Palma

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The Map of Time, translated from the original Spanish, is an interesting mixture of historical fiction, science fiction and romance. The book appealed to me as soon as I read the synopsis and saw that it was set in Victorian London, involved time travel and featured several real historical figures including Jack the Ripper, Joseph Merrick (The Elephant Man) and the authors H.G. Wells, Henry James and Bram Stoker. It sounded fascinating and it was, though there were a few aspects of the book that didn’t work for me at all. I thought it was too long and ambitious and tried to do too much.

The starting point for the story is 1896, shortly after the publication of H.G. Wells’ novel, The Time Machine, which captured the imaginations of his readers and convinced them that time travel could become a reality. One of the people hoping to travel through time is Andrew Harrington whose lover, Marie Kelly, was killed by Jack the Ripper eight years ago. Andrew believes that if he could go back to the night of the murder it might be possible to save Marie’s life – so he decides to approach Wells and ask his advice.

Wells also becomes involved in the life of Claire Haggerty, a young woman who has trouble conforming to Victorian society and longs to escape to the year 2000 where the ‘brave Captain Derek Shackleton’ is thought to have saved the world from destruction by evil automatons. But is it really possible for Andrew and Claire to travel through time or is time travel something that only exists in fiction?

I’ve read a lot of novels that involve time travel as a part of the plot, and while all of them obviously require the reader to suspend disbelief, some of them manage to make it seem more plausible than others. There are a number of theories put forward in The Map of Time and it all started to become very confusing, but for anyone with an interest in the intricacies of time travel, parallel worlds, paradoxes (is it possible to meet a future version of yourself, for example?) and the effects our actions have on history, you should find it interesting.

The biggest problem I had with this book was that the pacing and structure of the story didn’t feel quite right to me. The book is divided into three very distinct sections: the first deals with the Andrew Harrington story, the second follows Claire Haggerty and the third concentrates on H.G. Wells himself. This had the effect of making the book feel almost like three separate books in one and it took me a while at the start of each section to get used to the new characters and completely different direction of the plot. Then there’s the omniscient narrator who intrudes into the story at times in a mock-Victorian style. This can work well in original Victorian classics, but here I thought it felt forced and unnatural and it ended up annoying me.

I realise I’m making it sound as if I didn’t enjoy this book at all, but that’s not true. There were parts that I found fascinating and times when I couldn’t put the book down. I thought the quality of the writing was good overall and I probably wouldn’t have guessed it was a translation. But for a book which sounded so exciting and original, it didn’t quite live up to my expectations.

Doctor Thorne by Anthony Trollope

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Anthony Trollope was a new discovery for me last year and has now become one of my favourite Victorian authors. I read The Warden last April and Barchester Towers in November and then I swore I wouldn’t wait another six months before reading my next Trollope. And that’s exactly what I have done! Maybe it’s a good thing that I’ve waited so long though, because I love Trollope’s books so much I don’t really want to rush through them too quickly.

In this third volume of the Chronicles of Barsetshire, Trollope takes us away from the cathedral town of Barchester (the setting for the previous two novels) to Greshambury, a small town in another part of the county. Here we meet Dr Thorne, and his beloved niece, Mary. Mary’s birth was surrounded by scandal and she has been brought up by her uncle unaware of her mother’s family and the fact that she is related to the wealthy baronet Sir Roger Scatcherd, the doctor’s friend who is slowly drinking himself to death.

Another friend of the doctor’s is Squire Gresham, whose son, Frank, falls in love with Mary. Unfortunately the Greshams are having money problems and Frank’s family are determined that he must marry a rich woman, which Mary is not. The squire’s wife, Lady Arabella, does her best to keep Frank and Mary apart but will she succeed – or will something happen to change Mary’s fortunes?

As well as the class divide and the social stigma of illegitimacy, other themes include the corruption involved in Victorian politics and the effects of alcoholism. None of the Trollope books I’ve read so far could be described as having an enthralling plot and this one even less so. After reading the first few chapters, although I did enjoy them, I was starting to wonder when the story was going to begin. But although Trollope’s books may initially appear to be about very little, his plots are deceptively clever and intricate, and he has a way of pulling the reader into the story so that you become completely absorbed in the moral dilemmas of his characters. And he does apologise for the slow start too…

I feel quite an apology is due for beginning a novel with two long dull chapters full of description. I am perfectly aware of the danger of such a course… It can hardly be expected that any one will consent to go through with a fiction that offers so little allurement in its first pages; but twist it as I will I cannot do otherwise. I find that I cannot make poor Mr Gresham hem and haw and turn himself uneasily in his arm-chair in a natural manner till I have said why he is uneasy. I cannot bring my doctor speaking his mind freely among the bigwigs till I have explained that it is in accordance with his usual character to do so.

I mentioned in my review of Barchester Towers the habit Trollope has of telling us in advance what’s going to happen and he does it again in this book. The outcome of the novel is completely obvious from the beginning, so if you prefer your books to be full of suspense and surprises then Trollope is maybe not the author for you – although I do usually prefer suspense and surprises myself and yet I still like Trollope. I love his warm, witty writing style so much that I don’t at all mind the number of pages he spends introducing us to his characters and describing their backgrounds, appearances and personality traits. This is something that often bores me in books by other authors, but Trollope’s characters are so interesting that I really enjoy getting to know them all.

I was slightly disappointed that our old friends from the previous two books, Mr Harding, his daughter Eleanor and son-in-law Archdeacon Grantly didn’t feature in Doctor Thorne (although the Bishop and Mrs Proudie from Barchester Towers do make a brief appearance), but the new set of characters made up for it. In fact, the relationship between Dr Thorne and his niece Mary reminded me very much of Mr Harding and Eleanor. With the exception of Frank himself, I didn’t really like any of the Greshams or their relatives, the de Courcys (how much sympathy can you have with characters who are constantly saying things like, “If you marry a girl without a fortune, Frank, how are you to live?”) I did like Frank, Dr Thorne and Mary, and I also enjoyed all the scenes involving the two baronets Sir Roger Scatcherd and his son Louis, both unforgettable characters!

Next in the series is Framley Parsonage. I won’t make any promises this time about how long it will be before I read it, but I’m already looking forward to another enjoyable visit to Barsetshire.

Ghost Light by Joseph O’Connor

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Ghost Light tells the story of Molly Allgood, a real-life Irish actress who performed under the stage name Maire O’Neill and was engaged to the playwright John Millington Synge at the time of his death from cancer in 1909. Molly was fourteen years younger than Synge, she was a Catholic whereas he was a Protestant, and she came from a much poorer background. It seemed that almost everyone disapproved of their relationship including their parents, families and friends.

We first meet Molly in 1952, many years after Synge’s death. She’s living in poverty in London, dependent on alcohol, alone and desperate. We follow her over the course of a day as she prepares to take part in a play which is being broadcast on BBC radio and this story is interspersed with Molly’s memories of Synge and flashbacks to the early twentieth century.

As you’ve probably guessed, Ghost Light is not a happy book at all. Molly’s story is very sad, moving and poignant. The novel is written mostly in the second person, as well as following a stream of consciousness style, which made the book a bit harder to read than it needed to be, but Joseph O’Connor’s writing is undeniably beautiful and I did get used to the second person perspective after a while. There was also a chapter written in the style of a scene from one of Synge’s plays which I thought was a nice addition.

O’Connor states in his author’s note that although Molly and Synge were real people, this is a fictional story and most of the events described in the novel never actually happened. However, even if O’Connor’s Molly and Synge don’t bear much resemblance to their real-life models, they both felt completely realistic to me. Although I didn’t find Molly very likeable, I did love her narrative voice, which was bitter one minute and amusing the next, and this helped me warm to her character.

I won this book in last October’s Readathon and would like to thank Jessica of Park Benches and Bookends for providing a copy. I wish I’d had a chance to read it sooner, but my timing was actually perfect because I was in Dublin for a few days just last week and discovered some displays on Synge and Molly Allgood in the Dublin Writers Museum which I probably wouldn’t have appreciated if I hadn’t read Ghost Light!

The Song Before it is Sung by Justin Cartwright

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This is the first book I’ve read by Justin Cartwright. I was looking forward to reading it because, with my interest in World War II fiction, it sounded so interesting and also had so many glowing reviews. Unfortunately it didn’t live up to my expectations at all and I thought it was one of the most disappointing books I’ve read this year.

The Song Before it is Sung is based on the true story of the friendship between the British philosopher Isaiah Berlin and the German diplomat Adam von Trott zu Solz, who was involved in Claus von Stauffenberg’s failed attempt to assassinate Hitler in July 1944. Cartwright has changed their names to Elya Mendel and Axel von Gottberg.

Mendel and von Gottberg first get to know each other as students at Oxford in 1933. Their friendship is put to the test when Axel writes a letter to the Manchester Guardian denying claims that Jews are being badly treated in Germany. Elya, who is Jewish himself, is offended and confused by this. Their relationship is strained from this point – until von Gottberg is arrested and sentenced to death for his part in the Stauffenberg plot.

I enjoyed Axel and Elya’s story, but like many of the historical fiction novels I’ve read recently, the historical storyline is framed by a contemporary one and in this case, it just didn’t seem necessary. The present day protagonist is Conrad Senior, who met Elya Mendel many years later during his own time at Oxford. When Elya dies he leaves all his private correspondence to Conrad with the desire that he will use them to tell the story of his friendship with von Gottberg.

For me, this book would have worked better as a piece of straightforward historical fiction. The chapters about von Gottberg and Mendel were interesting and compelling, but every time I started to become immersed in their story, we were abruptly pulled back to the modern day and Conrad’s marriage problems which didn’t interest me at all. The one part of Conrad’s story that did interest me involved a piece of film showing footage of the trial at which von Gottberg was sentenced to death for his part in the conspiracy. Conrad believes that film of the actual executions still exists and decides to track it down.

Axel von Gottberg is an interesting character, but sadly Cartwright didn’t manage to bring any of the others to life for me. I couldn’t help but feel that reading this book was a lot of effort for very little reward. It wasn’t quite what I was expecting and to be honest, I probably wouldn’t have finished reading it if it wasn’t for the fact that it was the only book I had at work with me for a couple of days. Don’t let me put you off reading this book though, because I can see that a lot of people would love Cartwright’s quiet, contemplative writing style.

Have you read any of Justin Cartwright’s other novels? Maybe you can convince me that I need to give him another chance!

North and South by Elizabeth Gaskell

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North and South is the story of Margaret Hale, a young woman who lives with her parents at their parsonage in the idyllic village of Helstone in the south of England. When Margaret’s father decides to resign as parson and takes a new job as a tutor in the northern manufacturing town of Milton, the Hale family initially find it difficult to adapt to their new environment. It is not until Margaret meets some of the inhabitants of Milton that the town begins to feel like home. She forms a close friendship with the Higgins family – the invalid Bessy, her younger sister Mary and their father, Nicholas, who works at the cotton mill. But when the Hales also get to know Mr Thornton, a wealthy mill owner, Margaret finds herself caught in a conflict between the poor mill workers and their rich masters.

There’s also a romantic element to the novel: Mr Thornton falls in love with Margaret who unfortunately is prejudiced against what she calls ‘shoppy people’. She seems to make up her mind to dislike him before she even gets to know him because he’s a tradesman who has earned his money rather than inheriting it and is not her idea of a real gentleman. And to make things worse, Mr Thornton’s mother thinks Margaret is haughty and wants to stop her son from becoming involved with her.

Although there were also a lot of things to like about Margaret, her attitude towards Mr Thornton prevented me from really warming to her until the second half of the book when after meeting different types of people and being exposed to important social issues she begins to reassess some of her views and starts to grow as a person. By the end of the book I didn’t find her the annoying character I did at the beginning. It was interesting to see how both Mr Thornton and Nicholas Higgins also changed due to Margaret’s influence. There’s a lot of character development in this book, which was one of the things I loved about it.

The book takes place during the industrial revolution, an important and interesting period of history. It was a time of progress, allowing the factory owners to develop great wealth and the country’s economy to grow. However, the factory employees were working under appalling conditions, with absolutely no regard for their health and safety. Bessy Higgins is one example of this: she is only nineteen years old and has already developed a lung disease which she blames on inhaling ‘fluff’ from the cotton in the mill where she used to work.

Most of this industry was concentrated in the north of the country, in towns and cities such as the fictional Milton. Gaskell herself was born in London but spent most of her childhood in Cheshire and then settled in Manchester after her marriage (the town of Milton is thought to be based on Manchester), so she would have had first-hand knowledge of the northern way of life and how it may have differed from life in the south. Even today many people still have certain views and misconceptions about the differences between northern and southern England and even more so at the time when Gaskell was writing this novel, so I did appreciate the way she showed both the positive and the negative things about both regions.

North and South hasn’t become one of my favourite classics, but I did still enjoy it, although I was slightly disappointed by the way the book ended – not because I was unhappy with the outcome but because it seemed too abrupt. After reading The Moorland Cottage in February, I’ve now read the required two books to complete the Gaskell Reading Challenge, but as I’ve enjoyed both of my choices I’m sure I’ll be reading more of Gaskell’s work in the future!

Gillespie and I by Jane Harris

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I was lucky enough to win a copy of Gillespie and I through LibraryThing Early Reviewers but even if I had paid the full price for this book I would have considered it money well spent. I thought it was brilliant. It seems I’m one of the few people not to have read the first book by Jane Harris, The Observations, and I’m not sure how I managed to miss that one as it sounds like something I would love. I’ll certainly go back and read it now that Jane Harris has been brought to my attention.

But this post is about Gillespie and I. Or, I should say, Gillespie and Harriet Baxter. We first meet Harriet in 1933 as an elderly woman looking back on her life and promising to share with us her recollections of Ned Gillespie, a talented artist who was never able to fulfil his true potential. Harriet then proceeds to tell us the story of her acquaintance with the Gillespie family, whom she met in the 1880s during a trip to Scotland to visit the International Exhibition in Glasgow. She quickly becomes a friend of Ned, his wife Annie, and the other members of the family – but then disaster strikes and the lives of Harriet and the Gillespies are thrown into turmoil.

After a leisurely start, the story soon picked up pace and became very gripping. But as well as the compelling plot there were many other things that made this book such an enjoyable read. I connected immediately with Harriet’s sharp, witty and observant narrative voice. The other characters were vibrantly drawn, though the only one who never really came to life for me was Ned himself, which was the only disappointment in an otherwise excellent book. I also loved the setting. I’ve read many, many books set in Victorian London and it made a refreshing change to read one set in Victorian Glasgow instead.

Halfway through the story something happened that made me start to question everything I’d read up to that point – and even after I’d finished the book I still had questions. I was very impressed by how cleverly Jane Harris managed to control what I believed and didn’t believe at various points in the novel. I can’t really explain what I mean without spoiling the story but suffice to say there are some stunning plot twists that leave you wondering whether things are really as they seem – and this doesn’t happen just once, but several times throughout the second half of the book. At times it even felt like a Victorian sensation novel to me, which probably explains why I enjoyed it so much! Gillespie and I has been one of my favourite reads so far this year.

A Word Child by Iris Murdoch

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Iris Murdoch is not a writer I’m very familiar with. A few years ago I read her Booker prize-winning novel, The Sea, The Sea, but have never investigated her other books. And so I’d like to thank Open Road Media for making A Word Child available through Netgalley and re-introducing me to Murdoch’s work.

The ‘word child’ of the title is Hilary Burde, our narrator.  Following an unhappy childhood Hilary’s future prospects looked bleak, until he discovered a passion for words and languages and embarked on a promising academic career at Oxford. However, when we first meet Hilary at the beginning of the novel, he is working as a low grade civil servant in London. We don’t know at first why he left Oxford, but we are given hints that he had been involved in some kind of scandal there – and when Gunnar Jopling, a figure from his past, comes to work in Hilary’s office building, everything starts to become clear.

The book has an interesting structure, with each chapter headed by a day of the week. Hilary has tried to establish order and routine in his life by having certain things that he always does on certain days of the week (dinner with friends on Thursday, visiting his sister on Saturdays, for example) and the novel follows him as this monotonous cycle of events is gradually thrown into disarray. Murdoch’s writing never becomes over descriptive or flowery, yet she manages to convey vivid images of the stations on the London Underground, the yellow fog that hangs over the Thames, the Peter Pan statue in Kensington Gardens. She also gives an amusingly accurate portrayal of daily office life, where Hilary is relentlessly teased by two of his colleagues, and there are other moments of humour involving Hilary’s lodger, Christopher.

Hilary himself is not an easy character to like. He controls every aspect of his sister Crystal’s life and the way he behaves towards his poor girlfriend, Thomasina, is even worse. And yet I could still empathise with him at times because his dysfunctional relationships and desperate attempts to stay in control are signs of the unhappiness and inner turmoil from which he’s suffering. I really wanted Hilary and the other main characters to have a happy ending and although I’m obviously not going to tell you whether they did or not, I did think the ending was stunning: dramatic, surprising and very satisfying.

I enjoyed this book very much and loved Murdoch’s insights into topics such as redemption, forgiveness and moving on after a tragedy. It was such a surprise because I wasn’t expecting something so accessible and readable. I’d recommend A Word Child to anyone who may be wondering where to begin with Iris Murdoch.