Category: Reviews

Piranesi by Susanna Clarke

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I wish it hadn’t taken me so long to decide to read Piranesi. Although I loved Susanna Clarke’s Jonathan Strange and Mr Norrell, this one sounded very different and didn’t immediately appeal to me, but I did still intend to read it sooner rather than later. Now that I have, I think Jonathan Strange is still my favourite, but I enjoyed this book a lot more than I expected to.

Our narrator, Piranesi, lives in a place he calls ‘the House’, a vast, labyrinthine structure containing hundreds of interconnected halls and vestibules. The lower levels of the building are flooded and there is a complex system of tides that only Piranesi understands. The House is his entire world; he believes he has always lived there and can’t remember any other way of life. His only human contact comes twice a week when he meets a man he thinks of as ‘the Other’ and assists him in his quest to find the Great and Secret Knowledge. Apart from himself and the Other, Piranesi is only aware of thirteen more people who have ever existed in the world, all now skeletons resting in the niches and alcoves of the House.

Piranesi is quite content with his solitary existence, exploring the enormous halls and passageways, studying the impressive statues he finds there and recording his discoveries in a series of notebooks. Then one day, everything changes. Could there be a sixteenth person in the world – and if so, who are they and what do they want?

I’m not going to say any more about the plot than that, partly because it’s a story that I don’t want to spoil for anyone who hasn’t read it yet but also because I found the plot secondary to the setting and the sense of place. The atmosphere Clarke creates really is wonderful; from the first chapter I felt fully immersed in the majestic, watery world of Piranesi’s House, a world that is somehow simultaneously both vast and claustrophobic. The book was published during the first year of the pandemic in 2020 and I’m sure if I’d read it then the themes of solitude and a life cut off from the outside world would have resonated with me even more than they did now. It’s no coincidence that Piranesi was also the name of an 18th century Venetian architect and artist famous for his etchings of ‘Imaginary Prisons’ showing huge subterranean vaults complete with staircases, arches and towers.

Towards the end of the book, as we finally began to learn more about the House and how Piranesi and the Other came to be there, I felt that the story started to slightly lose its magic. I had loved the eerie, otherworldly feel of the first half of the book and was less interested in the revelations that came at the end. Still, Piranesi is a very impressive novel and one that I would probably have to read again to fully appreciate everything Susanna Clarke was trying to say.

The Graces by Siobhan MacGowan

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I found Siobhan MacGowan’s first novel, The Trial of Lotta Rae, a very powerful, emotional read and I was hoping for something similar from her new book, The Graces. I’m pleased to say that I thought this one was even better.

The novel opens on an August evening in 1918, as a group of pilgrims make their way to the bell tower of Mount St Kilian Abbey in Dublin. As Brother Thomas and Father Sheridan watch the candlelit procession weaving through the trees below the abbey, they remember the woman to whom the pilgrims are paying homage – Rosaleen Moore, known as The Rose, who died just three years earlier. On her deathbed, Rosaleen revealed a terrible secret to Father Sheridan, something which has left him so disturbed he decides to discuss it with Brother Thomas tonight.

In a series of long flashbacks, Rosaleen’s story unfolds, beginning with her childhood in rural County Clare, where she first discovers that, like her grandmother, she has been ‘touched by the Graces’ and is blessed – or cursed – with the sight. When her gift gets her into trouble in the village, she is sent away to live with an aunt in Dublin. Here she finds herself befriended by a group of spiritualists and healers who encourage her to use her special talents to help others. However, Rosaleen will learn that meddling in things she doesn’t fully understand is not a good idea and could have disastrous results.

The Graces is a fascinating, moving story, exploring the clashes between superstition and science and the consequences of thinking we know best. It reminded me of Hannah Kent’s The Good People and Emma Donoghue’s The Wonder, which have similar themes and are also set in Ireland, but although it’s bleak at times, the book is also very gripping and leaves you with a lot to think about after reaching the final page. Rosaleen herself is not always an easy character to like – her arrogance leads her to make poor decisions and I was disappointed in the role she plays in a love triangle with two different men, Lorcan and Rian – but I could still have sympathy with her situation because the whole thing is so desperately sad.

Away from the central plot, the political developments in early 20th century Ireland also form an important part of the story. Rosaleen is in Dublin during the time of the Easter Rising, the formation of the Cumann na mBan (an Irish republican women’s paramilitary group) and the move towards independence. Through her relationship with Lorcan, who is involved in all of these things, Rosaleen is exposed to new ideas and new ways of thinking, but she doesn’t fully embrace them herself and feels caught in the middle between two extreme views.

Having enjoyed both of Siobhan MacGowan’s novels (although I always feel that ‘enjoyed’ isn’t quite the right word to use with this sort of book), I’m already hoping for a third!

Thanks to Welbeck Fiction for providing a copy of this book for review via NetGalley.

This is book 5/20 of my 20 Books of Summer 2023

This is book 27/50 for the 2023 Historical Fiction Reading Challenge.

The Summer Tree by Guy Gavriel Kay

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Having read most of Guy Gavriel Kay’s more recent novels, I decided it was time to go back to the beginning and read his earliest work, The Fionavar Tapestry, a fantasy trilogy published between 1984 and 1986. I had been warned that this was very different from his later books, and now that I’ve read the first volume, The Summer Tree, I would agree, but I was pleased to find that I enjoyed it anyway.

The Summer Tree begins with five Canadian students – Kevin Laine, Paul Schafer, Kimberly Ford, Jennifer Lowell and Dave Martyniuk – attending a lecture by Professor Lorenzo Marcus at Toronto University. After the lecture, the Professor invites the five of them back to his hotel, where he reveals to them that his true identity is Loren Silvercloak, a mage from the land of Fionavar. His High King, Ailell of Brennin, is celebrating his fiftieth year on the throne, and Loren has been sent to our world to bring five guests to the celebrations. Once in Fionavar, however, the five find themselves caught up in the politics of this other land and discover that each of them will have a part to play in the upcoming battle against the evil god Rakoth Maugrim, the Unraveller.

I was already familiar with Guy Gavriel Kay’s incredible worldbuilding from his other books – the way he plunges the reader straight into fully formed landscapes based on thinly disguised versions of real historical settings (such as China’s Song Dynasty in River of Stars or medieval Spain in The Lions of Al-Rassan). The worldbuilding is just as strong in this novel, but although he does draw on the mythology of our own world (particularly Celtic and Norse), this time he relies much more heavily on Tolkien and traditional high fantasy. That’s not surprising as Kay did work with Tolkien’s son Christopher on the editing of Tolkien’s posthumous book The Silmarillion. And so, in The Summer Tree we have Loren Silvercloak in the role of Gandalf the Grey, Rakoth Maugrim who resembles Sauron, an exiled Dwarf king, and the Elf-like lios alfar and their counterparts the svart alfar. There’s also a CS Lewis influence, I think, as there’s a character with the name Maugrim in the Narnia books and the Fionavar city of Paras Derval made me think of Narnia’s Cair Paravel.

With such a vast and complicated world to explore, Kay gives each of his five main characters individual storylines, taking them to different areas of Fionavar and allowing them to interact with different groups and tribes. For example, Dave Martyniuk becomes separated from the others early on and spends most of the novel getting to know the Dalrei, a plains-dwelling tribe of hunters, while Kim Ford discovers that she has the powers to become a Seer. However, I felt that some of the characters lacked depth and the novel as a whole feels less mature and polished than his later books.

I didn’t love The Summer Tree, but I liked it enough to want to continue with the second book in the series, The Wandering Fire – and as this one ended on a cliffhanger I probably shouldn’t wait too long before picking the next one up! I also still have A Song for Arbonne and The Sarantine Mosaic left to read, although at this point I’ll be surprised if anything surpasses Tigana as my favourite book by Kay.

This is book 4/20 of my 20 Books of Summer 2023

The Housekeepers by Alex Hay

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It’s June 1905 and plans are underway for a ball at the grandest house on London’s Park Lane. Miss de Vries, who has recently inherited the house from her millionaire father, has decided to throw the party of the season to launch herself into society and find a suitable husband. However, someone else also sees the night of the ball as a great opportunity – an opportunity for revenge. She is Mrs King, the former housekeeper, who was dismissed from her job just a few weeks earlier and is now planning a daring heist. On the night of the Park Lane ball, she and a group of other carefully recruited servants will strip the house of its treasures – its artworks, books, furniture, silverware, even the carpets – and Miss de Vries and her guests won’t notice a thing until it’s too late. But will this plan work or will the housekeepers be caught in the act?

The Housekeepers is Alex Hay’s debut novel and I found it an entertaining read. It was fascinating to see how carefully Mrs King and her accomplices plan the heist – preparing inventories of each room, taking measurements, identifying escape routes and making sure nothing is left to chance! Despite their detailed planning, there are still some factors outside their control and a lot of things that could go wrong, so there’s plenty of suspense as we wait to see whether or not they will succeed. As the novel progresses and we learn more about what has been going on behind the doors of the Park Lane house, I found I didn’t have much sympathy for Miss de Vries and was definitely rooting for the servants!

The heist is Mrs King’s idea, but I thought some of the other women she enlists were more interesting characters. These include Mrs Bone, who runs a criminal network but seems to have a moral code of her own, the actress Hephzibah and the two trapeze artist sisters referred to as Jane-one and Jane-two. There’s also Winnie, who held the position of housekeeper before Mrs King, and Alice the sewing maid who is befriended by Miss de Vries and faces a battle with her conscience. I felt that too many characters were introduced too quickly at the beginning of the book, which made things confusing for a while, but I eventually managed to keep them all straight in my mind.

The novel is also an interesting exploration of the class system and the injustice of some people being born into a life of privilege while others are not. In his author’s note, Alex Hay describes the satisfaction of imagining the servants trying to claim some of that privilege for themselves! However, Miss de Vries herself is looked down upon by the people she most wants to impress because she had a father who made his fortune through diamond mining rather than inheriting wealth passed down through the generations.

I thought The Housekeepers was fun to read and with its period setting, portrayal of life above and below stairs, and vividly described heist sequences, I could easily imagine a BBC adaptation. As a first novel it’s quite impressive and I’ll certainly be looking out for more from Alex Hay!

Thanks to Headline Review for providing a copy of this book for review via NetGalley.

This is book 26/50 read for the 2023 Historical Fiction Reading Challenge.

The Embroidered Sunset by Joan Aiken

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This is the second of Joan Aiken’s contemporary suspense novels I’ve read; I enjoyed The Butterfly Picnic which I read last year, but I found the plot very bizarre and I was curious to see whether this one would be the same. Well, I can tell you that it’s maybe not quite as over-the-top, but it does come close!

First published in 1970, The Embroidered Sunset begins by introducing us to Lucy Culpepper, a young Englishwoman who has been raised in America by her Uncle Wilbie and Aunt Rose following her parents’ deaths. Lucy is a talented musician who dreams of being taught by the renowned pianist Max Benovek, but her hopes are shattered when Uncle Wilbie confesses that he has spent her inheritance and there’s no money left to pay a piano teacher.

Cleaning the attic later that day, Lucy discovers some beautiful embroidered biblical pictures, the work of Wilbie’s Aunt Fennel who lives in England and used to write regularly, but hasn’t been heard from for a long time. Reminded of the pictures, Wilbie comes up with a plan: if Lucy goes to England and obtains more of Aunt Fennel’s pictures, he will pay her a commission for each one she locates and she can spend the money on piano lessons. While there, she can also try to find Aunt Fennel herself – if the old lady is still alive, that is.

If The Butterfly Picnic felt like a homage to Mary Stewart, this one is packed with references to the Brontës. As well as being set in Yorkshire, there’s a Thrushcross Grange and a Wildfell Hall and even a Colonel Linton and a Cathy Earnshaw, while another character refers to Lucy as Lucy Snowe, the heroine of Villette. However, that’s where the Brontë similarities end; this book has a lively, contemporary feel (for 1970) and while there are some elements that could probably be described as Gothic – an abandoned house, an escaped prisoner, rainy weather – they are woven very lightly into the plot.

I really enjoyed the first half of the novel, with Lucy arriving in Aunt Fennel’s small Yorkshire village, getting to know the eccentric residents and searching for her missing relative. When Lucy does eventually find the old lady, she can’t even be sure whether she really is Aunt Fennel or somebody else, and Aiken keeps us questioning this for the entire book, in a way that I thought was very cleverly done. I felt that the plot lost its way slightly in the second half and the ending seemed to come out of nowhere, with a very surprising fate for one main character and a romance that certainly wasn’t resolved as I’d expected. Still, this is an entertaining novel and perfect escapism, if that’s what you’re looking for!

My favourite Aiken novel so far is still Castle Barebane, but I’ll continue to explore her other books and am hoping to read The Wolves of Willoughby Chase soon.

This is book 3/20 of my 20 Books of Summer 2023

The New Magdalen by Wilkie Collins

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Wilkie Collins is one of my favourite Victorian authors, but I feel that I haven’t featured him very often on my blog – probably because I read so many of his books pre-blog, including all of his most famous ones (and I don’t re-read very often these days). Even so, there are still some that I haven’t read yet and I was intrigued when I noticed a few years ago that The New Magdalen was being reprinted by Persephone Books, as they’re a publisher associated more with women authors (although there are a small number of Persephones by male authors as well). It has taken me a while to get round to reading it, so I decided to put it on my 20 Books of Summer list to make sure it didn’t linger on my TBR any longer.

First published in 1873, the novel opens during the Franco-Prussian War in a small cottage in France where Mercy Merrick is working as a Red Cross nurse. As the Germany army draws closer, Mercy has taken shelter in the cottage to nurse some wounded French soldiers and has been joined by another young woman, Grace Roseberry. Grace is on her way to England following the death of her father in Rome; she has spent most of her life in Canada and doesn’t know anybody in England, but she is carrying a letter of introduction from her father to a Lady Janet Roy, a wealthy woman whom she hopes will employ her as a lady’s companion. Grace shares this information with Mercy, who in turn tells Grace her own story – that she is a ‘fallen woman’ who has had a difficult past, eventually ending up in a women’s refuge before volunteering as a nurse.

As the two women talk, the cottage suddenly comes under fire from the advancing army and receives a direct hit from a shell. Grace is badly wounded and is declared dead by a French surgeon. Finding herself alone with Grace’s lifeless body, it occurs to Mercy that she could take Grace’s papers, dress herself in Grace’s clothes and present herself to Lady Janet Roy under the name Grace Roseberry. Desperate to escape from her own troubled past and start a new life, Mercy is unable to resist the temptation and goes through with the plan. It proves to be a huge success and soon Mercy is living as Lady Janet’s adopted daughter and even receives a marriage proposal. Before the marriage can take place, however, Mercy makes a shocking discovery – it seems that the real Grace Roseberry may still be alive and looking for revenge!

Wilkie Collins was known for his sensation novels, a genre that takes elements of Gothic melodrama and places them in an ordinary, often domestic setting. His books typically feature family secrets, disputed inheritances, intercepted letters, stolen jewels, mistaken identities and amazing coincidences. The New Magdalen is less sensational than some of his others, but still falls firmly into the genre so you can expect a very entertaining novel. I’ve always found Collins’ writing to be the most readable of all the Victorians and that, in addition to this being a relatively short book for a 19th century classic, makes it a gripping and surprisingly quick read.

I can see why Persephone chose to add this book to their collection as Collins does write such strong and sympathetic female characters and with Mercy’s story he highlights some of the injustices women faced in Victorian society (and in some ways still do today). I think my favourite Collins novels will always be The Woman in White and Armadale, but this is still a great book and would probably be a good introduction to his work if you didn’t want to commit to a longer one.

This is book 2/20 of my 20 Books of Summer 2023 and book 40/50 from my second Classics Club list.

The Other Side of Mrs Wood by Lucy Barker

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Mrs Wood is the most successful medium in Victorian London. Together with her assistant, Miss Newman, she hosts spectacular séances that have made her the talk of the town and brought the rich and famous to her door requesting private consultations. Of course, Mrs Wood can’t really communicate with spirits, but she doesn’t feel too guilty about what she’s doing – after all, a widow has to make a living somehow and this is the work she’s been raised to do. Recently, however, things have started going wrong. There are reports from America of mediums promising to materialise full spirits and although Mrs Wood disapproves of such things, she worries that her own more traditional shows are losing their spark. When she hears the unmistakable sound of a yawn during one of her séances, she knows she has to take action.

The answer to Mrs Wood’s problems arrives in the form of sixteen-year-old Emmie Finch, who wants nothing more than to become a medium. Impressed by the girl’s talent and enthusiasm, Mrs Wood agrees to take her on as an apprentice. Miss Finch is an instant hit with Mrs Wood’s friends and clients, but is she really the sweet, innocent young woman she appears to be or has Mrs Wood made a big mistake?

The Other Side of Mrs Wood is Lucy Barker’s debut novel and a very enjoyable one! It took me a few chapters to get into the story as the beginning was quite slow, but by the middle of the book I had been completely drawn in. At first I wasn’t sure whether I liked Mrs Wood, but I quickly warmed to her. It was nice to have an older, more mature heroine, who is starting to worry about greying hair and aching bones, has already been married and divorced before the story begins and is devoting herself to her career rather than looking for romance. The beautiful young Emmie Finch, on the other hand, is portrayed as the novel’s villain, but whether she really is trying to cause trouble or whether it’s all in Mrs Wood’s mind is something you’ll have to read the book to find out!

Apart from a subplot featuring Mrs Wood’s assistant Miss Newman, who is involved in the early women’s rights movement, this is not really a book that tackles a lot of deep issues and I enjoyed it primarily for its entertainment value. However, that doesn’t mean it’s a silly, frothy book in any way – it’s well written, evocative of the Victorian era, and I learned a huge amount about the 19th century fascination with spiritualism. It was interesting to read about the techniques used by mediums to produce dramatic effects, the etiquette of hosting a meeting of the Circle, and the preparations that go into holding a Grand Séance. What I found particularly intriguing was that although Mrs Wood, like her rival mediums, lives in fear of being caught out and exposed, she doesn’t actually view herself as a fraud or a con artist. She believes she is using her skills to bring comfort to other people and although she has no qualms over using trickery to ‘apport’ (transport using spiritual means) small objects and even herself, she feels that materialising full spirits is a step too far!

The Other Side of Mrs Wood was fun to read (except when I became infuriated by the actions of certain characters!) but I can’t agree with the publisher’s description of the book as an ‘irresistible historical comedy’. It was amusing in places but not particularly funny and definitely not what I would call a comedy. Misleading description aside, it’s an impressive first novel with a great twist at the end and I’m already looking forward to Lucy Barker’s next book.

Thanks to Fourth Estate for providing a copy of this book for review via NetGalley.

This is book 25/50 read for the 2023 Historical Fiction Reading Challenge.