A Time to Die by Hilda Lawrence

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This is the second of Hilda Lawrence’s three mystery novels featuring the private detective Mark East, but the last one I have read. Having previously enjoyed the first book, Blood Upon the Snow, and the third, Death of a Doll, I was hoping that this one would be just as good. It was originally published in 1945 and has been reissued by Agora Books as part of their Uncrowned Queens of Crime series.

Like Blood Upon the Snow, A Time to Die is set in the small town of Crestwood, near Bear River. Mark East, having solved a crime there the winter before, has returned in the summer to spend a few weeks with the friends he made during his previous visit. He’s looking forward to a nice relaxing break this time, but on the evening of his arrival he is invited to a charity supper at the church where two fellow guests – a child and an old woman – are struck by arrows during an archery contest. When, later that night, the Beacham family’s governess goes missing, it seems that the two incidents could be related. Aware that his peaceful holiday is quickly becoming much more eventful than he’d anticipated, Mark is reluctant to take on the case, but changes his mind when a body is discovered…

Of the three books in the Mark East series, I think this one is the weakest, but I did still find it entertaining. The plot is quite complex, or at least it seems to be at the beginning when I felt I was wading through a jumble of confusing and unconnected events and struggling to follow what was happening, but once things begin to fall into place and we learn a little bit more about the background of the missing governess, the story becomes much more compelling. The novel has a huge cast of characters (more than necessary really; a lot of them could probably have been left out without having any impact on the story), which means there are plenty of suspects and I didn’t guess who the murderer was before the solution was revealed.

If you haven’t read any of Hilda Lawrence’s novels yet, I would recommend reading Blood Upon the Snow before this one if you can. Many of the characters we meet in this book were introduced in the previous one and it’s also interesting to revisit the same community in two different seasons and see how life in the town has changed now that the cold, snowy winter weather has been exchanged for blazing summer heat. One thing that disappointed me, though, was that Beulah and Bessy, the two elderly spinsters who play important roles in solving the mysteries in the other two books, hardly appear at all in this one – I think we only see Bessy once or twice. It’s a shame because seeing them carrying out their own amateur detective work in parallel with Mark had been one of the highlights of this series.

Not my favourite by Hilda Lawrence, then, but I’m glad I discovered this series and I just wish she had written more than three of these books!

Thanks to Agora Books for providing a copy for review via NetGalley.

This is book 2/20 from my 20 Books of Summer list.

Mrs Whistler by Matthew Plampin

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Thanks to everyone who commented on my post earlier this month asking for recommendations of novels about artists; I now have a whole list of titles and authors to investigate – and as promised, here are my thoughts on one of my recent reads, Mrs Whistler by Matthew Plampin. The Whistler the title refers to is, of course, the American painter James Abbott McNeill Whistler, and ‘Mrs Whistler’ is his model, muse and mistress, Maud Franklin. Although I was familiar with a few of his most famous paintings, such as Arrangement in Grey and Black No.1 (known as Whistler’s Mother), I knew nothing about his personal life or what sort of man he was, and I’m sorry to say that I hadn’t even heard of Maud.

The story of Maud’s relationship with Whistler is played out against a backdrop of some of the significant events that occurred in their lives between 1876 and 1880. The first part of the novel concentrates on the controversial Peacock Room, a decorative interior Whistler creates in the dining room of Frederick Richards Leyland’s London townhouse. Leyland is not at all happy when he sees what Whistler has done and a bitter feud follows. Later, the novel explores Whistler’s decision to sue the art critic John Ruskin for libel after he describes Whistler’s painting Nocturne in Black and Gold as ‘flinging a pot of paint in the public’s face’.

These two incidents form the basis of the plot and as I had no prior knowledge of any of this, I found that I was learning a lot about Whistler, his paintings and his life. But this is not so much a book about Whistler as a book about what it was like to know Whistler, to be near him and to share both his triumphs and his troubles. Maud Franklin must have known him as well as anyone – she was with him for around fifteen years and they had two children together (whom she had to see raised by foster parents), which makes her a logical choice of character to focus on. However, according to Plampin’s author’s note the real Maud had refused to talk to Whistler’s biographers who complained that ‘Maud could tell the whole story, but she will not’. This means Plampin has had to use his imagination to decide how Maud felt about Whistler and the other people in his life and how she may have thought, spoken and reacted.

Whistler, at least as seen through the fictional Maud’s eyes, does not come across as a very pleasant man. He’s self-absorbed, he treats Maud badly at times and often lacks awareness and judgement, which is particularly illustrated by his relationship with his friend Charles Augustus Howell, known as Owl. It is obvious to the reader that Owl cannot be trusted, but Whistler remains irritatingly loyal to him, not able to see what we and (eventually) Maud can see. I did have sympathy for Maud and wouldn’t have blamed her if she had left Whistler, but she stayed with him, I suppose, through a combination of love and a need for security. It’s a sad and often frustrating story, but told in a way that I found believable and convincing.

This is the first book I have read by Matthew Plampin, but I know he has written four others. If you’ve read any of them, maybe you can help me decide which one I should read next.

Tsarina by Ellen Alpsten

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Tsarina is the story of Catherine I of Russia – not to be confused with Catherine the Great! Born Marta Skowronska in 1684, we first meet her as an illiterate peasant growing up in Livonia. When a rich merchant passes through her village, Marta’s family sell her to him as a maidservant and she is forced to leave her home behind and embark on a new and very different life. From these humble origins, we follow Marta’s rise to become the most powerful woman in Russia, first through her marriage to Peter the Great, who renames her Catherine Alexeyevna, and then as Empress in her own right.

I wasn’t sure what to expect from this book. I had initially been put off by the cover, which hinted that it would be more of a bodice ripper than the serious sort of historical fiction I prefer, but as I had seen some very positive reviews I decided to give it a try anyway. Although I’ve read quite a lot of novels set during other periods of Russian history, I’ve never read any that cover the life of Catherine I, so I thought if nothing else this would be a good introduction to a woman of whom I previously knew very little. And in that respect, it was a success because I finished it feeling that I’d learned a lot and had come away with a good knowledge of Catherine’s life and significance, while remembering that the book is a work of fiction and not everything in it can be assumed to be completely true – particularly in the early chapters, as so little is known for certain about Catherine’s early years.

Tsarina is a long novel and I could tell the author had put a lot of effort into researching it and trying to create a complete and believable 18th century Russian world. The book begins with a map of Russia under Peter the Great and a full list of characters, including all the members of the Tsar’s large family, the many courtiers at the Russian Imperial Court and the serfs and peasants with whom Marta/Catherine grew up in her village in the Baltics. Despite all of this I didn’t find the book quite as immersive as I would have liked, and although some parts of the story are certainly very gripping, I found myself struggling to get through other sections. As I’d suspected, there’s a lot of focus on Catherine’s sex life and many pregnancies, as well as a lot of long and graphic descriptions of the general violence, drunkenness and debauchery of Peter’s court – and while I’m sure it was all quite accurate, it did become repetitive after a while.

Still, it would be hard not to have some admiration for a woman like Catherine who overcame so much hardship in life (I won’t spoil the plot for those of you who know nothing about Catherine, but the novel shows how she was repeatedly exploited as a young woman and treated with brutality and unkindness) and even after she began to rise to power, she knew that her position was precarious and that she couldn’t afford to be caught off guard even for a moment. As for Peter, the author captures the many different facets of his personality, from his monstrous cruelty and ruthlessness to his intelligence and his vision of Russia as a modern western empire.

Although this wasn’t really the right book for me (or maybe I was just in the wrong mood for it) it was good to have the opportunity to get to know Catherine I. If any of you have read any other books about her, I would love to hear about them.

Thanks to Bloomsbury for providing a copy of this book for review via NetGalley.

This is book 1/20 from my 20 Books of Summer list.

The Split by Sharon Bolton

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Sharon Bolton is an author whose books I always enjoy, even though I don’t read a lot of contemporary crime fiction these days. I had expected her next book to be the promised sequel to 2018’s The Craftsman, but I was quite happy to find that The Split was a standalone thriller as her earlier standalones such as Sacrifice, Awakening and Little Black Lies have been some of my favourites.

The Split takes us to South Georgia, a remote and inhospitable island in the southern Atlantic Ocean where twenty-eight-year-old Felicity Lloyd is working as a glaciologist for the British Antarctic Survey. It’s fascinating work and Felicity knows she has been given a wonderful opportunity, but she also has another reason for accepting the job – a chance to put as much distance as possible between herself and Freddie, a man from her past of whom she is still afraid. However, it seems that even here, on the other side of the world, she has been unable to escape. Freddie is coming for her, on the last tourist boat of the summer, and has sent her a letter that fills her with fear:

My dearest Felicity,
Finally, I’ve found you. South Georgia? Wow! Know, my darling, that there is nowhere you can go that I won’t follow –

Who exactly is Freddie and what does he want with Felicity? We find out later in the book, but first we have to go back nine months in time to Cambridge where a series of murders has been committed. Felicity’s connection, if any, with these murders is unclear; all we do know is that she is still haunted by some previous traumatic experiences and has been attending sessions with a therapist. Eventually everything will be revealed, but before we get to that point there are plenty of the twists and turns that are to be expected from a Sharon Bolton novel.

When I first started to read this book it was the South Georgia setting that initially appealed to me, but although we are given some beautiful descriptions of the landscape and the cold, harsh environment, I found I wasn’t being drawn into the story as much as I would have liked. The details of whaling operations and Felicity’s research into glaciers didn’t really interest me – and being thrown straight into the middle of the story with no idea of who anybody was or what was happening didn’t help, even though I understood the reasons for that structure. It wasn’t until the action switched to Cambridge and the backgrounds of Felicity and the other characters began to be explored that I was able to settle into the novel and enjoy it.

I can’t really tell you much about the Cambridge section of the book as it would be too difficult to avoid spoilers, but it quickly becomes clear that we can’t rely on everything Felicity tells us because she has been left so badly scarred by her past experiences. Joe, her therapist, who is one of the other main characters whose perspective we see, has suffered his own recent traumas and it’s obvious that there is also more going on in his life than we are aware of at first. The truth about these two characters – and others, including Bamber, a wild and angry young woman who is very protective of Felicity, and Sean, a mysterious figure who stalks the streets of Cambridge at night – unfolds slowly, with everything coming together when we return to South Georgia in the dramatic final third of the novel. However, I found most of the twists quite easy to guess, which is unusual for a Sharon Bolton book and a bit disappointing.

This hasn’t become one of my favourites, then, but I did enjoy it after a slow start. I must find time to read Blood Harvest, the only one of her previous books I still haven’t read!

Thanks to Trapeze for providing a copy of this book for review via NetGalley.

Historical Musings #61: Art through the ages

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Welcome to my monthly post on all things historical fiction.

The winner of this year’s Walter Scott Prize for Historical Fiction was announced on Friday: The Narrow Land by Christine Dwyer Hickey. Unfortunately I haven’t had time to read all of the shortlisted titles (I posted the shortlist back in March) but I hope to catch up with them eventually. The Narrow Land is about the American artists Edward and Jo Hopper and the summer they spent in Cape Cod in 1950, so I thought it would be interesting this month to look at other historical fiction novels which feature famous artists.

Most recently, I have read Mrs Whistler by Matthew Plampin, which explores the relationship between James Abbott McNeill Whistler and his model and muse, Maud Franklin. I’m currently working through a backlog of books I need to review, so you will be able to read my thoughts on that one eventually!

Thinking of others I’ve read, the first that comes to mind is Girl With a Pearl Earring by Tracy Chevalier. Set in the Netherlands in the 1660s, it tells the story of a maid in the household of the artist Johannes Vermeer. There’s also The Master of Bruges by Terence Morgan, a fictional memoir of the 15th century artist, Hans Memling.

Novels about early female artists are particularly interesting as they have received so little attention throughout history. The Creation of Eve by Lynn Cullen is a book about the Italian Renaissance painter Sofonisba Anguissola, who spent many years painting portraits at the Spanish court, while Michelle Diener’s In A Treacherous Court features Susanna Horenbout, a Flemish artist who worked as an illuminator at the court of Henry VIII. And although she’s not the main focus of the novel, Sisters of Treason by Elizabeth Fremantle is written partly from the perspective of Levina Teerlinc, another female artist working during the Tudor period and best known as a painter of miniatures.

I’m sure I must have read other books about artists but these are all I can think of at the moment (I have read plenty of books with fictional artists, but that would be a topic for a separate post), so now it’s your turn. Have you read any fiction about the lives and work of artists – of any nationality and from any time period? I would love some recommendations.

The Irish Princess by Elizabeth Chadwick

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I love Elizabeth Chadwick’s books and some of her very best, in my opinion, are the ones she has written about William Marshal – described as ‘the greatest knight that ever lived’ – and his family. In The Scarlet Lion we met William’s wife, Isabelle de Clare; now The Irish Princess tells the story of Isabelle’s parents, Richard de Clare and Aoife MacMurchada. There’s not really a lot of historical information available on Aoife (even how and when she died is unknown) but I know that Elizabeth Chadwick is an author who does her research and I’m sure this novel is as accurate as she could possibly make it.

Born in Ireland in the middle of the 12th century, Aoife is the daughter of Diarmait MacMurchada, King of Leinster. Growing up during a turbulent period of Irish history, Aoife is loved by her father but also valuable to him as a way of forming alliances with those who may be able to help him gain power. When his lands are invaded by a rival and he loses his kingdom of Leinster, Diarmait is forced to flee to Wales and then to England, where he seeks the help of King Henry II. Henry gives him permission to recruit men to try to reclaim his lands – and one of those who agrees to join him is Richard de Clare, lord of Striguil.

Richard had fought on the ‘wrong side’ in the recent civil war between Henry II’s mother, Empress Matilda, and her cousin, King Stephen. Now that Henry has come to the throne of England, Richard, who had been one of Stephen’s supporters, has found himself disinherited and out of favour with the new king. When Diarmait offers him Aoife as a wife in return for his assistance in Ireland, Richard sees this as an opportunity to regain power and influence. But this is no unhappy, forced marriage; when Aoife meets the man who is to become her new husband, she finds that he is a man she is able to love and trust.

I liked Aoife and thought she was a great subject for historical fiction, particularly as she’s somebody who isn’t written about very often. Although it may seem at first that she is little more than a pawn to be used in the schemes of men, it quickly becomes clear that Aoife has a mind of her own and is quite capable of coming up with her own plans and schemes, especially in her dealings with Henry II, in order to get what she wants from life. Richard proves to be the perfect partner for her; although they don’t always see eye to eye they treat each other with respect and I loved watching them settle into their marriage over the course of the novel. Richard, nicknamed Strongbow (thought to be derived from the word ‘Striguil’ rather than a reference to his skill with a bow), is also an interesting character in his own right and I enjoyed getting to know him as well as Aoife.

Although the relationship between Aoife and Richard is at the heart of the novel – there is a stronger romantic element here than in Chadwick’s last few books, I think – their personal stories fit seamlessly into the history of the period and the events of the Anglo-Norman invasion of Ireland are clearly described so you should find it all easy enough to follow even if, like me, you start the novel with little or no knowledge. I don’t think I would rank this book amongst my favourites by Elizabeth Chadwick as I found it a bit too long for the story being told and slightly repetitive at times, but it’s still a very enjoyable read and a good opportunity to meet two historical characters who are rarely given much attention.

Thanks to Little, Brown Book Group UK for providing a copy of this book for review via NetGalley.

Six Degrees of Separation: From Normal People to The Ivy Tree

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It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month, the book we are starting with is Normal People by Sally Rooney. I haven’t read this book and probably won’t, but here is the blurb:

Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation – awkward but electrifying – something life-changing begins.

Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can’t.

Thinking of another book with the word ‘people’ in the title leads me to The Good People by Hannah Kent (1), a novel set in Ireland in the 1820s and steeped in legend, folklore and ancient beliefs.

Stories of fairies, changelings and people being swept away to fairyland feature heavily in The Good People, as they do in one of my recent reads, The Ninth Child by Sally Magnusson (2), although this book has a different setting – Scotland during the construction of the Loch Katrine Waterworks.

One of the main characters in The Ninth Child is Isabel, a doctor’s wife. This immediately made me think of the title character in Mary Elizabeth Braddon’s The Doctor’s Wife (3), whose name is also Isabel.

The Doctor’s Wife is a Victorian novel which explores the feelings of a woman who is trapped in a boring, unexciting marriage and dreams of adventure and romance. One of her heroines is Edith Dombey, who appears in Dombey and Son by Charles Dickens (4), the next link in my chain. I read Dombey earlier this year and will try to post a review soon!

I have written in the past about the number of books with ‘daughter’ in the title. Other than Dombey and Son, I can only think of a few books I’ve read with ‘son’ in the title and one of them is The Devil and Her Son (5) by Maxwell March, a pseudonym of Margery Allingham.

The Devil and Her Son is an entertaining novel about a young woman who switches identities with a friend, only to find herself the victim of an even bigger deception. Another book about impersonations and stolen identities is The Ivy Tree (6) by one of my favourite authors, Mary Stewart – a good choice to bring this month’s chain to an end!

~

And that’s my chain for June. My links have included the word ‘people’, fairies, doctor’s wives, Edith Dombey, the word ‘son’ and identity switches.

Next month we will be starting with What I Loved by Siri Hustvedt.