The Frost of Springtime by Rachel L. Demeter

The Frost of Springtime When I was offered the opportunity to take part in a blog tour for Rachel L. Demeter’s The Frost of Springtime, I wasn’t sure whether or not to accept. I read a lot of historical fiction novels and many of them have an element of romance, but I tend not to be drawn to books that are specifically classed as ‘historical romance’ as this one is. The setting sounded intriguing, though, so I decided to give it a try.

The Frost of Springtime is set during the Paris Commune of 1871, a brief period during which a revolutionary government ruled Paris. The novel begins with Vicomte Aleksender de Lefèvre rescuing a young girl, Sofia Rose, who has been sold into a Parisian brothel by her own mother. Sofia becomes Aleksender’s ward but she is later separated from her guardian while he goes away to fight in the Franco-Prussian War.

When Aleksender returns to Paris accompanied by his friend, Christophe Cleef, he finds that the city has been torn apart by revolution, protest and destruction. At home, too, things are changing. His father’s death has left him with new responsibilities and an altered relationship with his brother…and the little girl he saved from a life of misery and abuse has matured into a beautiful young woman of nineteen. Left scarred by his traumatic wartime experiences, Aleksender is in need of love and comfort and it seems that Sofia can provide them. But what about his wife, Elizabeth, the woman he married years earlier as part of an arranged marriage and has never loved the way he loves Sofia?

The Frost of Springtime is a dark and atmospheric story with some great descriptions of a Paris in political turmoil. Although there is certainly a strong romantic thread running through the centre of this novel, there is also quite a lot of history. In fact, there could be too much history for those who are looking purely for a love story, but for me personally the balance was about right. I had no previous knowledge of the Paris Commune and now that I’ve learned a bit about it from reading this book I would like to know more. I may have to do some further reading on the subject!

Aleksender and Sofia were both strong characters – characters I was interested in and cared about. Unless you just don’t like the idea of the age difference or a man falling in love with a girl who had been his ward, I’m sure you’ll feel the same and will be hoping for a happy ending for the two of them. However, I did also like Elizabeth and had a lot of sympathy for her as she really hadn’t done anything wrong and didn’t deserve to be treated badly. Aleksender’s behaviour sometimes disappointed me because it wasn’t always what you would expect from the hero of a romantic novel but this could be partly explained by the fact that he is suffering from what appears to be post-traumatic stress disorder caused by his experiences at war.

frostofspringtimebanner I’m glad I didn’t let my doubts about historical romance put me off reading this book as I did enjoy meeting Aleksender and Sofia and learning about such an interesting period of French history.

If you’d like to read more reviews, interviews and guest posts please see the tour schedule at Enchanted Book Promotions – and don’t forget to enter the tourwide giveaway for an Amazon gift card at this link: a Rafflecopter giveaway

The Long Song by Andrea Levy

When Thomas Kinsman asks his mother, July, to write her memoirs, she agrees on the condition that she is allowed to tell her story the way she wants to tell it:

“Please pardon me, but your storyteller is a woman possessed of a forthright tongue and little ink. Waxing upon the nature of trees when all know they are green and lush upon this island, or birds which are plainly plentiful and raucous, or taking good words to whine upon the cruelly hot sun, is neither prudent nor my fancy. Let me confess this without delay so you might consider whether my tale is one in which you can find an interest.”

The Long Song The island with the lush green trees, raucous birds and hot sun is Jamaica, where July is born into slavery on the sugar plantation of Amity. As a young girl, July catches the eye of her master’s spoiled and selfish sister, Caroline Mortimer, and becomes her maid and companion. Kept apart from her mother, a field slave, and renamed ‘Marguerite’ because Caroline likes the name, life is not always easy for July but the Christmas Rebellion of 1831 brings hope that slavery in Jamaica will soon come to an end. And with the arrival of a new overseer, Robert Goodwin, life at Amity could be about to change forever…

I have read other books about slavery but never one that focused specifically on slavery in Jamaica, so The Long Song was something new for me. With July moving from the slave quarters to live with her mistress, we see how slavery and its abolition affected not just the slaves themselves but also the British slave owners and overseers. I liked the fact that July’s story does not just finish with the end of slavery in Jamaica but goes on to describe what happened after that. It’s easy to imagine that things improved instantly as soon as slavery was abolished but that was not necessarily true and July does a good job of showing us how she and the other newly emancipated slaves continued to face hardships and obstacles.

As you’ll be able to tell from the excerpt I quoted at the start of this post, July has a very strong and distinctive narrative style, which suits her lively, mischievous personality. She frequently breaks off in the middle of a chapter to argue with her son, Thomas, over what should or should not be included and at other times she addresses the reader directly. Sometimes she gives us one version of events, then admits that she is not being honest and begins again with a more truthful account. Most of her story is told in the third person, as if July was just somebody she had once known and not actually herself – maybe we’re supposed to assume this made it easier for the older July to discuss the painful things that had happened to her? She also adds a lot of humour to her story which makes it feel much lighter and less harrowing than it could have been.

At first I was intrigued by July’s unique narration; it felt different and unusual. After a few chapters, though, the novelty wore off and I started to find it irritating. I wished she would stop interrupting herself and get on with telling the story! I like this sort of writing in Victorian novels but in this case I thought it felt like a gimmick that, for me, just didn’t quite work. I did still enjoy the book but maybe I would have enjoyed it even more if it had been written in a more conventional style. I have a copy of one of Andrea Levy’s other books to read – Small Island, which is being reissued in a new 10th anniversary edition – and I’ve heard it’s very different, so I’m looking forward to reading that one.

Seaton Delaval Hall (and more new books)

Another nice, sunny weekend (sadly now just a distant memory as the rain appears to be back again today) meant another visit to a National Trust property, this time Seaton Delaval Hall, a country house near the Northumberland coast. Only a small part of the Hall is open to the public as the central section is currently being restored – you can see the scaffolding in my first picture – but the gardens are beautiful.

SD15

SD10

SD11

SD7

SD13

SD1

SD5

SD4

I was excited to discover that there’s also a second-hand book shop at Seaton Delaval Hall. Just a tiny one with only a few shelves, but I managed to find two books I wanted to read:

SD12

I haven’t read anything by Helen Hollick but have often thought that she sounded like an author I might enjoy and after recently reading my first Jane Aiken Hodge book, Watch the Wall, My Darling, I’ve been looking out for more of her work too.

How was your weekend?

Tropical Issue by Dorothy Dunnett

Tropical Issue Having read all of Dorothy Dunnett’s six-volume Lymond Chronicles, eight-volume House of Niccolò series and her standalone novel, King Hereafter, I suppose it was only a matter of time before I picked up one of her Johnson Johnson mystery novels. I wasn’t entirely sure that I was starting with the right book, as Tropical Issue (originally titled Dolly and the Bird of Paradise – Dolly being the name of Johnson’s yacht and the ‘bird’ being the female narrator of the story) was actually the sixth to be published. I had discovered, though, that it is also the first chronologically, so it seemed like a good place to start.

Our narrator is Rita Geddes, a Scottish make-up artist with a punk hairstyle (the book was published in 1983 and I should point out here that unlike the rest of Dunnett’s books, these were contemporary novels rather than historical ones). Rita’s latest client is the journalist and celebrity Natalie Sheridan and at the beginning of the novel Rita is in London preparing Natalie for a photo shoot with the photographer, Ferdy Braithwaite. Ferdy has borrowed his friend Johnson Johnson’s studio flat to use for the session and in this way, Rita meets Johnson for the first time. Not that she learns much about Johnson during this first meeting, other than that he is recuperating after being seriously injured in a plane crash – and that he is a portrait painter, has black hair and wears bifocal glasses.

Joining Natalie for another job on the island of Madeira, Rita learns that the life of her friend and fellow make-up artist Kim-Jim Curtis could be in danger. And when Johnson and his yacht, Dolly, also arrive in Madeira, a mystery unfolds which is complex, surprising and takes the reader through a range of exotic locations from the banana plantations of Barbados to the volcanic craters of St Lucia. As with all good mystery novels, you’ll need to pay attention as things which may seem irrelevant at first turn out to be important later in the book.

I liked the character of Rita from the beginning. She has a very distinctive narrative voice, with her strong personality coming across in every sentence – how can you not love a character who thinks, when disturbed by an intruder in the night, “I rather wished I was wearing something handier than a quilt, but if all else failed, I could smother the guy if I caught him”? As for Johnson, it was difficult not to want to make comparisons with Dunnett’s other heroes, Lymond, Nicholas and Thorfinn, but really, while they do all share some characteristics, there are also some big differences between them. However, I do think there were a lot of similarities in the way Dunnett introduces his character to us – viewing him only through the eyes of other people (in this case Rita), with his true thoughts and motives often being obscured and misinterpreted.

While I love all of Dorothy Dunnett’s other books, I can’t really say that I loved this one – but I did enjoy it. It took me a while to really get into the story, but after a few chapters I was won over by a wild and wonderful sledge race to rival the ostrich ride in Niccolò Rising. It made a nice change, in a way, to be able to read a Dunnett novel without becoming too emotionally involved in the lives of the characters! I don’t feel the same compulsion to immediately read the rest of the series as I did with Lymond and Niccolo, but it’s good to know that there are still another six books to look forward to.

Love and Treasure by Ayelet Waldman

Love and Treasure In Love and Treasure, Ayelet Waldman traces the fate of a single item – a necklace with a peacock pendant – and uses it to tell the story of Hungary’s Jewish communities before and after the Holocaust. Spanning a period of one hundred years, the novel is divided into three separate stories, but there are links between all three and the peacock pendant plays an important role in each one.

The novel begins in 2013 with a conversation between Jack Wiseman and his granddaughter, Natalie, when he admits to her that the necklace she wore on her wedding day thinking it was her grandmother’s did not actually belong to her grandmother at all. The real owner, he says, is unknown, but he would like Natalie to find her and give the pendant back.

We then move back in time to Salzburg in 1945 where Jack is serving in the US army. He is given the responsibility for guarding the Hungarian Gold Train, a train containing the confiscated personal belongings of thousands of Hungarian Jews (paintings, watches, furs, cameras and other objects) but while he does his best to protect its contents he is forced to watch as his fellow army officers ‘borrow’ one item after another. When Jack’s days in charge of the train come to an end, he himself steals one of its treasures – the peacock pendant – because it reminds him of Ilona, a Jewish girl from the Hungarian town of Nagyvárad whom he has grown close to during his time in Salzburg.

Returning to 2013, Natalie is beginning her search for the original owner of the pendant – a search which will take her to Budapest where she joins forces with Amitai Shasho, an Israeli art dealer on a special mission of his own. This takes us into the final section of the book, set in 1913 Budapest and telling the story of a psychoanalyst and one of his patients, a young Hungarian suffragette whose strong views lead to her father wanting her treated for insanity.

Of the three main sections of the novel I think my favourite was the first one, the story of Jack and Ilona. Ilona is a survivor of the concentration camps and through her character, Waldman explores the lives of the Displaced Persons who lost their homes and their families during the war. I thought she did an excellent job of showing what it may have felt like to be a Jew displaced in Europe after the war had ended. I cared about Jack and Ilona in a way that I never really came to care about Natalie and Amitai, so I was sorry to leave them behind when I reached the end of the first section and moved on to the second.

I also enjoyed the final part of the book: narrated by the psychoanalyst, Dr Zobel, this is the only section to be written in the first person rather than the third, and I thought his narrative voice was very strong and distinctive – just what I would expect from a man of his profession in 1913.

I found Love and Treasure a very interesting read because it introduced me to subjects I knew little or nothing about. The Hungarian Gold Train, for example, really existed, yet it’s something I had never read about before and I thought it was fascinating. While the book didn’t really affect me emotionally as much as I would have expected from a novel about the Holocaust, the fact that it was so intriguing from an historical perspective made up for it.

Love and Treasure tour banner

I read this book as part of the Love and Treasure Historical Fiction Virtual Book Tour. For more reviews, interviews and guest posts please see the tour schedule.

The Mayor of Casterbridge by Thomas Hardy

The Mayor of Casterbridge - Thomas Hardy This book was chosen for me in the recent Classics Club Spin. My strategy with spin books is to pick it up and start reading as soon as possible after the number is announced – that way I don’t put it off until the last minute and end up not wanting to read it. This worked well with my last two spin books, A Tale of Two Cities and Can You Forgive Her? and it worked again with this one – once I started reading The Mayor of Casterbridge I didn’t want to put it down, though that wasn’t entirely surprising as I’ve loved everything else I’ve read by Thomas Hardy and fully expected to love this one too.

The Mayor of Casterbridge is the story of Michael Henchard, whom we first meet as a young man, out of work and walking from town to town in search of employment as a hay-trusser. On arriving in a small village near the town of Casterbridge and discovering that a country fair is taking place, Michael proceeds to get drunk and sells his wife, Susan, and baby daughter Elizabeth-Jane to a sailor for five guineas. In the morning he regrets what he has done, but Susan, Elizabeth-Jane and their new owner have already disappeared without trace. After swearing not to touch another drop of alcohol for twenty-one years – the length of time he has been alive – Henchard begins to rebuild his life.

Almost twenty years later, we rejoin Susan and her daughter as they return to Casterbridge. The sailor, Mr Newson, has been lost at sea and having only recently learned that her second ‘marriage’ was not legally binding, Susan is hoping that she and Elizabeth-Jane can find and be reconciled with Michael Henchard. Things have changed in the intervening years and Henchard has transformed himself into the sober and respectable Mayor of Casterbridge. How will he react to having his wife and daughter back in his life? With the arrival of two more newcomers – Lucetta, a pretty young woman from Jersey, and Donald Farfrae, a Scottish traveller – Henchard’s fortunes begin to change yet again and in typical Thomas Hardy fashion a series of mistakes and misunderstandings follow, sometimes with tragic consequences.

I loved this book as much as I expected to and enjoyed being back in Hardy’s Wessex (now that I’ve read quite a few of his books it’s fun to be able to notice the occasional references to characters and places from previous novels). There are some lovely descriptions of Casterbridge with its Roman ruins, and the beautiful countryside surrounding it. However, this is a less pastoral book than most of the others I’ve read – the action takes place in and around the market town of Casterbridge itself, which gives this book a slightly different feel to the more rural, farm-based ones such as Far From the Madding Crowd.

The plot is a great one, with lots of twists and turns and plenty of drama; I was never bored once. There are lots of scenes and images that I’m sure will stay with me from this novel – the ‘furmity tent’ at the fair, the goldfinch in its cage, the noise of the ‘skimmington ride’ – but the main focus of the story is on Michael Henchard and his rise and downfall. There is no doubt that what Henchard does in the first chapter of this book is cruel and shocking, but he’s not just a two-dimensional villain; he is much more complex than that and his character is not written completely without any sympathy. It’s up to the reader to decide whether they can find any forgiveness for him or whether they think he deserves everything he gets. Personally, although I thought the way he behaved was terrible at times, I still found his story very sad, particularly as so much of his misery was self-inflicted and a result of his own flaws and impulsive decisions. And of course, as with many of Hardy’s novels, there is a sense of impending tragedy that hangs over everything and you know from the beginning that there is unlikely to be a happy ending.

I’m now looking forward to reading the other Thomas Hardy novels on my Classics Club list. I think The Return of the Native will probably be the next one I read.

Beatrice and Benedick by Marina Fiorato

Beatrice and Benedick “I had rather hear my dog bark at a crow than a man swear he loves me.” These words are spoken by Beatrice near the beginning of Shakespeare’s Much Ado About Nothing, when she is reunited with Benedick, a man whom it is hinted she had been romantically involved with in the past. Shakespeare never gives us any details of Beatrice and Benedick’s history together and in this new novel, Marina Fiorato imagines how they may have met, what could have led to their separation and what brought them together again.

As the novel begins in the summer of 1588, Beatrice, the daughter of Prince Escalus of Verona, is visiting Messina in Sicily, staying at the home of her uncle Leonato, the Governor of Messina. Sicily is under Spanish rule and Leonato is preparing to welcome a party of Spaniards to the island, including the Prince of Aragon, Don Pedro, who is accompanied by his two young Italian friends, Claudio and Benedick. Claudio instantly falls in love with Leonato’s beautiful daughter, Hero, while Beatrice and Benedick are also attracted to each other – but are unable to admit it, preferring to trade insults instead. Just as they begin to acknowledge their love for each other, the two are torn apart with Beatrice heading home to Verona and Benedick joining Don Pedro and Claudio at sea as the Spanish Armada sets out to invade England. Eventually they will all meet again in Messina, setting the scene for the events of Much Ado About Nothing

Well, this book was a surprise! I had expected a light, gentle romantic comedy, but what I got was an entertaining and often quite dark historical adventure novel filled with duels, pageants and puppet shows, sea voyages, mutinies and treasure troves. Like a play, the novel is divided into Acts and Scenes, each Scene narrated by either Beatrice or Benedick. The voices of the two narrators were very similar and I thought more effort could have been made to make them more distinctive, but otherwise I liked the way the novel was structured. I wondered whether Fiorato would be able to pull off the wars of words between Beatrice and Benedick, but I think she did this very well – although Benedick doesn’t seem as quick-witted as Beatrice and usually comes off worst in their encounters.

I know there are some readers who are not interested in prequels, sequels or rewritings of any kind (and actually, I usually am one of those readers) but I enjoyed this one and thought it was very cleverly done, with Shakespeare’s characters and storylines woven perfectly into the history of the period. There are also some elements and characters from other plays, most notably Othello and Romeo and Juliet. Fiorato even manages to incorporate Shakespeare himself into the novel – if you’re not already aware of the theories connecting Shakespeare with Sicily I’ll leave you to find out for yourself!

You don’t really need to be familiar with Much Ado About Nothing as this book does work as a straightforward historical fiction novel, but you will get more out of it if you do read (or watch) the play either before you start or after you finish. As for the historical aspects of the novel, it was interesting to learn about Spanish-ruled Sicily and the fate of the Moors who lived there. I also loved all the beautiful descriptions of both Messina and Verona.

Having enjoyed Beatrice and Benedick so much more than I’d expected to, are there any other Shakespeare-inspired novels you would recommend?