The Disorderly Knights by Dorothy Dunnett

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The Disorderly Knights is the third of Dorothy Dunnett’s Lymond Chronicles. In this instalment, Francis Crawford of Lymond goes to Malta to help the Knights Hospitallers of St John protect the island from invasion. It soon becomes obvious that not only is Malta under threat from the Turks, but the Order of St John itself is in danger of being torn apart by feuding factions among the knights. And as the action moves first to Tripoli and then back home to Scotland Lymond himself becomes entangled in the schemes of a very clever and subtle enemy.

I loved the first two books in this series, The Game of Kings and Queens’ Play, but this one is my favourite so far. It’s been a long time since I’ve been so completely immersed in a book – I had to tear myself away from it to go to work or to sleep and still couldn’t stop thinking about the story or the characters even when I wasn’t reading.

As with the first two books I found I had to keep turning back to remind myself of what had happened in earlier sections and was constantly changing my mind about what I thought was going on. Although I knew who the villain was (even if most of the characters in the book didn’t) I wasn’t sure what his motives were, what he was hoping to achieve or how long ago he had started to put his plans into motion, so there was still plenty of mystery to keep me guessing throughout the story.

I have never read anything set in either Malta or Tripoli, but both locations were brought to life for me through the vivid descriptions we were given. After I’d finished the book I looked up some of the historical events covered in the story such as the Siege of Tripoli and I was so impressed at how cleverly Dorothy Dunnett had woven fact and fiction together. The same applies to some of the novel’s later events set in Scotland – the feud between the Scotts and the Kerrs, for example, and even the deaths of some of the characters.

This was such an emotional book too – there were various points in the story where my blood was boiling, my heart was pounding or I had tears in my eyes – yet I think the fact that it caused such strong emotions proves what a powerful book this was. And I appreciated the moments of humour that the author injected into what would otherwise have been a very dark story. The scene with the eight hundred sheep was one of my favourites!

I couldn’t put this book down throughout the last 100 pages and was so glad I had Pawn in Frankincense ready to pick up as soon as I finished! You can expect to see my thoughts on that one soon.

The Glovemaker by Stacia Brown

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The Glovemaker is set in Oliver Cromwell’s England, just after the execution of Charles I in 1649, and follows the trial of Rachel Lockyer, a glovemaker’s assistant who has been accused of killing her illegitimate child. A new law states that any unmarried woman who is found to have concealed the death of her baby must be guilty of murder. Apart from Rachel herself, nobody knows the truth about what happened, but Rachel is reluctant to speak up and defend herself, so it’s left to investigator Thomas Bartwain to examine the evidence and the jury to decide whether Rachel should be sentenced to death.

The time period Stacia Brown has chosen for this novel is one that does not seem to be widely covered in historical fiction – the years between the English Civil War and the Restoration, when Oliver Cromwell ruled (known as the Interregnum) – and this is what had drawn me to the book. But when I read historical fiction I like to get a good sense of the period the book is set in and to feel as if I’ve been transported there myself and unfortunately, this did not happen with The Glovemaker. It didn’t help that I kept noticing inaccuracies – houses here in England don’t have stoops, for example, and I’m fairly sure we wouldn’t have been eating cranberry biscuits in 1649 either. Just small things, but they meant that I was never able to feel completely immersed in the atmosphere of 17th century London.

I did think the parts of the book set in Newgate Prison and describing the conditions under which the prisoners lived were quite compelling. And I learned a lot about the Levellers, the political movement that some of the characters in the book are part of. One of the Levellers in the novel is William Walwyn, the father of Rachel Lockyer’s child, who I discovered from the author’s note was a real historical figure.

I thought The Glovemaker was interesting in that it portrayed what must have been a very real situation for a lot of women at that time who found themselves pregnant but without a husband. It seemed very unfair that if the woman’s illegitimate child died at birth she would be assumed by law to have murdered it and unless she could produce a reliable witness, she would be sentenced to death – and even more unfair when you consider that this law did not apply to married women.

But other than as a study of the 17th century legal system, I wasn’t quite sure what the purpose of this story was supposed to be. There was no mystery, because we were told in the opening pages that Rachel had concealed her child’s death (we see her burying it behind the Smithfield slaughterhouse in the prologue) – the only question was whether or not the baby had died naturally. I didn’t think the romance aspect of the book worked either: the affair between Rachel and William Walwyn formed quite a big part of the story but I never felt emotionally involved in their relationship. The one character who did interest me was Thomas Bartwain, the investigator in charge of Rachel’s case, whose conscience starts to trouble him as he interviews witnesses and learns more about Rachel’s story and the injustice of the law.

I just wish I had been able to care about Rachel as this could have been such a moving story. Instead I was left feeling disappointed that, for me, this novel didn’t live up to its potential.

This book has also been published under the US title of Accidents of Providence.

The Light Between Oceans by M.L. Stedman

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The Light Between Oceans is the story of Tom and Isabel Sherbourne, a young couple living on the remote island of Janus Rock, off the coast of Australia. Tom, who has recently returned physically unharmed from fighting in the Great War, has taken a job as lighthouse keeper on the island.

One day in 1926, a boat is washed up on the shore of Janus, with a baby girl and a dead man inside. Isabel, who has just suffered the latest in a series of miscarriages and stillbirths, sees this as a second chance and is determined to keep the baby. Tom is not so sure, but he loves his wife and she convinces him that it’s the right thing to do. Raising Lucy as their own child, it’s not long before Tom and Isabel can’t imagine life without her, but their decision to keep her leads to other important choices that have to be made and could have heartbreaking consequences for everybody involved. What if the baby’s real mother is still alive somewhere, wondering what has happened to her daughter? And how will Tom cope with his feelings of guilt over what they’ve done?

The Light Between Oceans is a very impressive debut novel from M.L. Stedman. I loved the island setting and I was given a real sense of the isolation of Tom and Isabel’s lives. The Sherbournes are completely alone on Janus Rock, apart from a few times a year when supplies are brought by boat from the mainland. It sounded like a beautiful place to live but also a very lonely, solitary existence not without its difficulties and hardships. There are a few occasions when they visit Partageuse, the closest mainland town, and this setting is also brought to life through characters such as Isabel’s parents, Bill and Violet Graysmark, and the businessman Septimus Potts. Reading this book made me aware of how few novels I have actually read that are set in Australia, which is something I would like to change.

The First World War, the long term effects on the men who fought in it and the experiences of the many people who lost their loved ones forms a small but very important part of this novel. I don’t think I’ve ever read anything about Australia’s involvement in the war and so I really liked this aspect of the book. I also found it interesting to read about the role of a lighthouse keeper and what it involved. There are some quite detailed descriptions of the various parts of the job, but none of it was too difficult to understand.

But what I loved most about this book was the way the author allowed us to sympathise with all of the main characters; it wasn’t a case of one person being entirely in the right and another in the wrong. I could see why Isabel wanted so desperately to keep Lucy but I could also understand why Tom was struggling with his conscience and how the baby’s biological mother might have felt. The novel raises so many questions…If you know that you’ve done something wrong should you try to put it right even if doing so could cause even more heartbreak? Will trying to make amends actually make things better or worse? And most importantly, what will be best for Lucy herself? These questions are difficult to answer but they are what made this book such an interesting and thought-provoking read.

Great Expectations by Charles Dickens

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Despite my love of Victorian literature, Charles Dickens has never appealed to me as much as other 19th century writers and until recently the only Dickens novel I had actually read was A Christmas Carol. A couple of years ago I decided to give him another chance and although I still don’t think Dickens will ever be one of my favourite Victorians, I’m pleased to say that my opinion of his work is rapidly improving with every book of his I read!

Great Expectations is narrated by Pip, a young orphan who is brought up by his sister and her husband, Joe Gargery, a blacksmith. Near the beginning of the book two important incidents occur: first Pip meets an escaped convict in the graveyard near his home, and then soon after this he is invited to visit the eccentric Miss Havisham who lives at Satis House. When Pip unexpectedly receives a large sum of money he moves to London to become a gentleman and leaves his old friends behind. But who is the mysterious benefactor and will Pip’s ‘great expectations’ really change his life for the better?

I won’t go into the plot in any more detail for two reasons: firstly, because I suspect many of you will already be familiar with the story even if you haven’t read the book, and also because I wouldn’t want to spoil any of the surprises and plot twists the novel contains. But as well as the wonderful plot, Great Expectations is also full of strong and memorable characters. Miss Havisham, hidden away in her ruined mansion wearing her wedding dress, is probably the one most people will think of when they think of this book, but from the convict Abel Magwitch and Pip’s best friend Herbert Pocket to the lawyer Mr Jaggers and Miss Havisham’s adopted daughter Estella, the book is full of unforgettable characters. I posted a few weeks ago about one of my favourites, Joe Gargery, and how sad it is to see the way Pip’s relationship with Joe changes after he is given his great expectations.

If you’ve never read any Dickens before, I think this might be a good place to start. I’ve read four of his other novels (A Christmas Carol, Bleak House, Our Mutual Friend and The Mystery of Edwin Drood) and in comparison to some of those, I thought this one was much easier to read and understand. And I loved all the observations on life and human nature that Dickens scatters throughout his writing, like this:

“That was a memorable day to me, for it made great changes in me. But, it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.”

Or this:

“So, throughout life, our worst weaknesses and meannesses are usually committed for the sake of the people whom we most despise.”

Now I just need to decide which of Dickens’ books I should try next. I have three of his novels on my list for the Classics Club: David Copperfield, A Tale of Two Cities and Oliver Twist. Have you read any of those or is there another one you would recommend?

The Crown by Nancy Bilyeau

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Nancy Bilyeau’s first novel, The Crown, is a historical mystery set during the Tudor period, beginning just before the death of Henry VIII’s third wife Jane Seymour. The story revolves around the search for a legendary crown which is said to possess special powers. Our heroine and narrator is Joanna Stafford, niece of the third Duke of Buckingham, and a novice nun at Dartford Priory.

When Sister Joanna escapes from the priory and travels to London to witness the execution of her cousin for treason she is unfortunate enough to be captured and taken to the Tower of London. Here she is visited by Stephen Gardiner, the Bishop of Winchester, who sends her back to Dartford on a mission to find the mysterious Athelstan crown which he believes could be hidden somewhere within the priory. As Joanna learns more about the crown she starts to wonder why the Bishop wants it so desperately, but with her beloved father also imprisoned in the Tower and threatened with torture, it seems she has no choice but to obey Gardiner’s orders…

This was one of the most entertaining Tudor novels I’ve read and a real page turner from beginning to end. When the search for the Athelstan crown began I was concerned it might become too much like The Da Vinci Code but that didn’t happen. The mystery of the hidden relic was an important part of the story, but not at the expense of the character development or the wonderful sense of time and place that the author creates.

I really liked Joanna Stafford. One of the things that makes her such an interesting narrator is the constant conflict between her commitment to the vows she’s required to take as a nun and her desire to do whatever is necessary to help her father, even if it means breaking some of these vows. The fact that she sometimes struggles with her conscience and doesn’t always make the right decisions helped me to believe in her as a character.

As a member of one of England’s most powerful families, Joanna meets a lot of famous names from the period including Katherine of Aragon, Anne and George Boleyn, Catherine Howard and Princess Mary, but unlike a lot of Tudor novels this one doesn’t really focus on the court. Instead we are given lots of details on life in a priory and what it was like to be a nun during the Dissolution of the Monasteries, when on the orders of Henry VIII the religious houses of England, Wales and Ireland were closed down, destroyed or sold. This is not something I knew much about before starting this book and I had no idea what happened to the monks and nuns after the monasteries were dissolved, so it was good to learn more about the process and what it involved. But although there’s plenty of history here, it really serves as a background to the plot and never slows the story down at all, so I think this book could be enjoyed by people who like thrillers and mystery novels as well as by fans of historical fiction.

The Crown is a complete story in itself, but the way it ended left me feeling that there were more adventures ahead for Joanna. Apparently Nancy Bilyeau has written a sequel and I’m already looking forward to reading it and entering Joanna’s world again.

I received a copy of The Crown through Netgalley

Queens’ Play by Dorothy Dunnett

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Queens’ Play is the second of Dorothy Dunnett’s Lymond Chronicles. A few weeks ago I talked about how much I loved the first in the series, The Game of Kings, and I’m pleased to report that I enjoyed this one too, though maybe not quite as much. I never know how to write about the second book in a series as it’s very difficult to discuss it without giving away some of the things that happened in the previous book. So, while I’ll do my best to avoid spoiling too much, if you haven’t already read The Game of Kings then you might prefer to do so before reading any more of my posts on the series.

Queens’ Play starts two years after the end of The Game of Kings. Mary of Guise, the mother of seven-year-old Mary Queen of Scots, has asked Francis Crawford of Lymond to join them in France and help to protect the little Queen from a plot against her life. However, Lymond’s face and name are too well known in France and so he goes undercover, disguised as one of a party of Irishmen who are visiting the French court.

As with The Game of Kings, I was very impressed by the complexity of the characters and the intricate twists and turns of the plot, but Queens’ Play also gives us a vivid depiction of the court of Henri II with its splendour, extravagance and corruption. There are plenty of exciting, dramatic scenes and set pieces too – Lymond’s adventures in France include a hunt involving a cheetah and a wolfhound, a moonlit race across the rooftops of Blois, a wrestling match (I would never have thought I could find wrestling so thrilling to read about!), stampeding elephants and more than one attempted poisoning.

In the time between finishing Queens’ Play and posting this review I have been reading the third book, The Disorderly Knights (halfway through at the moment and loving it), and I’m already starting to see the importance of Queens’ Play in the context of the series. We are introduced to some new recurring characters and Lymond also learns a lot of important lessons in France – as well as battling some personal demons, he starts to understand what it means to be a leader, to care for the men under your control and to take responsibility for what happens to them.

As I mentioned at the start of this post, I thought Queens’ Play was a great book but I didn’t love it as much as I loved The Game of Kings. I think part of the problem was that at the end of The Game of Kings I had felt we were finally starting to see the real Francis Crawford, yet almost from the very beginning of Queens’ Play he was pretending to be somebody else – and although I was still enjoying the story, I wanted Lymond, not his alter ego. Still, as far as I can tell, a lot of people consider this to be the weakest book in the series, so if that’s true I’m really looking forward to the others!

The Classics Club

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Jillian of A Room of One’s Own has come up with a great idea to unite people who like to read and blog about classic literature. It’s called The Classics Club and the idea is to make a list of fifty or more classics you want to read within the next five years. Modern classics and re-reads can also be included.

My goal is to finish by 10 March 2017 and after a lot of thought I’ve chosen the sixty books listed below – though I suspect I’ll probably end up making some changes!

My list:

Emma by Jane Austen (re-read)
Pride and Prejudice by Jane Austen (re-read)
Aurora Floyd by Mary Elizabeth Braddon
Shirley by Charlotte Bronte
Jane Eyre by Charlotte Bronte (re-read)
Wuthering Heights by Emily Bronte (re-read)
Death Comes for the Archbishop by Willa Cather
Hide and Seek by Wilkie Collins
David Copperfield by Charles Dickens
Oliver Twist by Charles Dickens
A Tale of Two Cities by Charles Dickens
Crime and Punishment by Fyodor Dostoevsky
The Three Musketeers by Alexandre Dumas (re-read)
Twenty Years After by Alexandre Dumas
The Vicomte de Bragelonne by Alexandre Dumas
Rebecca by Daphne du Maurier (re-read)
Frenchman’s Creek by Daphne du Maurier
The Mill on the Floss by George Eliot
The Good Soldier by Ford Madox Ford
The French Lieutenant’s Woman by John Fowles
Wives and Daughters by Elizabeth Gaskell
Mary Barton by Elizabeth Gaskell
Sylvia’s Lovers by Elizabeth Gaskell
Cold Comfort Farm by Stella Gibbons
The Odd Women by George Gissing
The Return of the Native by Thomas Hardy
The Mayor of Casterbridge by Thomas Hardy
Far from the Madding Crowd by Thomas Hardy
The House of the Seven Gables by Nathaniel Hawthorne
The Hunchback of Notre Dame by Victor Hugo
The Remains of the Day by Kazuo Ishiguro
Washington Square by Henry James
The Haunting of Hill House by Shirley Jackson
The Princess of Cleves by Madame de Lafayette
The House by the Churchyard by Joseph Sheridan Le Fanu
The Painted Veil by W Somerset Maugham
Beloved by Toni Morrison
The Scarlet Pimpernel by Baroness Orczy
Excellent Women by Barbara Pym
The Romance of the Forest by Ann Radcliffe
Wide Sargasso Sea by Jean Rhys
Scaramouche by Rafael Sabatini
The Heart of Midlothian by Sir Walter Scott
Frankenstein by Mary Shelley
Of Mice and Men by John Steinbeck
The Grapes of Wrath by John Steinbeck
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
Vanity Fair by William Makepeace Thackeray
The Small House at Allington by Anthony Trollope
The Last Chronicle of Barset by Anthony Trollope
Can You Forgive Her? by Anthony Trollope
Kristin Lavransdatter by Sigrid Undset
Around the World in Eighty Days by Jules Verne
The Time Machine by H.G. Wells
The Importance of Being Earnest by Oscar Wilde
The Age of Innocence by Edith Wharton
The House of Mirth by Edith Wharton
The Heir of Redclyffe by Charlotte M Yonge
La Bête Humaine by Emile Zola
Germinal by Emile Zola

Who else is joining the Classics Club?
Which books on my list do you think I should read first?