The Walter Scott Prize 2020 Longlist

If you’ve been following my blog for a while you will know that I have been slowly working through all of the books shortlisted for the Walter Scott Prize for Historical Fiction since the prize began in 2010. I have discovered some great books and authors over the last few years thanks to this prize. You can see the progress I’ve made with this here – and I know there are other bloggers working on similar projects too.

The longlist for the 2020 prize has been announced today and includes lots of intriguing titles. I’m not planning on trying to read the entire longlist – I’m waiting until the shortlist is announced – but I would still like to read as many of these as I can.

Here are the twelve books on this year’s longlist:

The Narrow Land by Christine Dwyer Hickey (Atlantic)
The Parisian by Isabella Hammad (Jonathan Cape)
How We Disappeared by Jing-Jing Lee (OneWorld)
To Calais, in Ordinary Time by James Meek (Canongate)
The Offing by Benjamin Myers (Bloomsbury)
The Warlow Experiment by Alix Nathan (Serpent’s Tail)
Shadowplay by Joseph O’Connor (Harvill Secker)
The Redeemed by Tim Pears (Bloomsbury)
A Sin of Omission by Marguerite Poland (Penguin South Africa)
Once Upon a River by Diane Setterfield (Doubleday)
This is Happiness by Niall Williams (Bloomsbury)
The Hiding Game by Naomi Wood (Picador)

I have only read two of these so far: I enjoyed Once Upon a River and although To Calais, in Ordinary Time wasn’t really my sort of book, I did predict in my review that it would be nominated for awards and I’ve been proved right! I already have Shadowplay on my TBR, as well as the first book in the Tim Pears trilogy of which The Redeemed is the final part, but I know very little or nothing about most of the others.

Have you read any of the books on this year’s longlist? Which ones do you think will be shortlisted? We’ll find out in April.

Walter Scott Prize shortlist of ‘favourite historical novels of all time’ revealed!

The Walter Scott Prize for Historical Fiction have revealed their shortlist of ten ‘favourite historical novels of all time’ as nominated by readers throughout the month of November. I’m pleased that one of my nominations (The Game of Kings) has made it onto the list, along with a lot of other books I’ve read, although I’m surprised by some of the titles as they are not necessarily books I would have expected to see shortlisted. Have a look at the list below and see what you think.

You can vote for the winner here on the Walter Scott Prize website. The poll closes on the 16th December and the winner will be announced in January.

Checkmate by Dorothy Dunnett
The Crimson Petal and the White by Michel Faber
Days Without End by Sebastian Barry
The Eagle of the Ninth by Rosemary Sutcliff
The Game of Kings by Dorothy Dunnett
The Luminaries by Eleanor Catton
A Place of Greater Safety by Hilary Mantel
Tipping the Velvet by Sarah Waters
Waverley by Walter Scott
Wolf Hall by Hilary Mantel

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Have you read any of these? Which do you think should win? What is your favourite historical novel of all time?

The Walter Scott Prize 2019 Shortlist

Following last month’s announcement of the 2019 longlist for the Walter Scott Prize for Historical Fiction, the shortlist was revealed yesterday. As you probably know by now, I am currently working my way through all of the shortlisted titles for this prize since it began in 2010 (you can see my progress here). There are six books on this year’s list and here they are:

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A Long Way From Home by Peter Carey

Irene Bobs loves fast driving. Her husband is the best car salesman in rural south eastern Australia. Together with Willie, their lanky navigator, they embark upon the Redex Trial, a brutal race around the continent, over roads no car will ever quite survive.

A Long Way from Home is Peter Carey’s late style masterpiece; a thrilling high speed story that starts in one way, then takes you to another place altogether. Set in the 1950s in the embers of the British Empire, painting a picture of Queen and subject, black, white and those in-between, this brilliantly vivid novel illustrates how the possession of an ancient culture spirals through history – and the love made and hurt caused along the way.

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After The Party by Cressida Connolly

It is the summer of 1938 and Phyllis Forrester has returned to England after years abroad. Moving into her sister’s grand country house, she soon finds herself entangled in a new world of idealistic beliefs and seemingly innocent friendships. Fevered talk of another war infiltrates their small, privileged circle, giving way to a thrilling solution: a great and charismatic leader, who will restore England to its former glory.

At a party hosted by her new friends, Phyllis lets down her guard for a single moment, with devastating consequences. Years later, Phyllis, alone and embittered, recounts the dramatic events which led to her imprisonment and changed the course of her life forever.

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The Western Wind by Samantha Harvey (See my review here)

15th century Oakham, in Somerset; a tiny village cut off by a big river with no bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?

Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

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Now We Shall Be Entirely Free by Andrew Miller (See my review here)

One rain-swept February night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain’s disastrous campaign against Napoleon’s forces in Spain.

Gradually Lacroix recovers his health, but not his peace of mind – he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs. Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.

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Warlight by Michael Ondaatje

In a narrative as mysterious as memory itself – at once both shadowed and luminous – Warlight is a vivid, thrilling novel of violence and love, intrigue and desire. It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.

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The Long Take by Robin Robertson

Walker, a young Canadian recently demobilised after war and his active service in the Normandy landings and subsequent European operations. Suffering from post-traumatic stress disorder, and unable to face a return to his family home in rural Nova Scotia, he goes in search of freedom, change, anonymity and repair. We follow Walker through a sequence of poems as he moves through post-war American cities of New York, Los Angles and San Francisco.

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What do you think?

I’m pleased I’ve already read two of the books from this year’s shortlist – it gives me a chance of actually reading the other four before the winner is announced in June. I enjoyed the Andrew Miller and would be happy to see it win and although The Western Wind wasn’t really my sort of book I think it will be a strong contender too. I’m looking forward to reading Warlight but I’m not sure about the other three, especially The Long Take which is written in verse. I’m a bit nervous about reading that one!

Have you read any of these books? Which one do you think deserves to win the prize?

The Walter Scott Prize 2019 Longlist – and the Academy Recommends

If you’ve been following my blog for a while you will know that I have been slowly (very slowly) working through all of the books shortlisted for the Walter Scott Prize for Historical Fiction since the prize began in 2010. I am always looking for quality historical fiction and I find that the books nominated for this particular prize are of a consistently high standard. You can see the progress I’ve made with this here – and I know there are other bloggers working on similar projects too.

The longlist for the 2019 prize has been announced today and includes lots of intriguing titles. I’m not planning on trying to read the entire longlist – I’m waiting until the shortlist is announced – but I would still like to read as many of these as I can.

Here are the twelve books on this year’s longlist:

Little by Edward Carey (Gallic Books)
A Long Way From Home by Peter Carey (Faber)
After The Party by Cressida Connolly (Viking)
Washington Black by Esi Edugyan (Serpent’s Tail)
The Western Wind by Samantha Harvey (Jonathan Cape)
Dark Water by Elizabeth Lowry (riverrun)
Now We Shall Be Entirely Free by Andrew Miller (Sceptre)
Warlight by Michael Ondaatje (Jonathan Cape)
The Wanderers by Tim Pears (Bloomsbury)
The Long Take by Robin Robertson (Picador)
All The Lives We Never Lived by Anuradha Roy (Maclehose Press)
Tombland by C J Sansom (Mantle)

The only one of these I’ve read so far is Now We Shall Be Entirely Free, which I enjoyed, but I have Tombland and The Western Wind on my TBR and was already interested in reading Washington Black as well. I also have a copy of The Horseman, which is the first book in Tim Pears’ West Country Trilogy; I will need to read that one before I can read The Wanderers.

Have you read any of the books on this year’s longlist? Which ones do you think deserve to be shortlisted?

Academy Recommends

In addition, the Walter Scott Prize Academy has also announced its annual list of twenty recommended historical fiction novels published in the last year (these books are separate from the longlist and have not been nominated for the prize).

Love Is Blind by William Boyd (Viking)
The Prince Of Mirrors by Alan Robert Clark (Fairlight Books)
The Making Of Martin Sparrow by Peter Cochrane (Viking Australia)
So Much Life Left Over by Louis de Bernieres (Harvill Secker)
All Among The Barley by Melissa Harrison (Bloomsbury)
The Hundred Wells Of Salaga by Ayesha Harruna Attah (Cassava Republic)
Only Killers And Thieves by Paul Howarth (Pushkin Press)
Mary Ann Sate, Imbecile by Alice Jolly (Unbound)
The Black Earth by Philip Kazan (Allison & Busby)
The Sealwoman’s Gift by Sally Magnusson (Two Roads)
Mad Blood Stirring by Simon Mayo (Doubleday)
As The Women Lay Dreaming by Donald S Murray (Saraband)
Kintu by Jennifer Nansubaga Makumbi (Oneworld)
The Angel’s Mark by S J Perry (Corvus)
A View Of The Empire At Sunset by Caryl Phillips (Vintage)
Painter To The King by Amy Sackville (Granta)
A Treachery Of Spies by Manda Scott (Bantam Press)
The Tristan Chord by Glenn Skwerer (Unbound)
Never Anyone But You by Rupert Thomson (Corsair)
The Madonna Of The Mountains by Elise Valmorbida (Faber)

Again, I have read one of these books and enjoyed it – The Sealwoman’s Gift by Sally Magnusson. I’ve heard of a few of the others, but most of them are new to me. I have a lot of investigating to do!

You can find out more about the books and the Academy here. What do you think of their choices?

After the Sunday Papers #17

“She had read novels while other people perused the Sunday papers” ~ Mary Elizabeth Braddon, The Doctor’s Wife

With several pieces of bookish news to share with you today, I decided it was time to bring back, after a four year absence, my After the Sunday Papers posts, which were always very useful when I had a few book-related things to mention but didn’t need to devote a whole separate post to each of them. I’m not intending to make this a weekly feature again (not that it ever really was) but I will put a post together as and when I feel that I have something to talk about.

First of all, I want to congratulate author Benjamin Myers on winning this year’s Walter Scott Prize for Historical Fiction, which was awarded at the Borders Book Festival last night. As some of you will know, I am currently attempting to work my way through all of the shortlisted titles since 2010, so I have a particular interest in following this prize.

The six books on the 2018 shortlist were:

Jennifer Egan – Manhattan Beach
Jane Harris – Sugar Money [My review]
Paul Lynch – Grace
Patrick McGrath – The Wardrobe Mistress
Rachel Malik – Miss Boston and Miss Hargreaves
Benjamin Myers – The Gallows Pole

I haven’t read The Gallows Pole yet (in fact I haven’t made much progress at all with this year’s list, as you can see) but I’m looking forward to reading it and finding out why it impressed the judges so much.

This is what the book is about:

From his remote moorland home David Hartley assembles a gang of weavers and land workers to embark upon a criminal enterprise that will capsize the economy and become the biggest fraud in British history.They are the Cragg Vale Coiners and their business is clipping – the forging of coins, a treasonous offence punishable by death.

Have you read it? Do you think it is a deserving winner?

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Last week also saw the launch of this year’s Reader Survey hosted by M.K. Tod, Heather Burch and Patricia Sands. This annual survey used to be specific to historical fiction, but this year it has been expanded to cover all genres. The results, when they are made available, are always interesting to see, so I definitely think it’s worth participating in this survey.

This is what the survey hosts have to say about it:

What do readers want? What constitutes a compelling story? How do men and women differ in their preferences? Where do readers find recommendations? How do readers share their book experiences?

ANNOUNCING A 2018 READER SURVEY designed to solicit input on these topics and others.

Please take the survey and share the link https://www.surveymonkey.com/r/68HL6F2 
with friends and family via email or your favourite social media. Robust participation across age groups, genders, and countries will make this year’s survey – the 4th – even more significant.

Mothering Sunday by Graham Swift

I read this as part of my Walter Scott Prize Project (it was shortlisted in 2017) and yet again I am grateful to the Prize for pointing me in the direction of a book I would probably never have thought of picking up otherwise.

Mothering Sunday, in its original form, was a day when servants were given the day off work so that they could go home and visit their ‘mother church’ with their families. Jane Fairchild, the twenty-two-year-old heroine of Graham Swift’s novel, is an orphan, so when she is given a day’s holiday from her duties as a maid, she has no home to go to and no family to visit. Instead, she borrows a bicycle and rides across the English countryside to the big house nearby where her lover, Paul Sheringham, is waiting for her.

The book takes us through the course of that one single day in March 1924 – a day so warm and sunny it feels more like June, a day which begins with so much hope and happiness. But Jane shouldn’t really be here with Paul; he is engaged – to a much more ‘suitable’ girl than Jane – and the marriage is due to take place in just two weeks’ time. Their lovely, idyllic afternoon is cut short when Paul reluctantly gets dressed and goes to meet his future wife. Jane is left alone and what happens next is something that will stay with her for the rest of her life.

Mothering Sunday is a short novel, really more of a novella, but Graham Swift manages to pack a lot into those few pages. He has a lot to say – but always subtly and always ‘showing rather than telling’ – about relationships, about class differences and about a country still recovering from the effects of war. I particularly liked the way he handles the passing of time, describing the events of that March day in 1924 then moving smoothly and briefly forward to a later stage in Jane’s life to show how those events shape her future self.

My favourite aspect of the book, though, is Jane’s love of literature. Perhaps unusually for a servant in the 1920s, her reading has been encouraged by her employer, Mr Niven, who allows her to choose from his own shelves. The books she is most drawn to are the ones by Robert Louis Stevenson, Rudyard Kipling, H Rider Haggard, and her newest discovery, Joseph Conrad.

And later, much later in her life, she would say in interviews, in answer to a perennial (and tedious) question, ‘Oh boys’ books, adventure books, they were the thing. Who would want to read sloppy girls’ stuff?’

Her eyes might glint, her wrinkled face purse up a bit more. But then she might say, if she wanted to be less skittish, that reading those books then — ‘the war, you understand, the first one that is, was barely over’ — was like reading across a divide. So close, yet a great divide. Pirates and knights-in-armour, buried treasure and sailing ships. But they were the books she had read.

Although, as I’ve said, this is a short book, by the end of it I felt that I knew Jane Fairchild well. The limited number of characters – Jane, Paul and Mr Niven are the only ones with significant roles – gives the book a feeling of intimacy and the sense that we are there with Jane on that long-ago Mothering Sunday.

Graham Swift is not an author I had ever considered reading or thought that I would like, but based on this book, I could be interested in reading some of his others. Does anyone have any recommendations?

Walter Scott Prize Shortlist 2018

Following last month’s announcement of the 2018 longlist for the Walter Scott Prize for Historical Fiction, the shortlist has been revealed today. As you probably know by now, I am currently working my way through all of the shortlisted titles for this prize since it began in 2010 (you can see my progress here). There are six books on this year’s list and here they are:

Manhattan Beach by Jennifer Egan

Sugar Money by Jane Harris

Grace by Paul Lynch

The Wardrobe Mistress by Patrick McGrath

Miss Boston and Miss Hargreaves by Rachel Malik

The Gallows Pole by Benjamin Myers

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I am currently halfway through Sugar Money, but haven’t read any of the other five books yet. If you’ve read them, please let me know what you thought. I’ll be reading them all eventually anyway, but which would you recommend I read first?

The winner will be announced in June.