This is the fifth book in a series of historical mysteries set in the Tudor period and featuring the character of alchemist’s daughter Bianca Goddard. I don’t think it’s essential to read all of the books in the series in order; I started with the fourth one, The Alchemist of Lost Souls, and had no problems in picking up the threads of the story and following the plot.
As The Lost Boys of London opens, Bianca’s husband John is away fighting in Scotland for Henry VIII, leaving Bianca in London, devoting her time to preparing herbal remedies in her ‘room of Medicinals and Physickes’. In the past, Bianca’s skills as a herbalist have led to her assisting Constable Patch with his investigations, and having played a part in solving several previous mysteries, her help is required again when a young boy is found hanging from the exterior wall of a church.
Finding a rosary wrapped around the boy’s neck marked with a set of initials, it seems there could be a religious motive for the murder, and this appears to be confirmed when a second boy is found under similar circumstances at another church. Bianca is determined to do whatever she can to find the murderer before he or she kills again – and she has a personal reason for wanting to do so as quickly as possible. Her own young friend, Fisk, who is about the same age as the other boys, has gone missing and Bianca is afraid that he could become the next victim.
I enjoyed this book more than The Alchemist of Lost Souls. I thought the mystery was stronger and more interesting, with its exploration of topics such as religious conflict, the rivalries between the clergy of various churches, and child poverty in Tudor London. Also, although the previous book included some magical realism elements, which didn’t entirely work for me, there didn’t seem to be anything like that in this one and I thought that was a good decision as the plot was strong enough without it. As well as following Bianca’s investigations in London, there are some chapters describing John’s adventures as a reluctant soldier in the Scottish borders during the war known as the ‘Rough Wooing’ and this added some variety to the novel, taking us away from London now and then to see what was going on elsewhere.
Sometimes the language used is not right for the setting (English houses don’t have ‘stoops’, for example) and I found that a bit distracting, but otherwise the atmosphere is convincing enough and it’s always interesting to read about the lives of ordinary, working-class people in the Tudor period as a change from all of the books dealing with the royal court. Oh, and I love Bianca’s cat, Hobs!
This is apparently the final book in the Bianca Goddard series. I received a copy for review via NetGalley.