It’s been a four-year wait but The Silver Collar, the fourth book in Antonia Hodgson’s wonderful Thomas Hawkins series, is here at last. If you haven’t yet had the pleasure of meeting ‘Half-Hanged’ Hawkins and Kitty Sparks, this book does work as a standalone, but I would recommend going back to the beginning and starting with The Devil in the Marshalsea.
The Silver Collar is set in 1728. After their adventures in Yorkshire in the previous novel, Tom and Kitty are back in London running Kitty’s bookshop, The Cocked Pistol – ‘an establishment of such ill repute that a brief glance through its window could tarnish the soul‘. The couple still aren’t married and their relationship is still affectionate but stormy – and there are those who seem to want to drive them apart, such as Sir John Gonson, Tom’s old enemy, and the sinister Lady Vanhook.
When Tom is attacked in the street one day by men who appear to be intent on killing him, he is saved only by the intervention of his young ward Sam Fleet, son of an infamous underworld villain. With Sam’s help, Tom begins to investigate, determined to find out who was behind the attack, but while he is preoccupied, Kitty is facing problems of her own and has become reacquainted with a very unwelcome face from her past.
The Silver Collar also introduces another intriguing character by the name of Jeremiah Patience. Jeremiah’s story unfolds in the middle of the book, incorporating escaped slaves, a plantation in Antigua and a little girl forced to wear a silver collar – this was interesting, sensitively written and certainly very topical, but I felt it was a bit too similar to other storylines I’ve been coming across in historical fiction recently. I did like Jeremiah, though, and had a lot of sympathy for his situation.
It was also lovely to meet Tom and Kitty again after such a long wait. Tom, who narrates most of the novel in the first person, is such a great character – a lovable rogue who is always trying his best to reform himself but never quite managing it. In this book, though, his associations with other disreputable figures such as Sam Fleet and his mother Gabriela prove to be very helpful! Kitty is another strong character; I’ve enjoyed getting to know her over the course of the four books and I keep forgetting how young she still is. I didn’t think the parts of the book written from her perspective worked as well as Tom’s, though; they are written in the second person, which always feels a bit strange, I think.
This book is less of a mystery novel than the previous one (A Death at Fountains Abbey); historical thriller is probably a better description. However, we do see Tom keen to put the mystery-solving skills he gained in Yorkshire to good use by establishing a sort of Georgian-style detective agency. Sadly, he becomes too distracted by his own problems to spend much time worrying about other people’s, but maybe this is something that will be returned to in a future book.
I’ve enjoyed all four books in this series, including this one, but I still think The Devil in the Marshalsea was the best. Such a high standard was set with that book, it was always going to be hard for the others to live up to it. They are all entertaining reads, though, and I will look forward to a fifth book and finding out what the future has in store for Tom and his friends.
Thanks to Hodder & Stoughton for providing a copy of this book for review via NetGalley.
This is book 7/20 from my 20 Books of Summer list.