Category: Historical Fiction

Fallen by Lia Mills

2 Comments

Liam Crilly is one of the ‘fallen’ – one of the many young men to be killed in action on the battlefields of World War I. When the tragic news reaches his family in Dublin, they each try to come to terms, in their different ways, with the terrible loss they have suffered. For his twin sister, Katie, losing Liam is like losing a part of herself and now all she has left of him are memories and the letters he sent home from the Western Front. Denied the chance to continue her education at university because her parents don’t believe it’s necessary, Katie finds solace in assisting Dorothy (Dote) Colcough, a friend and scholar, with the research for a new book she is writing.

Through Dote, Katie meets Hubie Wilson, an army officer who had fought with Liam in France and is now recovering at home after losing a hand. Katie is desperate to learn anything she can about Liam’s last days and Hubie is pleased to have found someone who is willing to listen to him talk about his traumatic experiences. Then, just as a relationship is beginning to form between the two of them, another violent conflict breaks out: the Easter Rising of 1916. Now, Katie’s priority is to keep her friends and family safe as armed insurrectionists take to the streets of Dublin with the aim of establishing an Irish Republic.

We actually learn very little about the Easter Rising itself – what lead to it, the politics behind it, how it ended or what the outcome was – and as this is not a subject I know much about myself, I was left feeling a bit lost and confused. However, I think that was probably intentional; the focus of the book is on the ordinary people of Dublin and how they coped with the violence going on around them in the city. Written from Katie’s point of view, she has a limited knowledge of what is happening behind the scenes, but describes to the reader the things she can see and hear for herself: the gunshots, the roadblocks, the looting of shops, the smashed windows and the fires burning in the streets. I couldn’t help thinking that she seems to move very easily from one part of the city to another, considering how dangerous it was supposed to be, but otherwise these sections of the novel feel vivid and real.

The personal side of the story was of less interest to me, which I think is because of the choice of Katie as narrator. I just didn’t find her a particularly engaging character; she’s a woman in her twenties, but her narrative voice makes her seem much younger – and I wasn’t really convinced by the romance with Hubie either. Some of the other characters appealed to me more, such as Liam’s grieving fiancée, Isobel, who feels shut out by the Crilly family after Liam’s death, and Katie’s new friends Dote and May, two unconventional women who are trying to live their lives the way they want to live them. I was sorry we didn’t spend more time with these characters, as I think their stories would have interested me more than Katie’s!

Fallen was selected as the One Dublin One Book choice for 2016, an initiative which encourages people to read a book connected with the Irish capital every April. I’m obviously very late with this one, but I can see why it was chosen, for the unusual perspective it offers on such an important event in Dublin and Ireland’s history.

Book 50/50 read for the 2021 Historical Fiction Reading Challenge.

Lily by Rose Tremain

7 Comments

From the opening pages of Rose Tremain’s new novel, we know that Lily Mortimer is a murderer and that she expects to hang for what she has done. What we don’t know is who the victim was and what drove a young woman like Lily to commit such a terrible crime. To find the answers we have to go back in time, to a cold winter’s night in 1850 when policeman Sam Trench finds a baby abandoned by the gates of a London park. Sam takes her to the London Foundling Hospital where she is given the name Lily and sent to live with a foster family in the countryside. This is only a temporary arrangement – children are expected to return to the Hospital once they reach the age of six – but Lily’s foster parents, Nellie and Perkin Buck, grow to love the little girl and they are all heartbroken when the time comes for them to separate.

Back at the Foundling Hospital, Lily feels trapped and unhappy; she and the other children are badly treated by the women who are employed to take care of them and Lily herself seems to be singled out for the worst punishments. As the years go by, Lily becomes an adult and starts work as a wigmaker at Belle Prettywood’s Wig Emporium – but even though she has left the orphanage behind, she is still haunted by the events of her childhood.

After being disappointed by Rose Tremain’s last book, Islands of Mercy, I found this a much more compelling read. It took me a while to get into it as the timeline jumped around so much at the beginning, constantly moving from Lily’s present to her past and back again, which felt disjointed and confusing – and the absence of chapter breaks didn’t help – but eventually things settled down and I was drawn into the story. There are shades of Jane Eyre, particularly in the parts of the book that deal with Lily’s relationship with another orphan, Bridget, and I was also reminded of Stacey Halls’ The Foundling, another novel set partly in the London Foundling Hospital (although this book has a very different plot).

The Hospital – also known as Coram, after its founder Thomas Coram – is vividly described and comes to life as a grim, forbidding place where the abandoned children are made to pay for the ‘sins of their mothers’. Although Lily is occasionally shown some kindness by people such as her benefactress Lady Elizabeth Mortimer, most of the treatment she receives at Coram is harsh and cruel. It seemed such a shame to me that the children weren’t allowed to stay with foster families who loved and wanted them, although I understood that the idea of returning them to the Hospital was so that they could learn the skills that would equip them for life in Victorian society.

This is a bleak novel, but also quite a moving one and despite knowing that Lily considered herself a criminal, I had a lot of sympathy for her from the beginning and hoped that her story would have a happier ending than the one she was expecting. I would recommend Lily not just to Rose Tremain’s existing fans, but also to anyone looking for a dark Victorian tale to immerse themselves in this winter.

Thanks to Vintage for providing a copy of this book for review via NetGalley.

Book 49/50 read for the 2021 Historical Fiction Reading Challenge.

The Swift and the Harrier by Minette Walters

19 Comments

Minette Walters is better known as a crime writer, but she has made some forays into historical fiction in the last few years with The Last Hours and The Turn of Midnight, both set in England during the Black Death of 1348. Although I didn’t love either of those books, I did find them interesting, so I was keen to try her new one, The Swift and the Harrier, which is set in a completely different time period.

It’s 1642 and England is divided by civil war. On one side, the supporters of King Charles I; on the other, the Parliamentarians. In the middle, refusing to commit to either group, is Jayne Swift, a Dorset physician – although, as a woman, she is not allowed to officially give herself that title. The reason for her neutrality is that she values all human lives and doesn’t believe in denying treatment to someone in need just because they are the enemy. Most people, however, do take sides and Jayne finds that there are divisions within her own family.

Visiting her Puritan cousin in Dorchester one day, Jayne finds herself caught up in a crowd gathering to watch the hanging of some Catholic priests. She is rescued by a neighbour, Lady Alice Stickland, who introduces Jayne to her footman, William Harrier. Even on that first meeting, Jayne can’t help feeling that William doesn’t behave at all like a servant and, as their paths cross again and again, she begins to wonder who he really is. Footman, nobleman or soldier? Royalist or Parliamentarian? William is an enigma and Jayne must decide whether he can or cannot be trusted.

The Swift and the Harrier provides a wonderfully detailed depiction of life in the south of England during the Civil War. Real historical characters such as Oliver Cromwell and Prince Maurice (Charles I’s nephew) appear now and then and have a part to play in the story, but the main focus is on the ordinary people of Dorset and the impact the war has on them. I found the section of the book set during the Siege of Lyme Regis particularly interesting as I can’t remember reading much about it before, certainly not in as much detail as this.

However, I had difficulty believing in Jayne Swift as a 17th century woman. While I could maybe accept the premise that she had received some medical training from a male physician friend, I felt it was completely unrealistic that she would be able to practise her medicine so openly in the 1640s. The challenges she faces in getting the men she meets to accept her as a doctor seem to be very easily overcome and there is no sense of the danger Jayne would surely be in due to the witch hunts sweeping England at that time, when women with even a basic knowledge of healing and herbal remedies were at risk of accusations of witchcraft. Although I did find the plot quite gripping and enjoyed getting to know William Harrier and some of the secondary characters such as Alice Stickland, the fact that I found Jayne and her circumstances so unconvincing stopped me from becoming fully absorbed in the story.

Thanks to Allen & Unwin for providing a copy of this book for review via NetGalley.

Book 48/50 read for the 2021 Historical Fiction Reading Challenge.

The Royal Game by Anne O’Brien

13 Comments

With a title like The Royal Game, you might expect this novel to be about a king or a queen; in fact, it’s the story of the Pastons, who rose from humble origins to become members of the aristocracy and one of Norfolk’s most influential families during the 15th century. Their collection of personal letters, known as the Paston Letters, is the largest archive of private correspondence surviving from the period and tells us a lot about life in England at that time.

The Pastons’ story is retold by Anne O’Brien in fictional form, using the letters as a guide. She has chosen to focus on three characters in particular: Margaret Mautby Paston, wife of John Paston, who becomes head of the family after the death of his father; John’s sister Elizabeth (known as Eliza); and Anne Haute, a cousin of Edward IV’s queen, Elizabeth Woodville. There are chapters written from the perspectives of each of these women, mainly Margaret and Eliza at first, with Anne only introduced halfway through and becoming more prominent towards the end of the book.

During the period covered in the novel, the Wars of the Roses are playing out in the background as the House of Lancaster and the House of York fight for control of England’s throne. The Pastons are an ambitious family who see the changing political situation in terms of what it will mean for them and how they can turn things to their own advantage in order to increase their wealth and power. This means that much of the story is concerned with the gaining and losing of properties and land, disputes over wills and controversies surrounding inheritances. In particular, estates left to John Paston by his patron Sir John Fastolf (the inspiration for Shakespeare’s Falstaff), become the subject of a long legal battle.

I liked this book much more than Anne O’Brien’s previous one, The Queen’s Rival, partly because this one is written in a more straightforward format – although with the alternating narrators I mentioned above. I felt that the narrative voices of Margaret and Eliza were very similar and sometimes I had to remind myself which one I was reading about, but this was less of a problem as I got further into the book. Margaret is portrayed as a strong, intelligent and resourceful woman working alongside her husband to hold on to the family property, while Eliza is being badly treated by her mother and desperately hoping for marriage as a way of escape. Eventually, both women find themselves with the same focus in life: to protect their children’s titles and inheritances from jealous rivals who are trying to claim them for themselves. Our third narrator, Anne Haute, who is depicted as another young woman with ambition and hopes of an advantageous marriage, seems unconnected to the other two at first, but quickly becomes drawn into the Pastons’ world.

The Wars of the Roses is one of my favourite historical periods to read about and it made a nice change to move away from the usual novels set at the royal court or on the battlefields and see what was going on elsewhere in the country at that time. I enjoyed this book but it’s very long and detailed and I was surprised when I reached a cliffhanger ending and discovered that there’s going to be a sequel. I will look out for it, but while I wait maybe this would be a good time to read my copy of Blood & Roses, Helen Castor’s non-fiction book about the Paston family.

Thanks to HQ for providing a copy of this book for review via NetGalley.

Book 47/50 read for the 2021 Historical Fiction Reading Challenge.

Black Drop by Leonora Nattrass

4 Comments

The final decade of the 18th century is a time of revolution and political upheaval; in 1794, the year in which Black Drop is set, Britain is both at war with France – a country still in the grip of the Reign of Terror – and trying to negotiate a treaty with the recently independent America. Our narrator, Laurence Jago, is a London clerk working in the Foreign Office and facing the difficult task of trying to advance in his career while also hiding a secret that, if discovered, would lead to accusations of treason.

When details of Britain’s military plans are leaked to the press, suspicion falls at first on Jago – but then the blame shifts to another clerk, Will Bates, who is found to have hanged himself in his room. Was Will really the traitor or is he being used as a convenient scapegoat? Jago is sure he was innocent and that his death was actually murder rather than suicide so, with the help of his friend, the journalist William Philpott, he sets out to discover the truth.

I enjoyed this book, although it was more political thriller than murder mystery and I occasionally felt that the plot was becoming more complicated than it really needed to be; I struggled to keep track of all the characters, their roles within the government and which of them may or may not be a spy. Overall, though, it was a fascinating period to read about, with so much going on in the world at that time – not only the French Revolutionary Wars and American treaty mentioned above, but also the fight for political reform led by the British shoemaker Thomas Hardy (not to be confused with the author of the same name!) and the growing debate over slavery and abolition.

Laurence Jago is a great character and the sort of flawed hero I love. The ‘Black Drop’ of the title refers to the laudanum Jago depends upon to get through the day and to ease the fear of his secrets being discovered. As his addiction worsens, it begins to affect the way he judges people and situations and leads the reader to question whether or not everything he is telling us is completely reliable. Despite this, I liked him very much and connected with his narrative style immediately. Jago is one of several fictional characters in the novel whom we see interacting with real historical figures such as Thomas Hardy, Lord Grenville, the Foreign Secretary, and John Jay, the American envoy. I knew nothing about any of these people before reading this book; it’s always good to learn something new!

Black Drop is Leonora Nattrass’ first novel. The way this one ended made me think there could be a sequel, but if not I will be happy to read whatever she writes next.

Thanks to Viper for providing a copy of this book for review via NetGalley.

Book 46/50 read for the 2021 Historical Fiction Reading Challenge.

Book 7 for R.I.P. XVI

Castle Barebane by Joan Aiken – #1976Club

22 Comments

Since reading some of Jane Aiken Hodge’s books, I’ve been interested in trying something by her sister and fellow author, Joan Aiken. Maybe it would have been more sensible to start with the classic children’s novel The Wolves of Willoughby Chase, for which she’s most famous, but her adult novels appealed to me more and when I saw that Castle Barebane was published in 1976, I decided to read it for this week’s 1976 Club hosted by Karen and Simon. I loved it, so it turned out to be a perfect choice!

The novel is set towards the end of the 19th century and opens with Val Montgomery, a New York journalist, at a party to celebrate her engagement to Benet Allerton. The party is not an enjoyable experience for Val – she feels awkward and out of place around Benet’s wealthy, fashionable relatives and can sense their disapproval of her clothes, her family and the fact that she works for a living. When she discovers that she will be expected to give up her career once she becomes Benet’s wife, she begins to have second thoughts about the marriage.

As luck would have it, Val returns home from the party later that night to find that her half-brother Nils has just arrived from England and when she tells him that she is having doubts about Benet, he persuades her to come and stay with him in London for a while to give herself time to think. However, the next day Nils disappears, leaving a note saying he has been called back to England urgently. Val follows on another ship a few days later, but by the time she reaches London, she discovers that her brother’s house has been abandoned, there’s no sign of Nils or his Scottish wife Kirstie, and their two young children are staying with a cruel and negligent servant. Desperate to know what has happened – and wanting to find someone more suitable to care for little Pieter and Jannie before she goes home to America – Val takes the children and boards a train for Scotland and Kirstie’s old family estate.

The rest of the novel is set at Ardnacarrig, nicknamed Castle Barebane because of its derelict, neglected state. This is where the gothic elements of the story emerge, with descriptions of underground passages, dangerous rocks and treacherous quicksand and tales of at least two resident ghosts who haunt the upper floors of the house at night. Val, who is too practical to believe in ghosts, suspects that if the house is haunted at all, it is haunted by the misery and unhappiness of the people who have lived there. As we – and Val – wait for the truth behind Nils’ and Kirstie’s disappearances to be revealed, the poignant stories of other characters unfold: the elderly housekeeper Elspie and her lost lover Mungo; local doctor David Ramsay and his dying mother; and six-year-old Pieter and his little sister Jannie, who is not like other children.

It took me a while to get into this book; it was very slow at the beginning and I felt that more time was spent on Benet and his family than was necessary, considering that they don’t really feature in the story after the first few chapters. Once Val arrived in London to find her brother missing, though, it became much more compelling. Val is a great character; although I didn’t find her particularly likeable at first – and I don’t think she was intended to be – I admired her dedication to her work and desire for independence when it would have been easier to just marry Benet and conform to society’s expectations. After she breaks free from Benet it’s fascinating to watch her grow and flourish as a character while doing all she can to help the people around her, even when it seems that they don’t really want to be helped. There’s also a new romance for Val, which I liked, but we didn’t see enough of her love interest for me to feel fully invested in their relationship.

Most of the action in the book is packed into the final few chapters; there’s definitely a problem with the pacing and also a bit of needless violence which I wasn’t expecting and felt that the story would have worked just as well without. But despite the novel’s many flaws, I thoroughly enjoyed reading it – both the domestic parts and the gothic adventure parts. The atmosphere is wonderful, there’s a suitably sinister villain and I loved the remote setting (and was impressed by the Scottish dialect which seemed quite accurate, although I’m not an expert). I’m certainly planning to read more of Joan Aiken’s books and am hoping they’re all as good as this one!

~

I’m also counting this book towards the 2021 Historical Fiction Reading Challenge and the R.I.P. XVI event!

~

1976 books previously read and reviewed on my blog:

Sleeping Murder by Agatha Christie
Touch Not the Cat by Mary Stewart
Dark Quartet by Lynne Reid Banks
Some Touch of Pity by Rhoda Edwards
The Children of Dynmouth by William Trevor

A Marriage of Lions by Elizabeth Chadwick

13 Comments

When I read Carol McGrath’s The Silken Rose last year I remarked on the lack of books about Henry III and Eleanor of Provence, so I was pleased to find that they are also major characters in Elizabeth Chadwick’s new novel, A Marriage of Lions. The main focus of the story, however, is Henry’s younger half-brother, William de Valence, and his wife, Joanna de Munchensy of Swanscombe. Those of you who are avid readers of Chadwick’s novels will know that she has a particular interest in William Marshal, hero of The Greatest Knight, and that many of her recent books have featured various members of the Marshal family. This is another, as Joanna de Munchensy is one of William Marshal’s grandchildren.

The novel opens in 1238 with the eight-year-old Joanna serving as a chamber lady at the court of Henry III and Eleanor of Provence (or Alienor as Chadwick spells the name). With several older male relatives, Joanna is seen as an insignificant member of the Marshal family until a sudden change in circumstances leaves her a very wealthy young woman with lands and titles of her own. In 1247, the King’s half-brothers – the sons of his mother Isabella of Angoulême’s second marriage to Hugh of Lusignan – arrive from France to take up positions at Henry’s court. The King becomes particularly fond of his youngest half-brother, William de Valence, and rewards him with marriage to Joanna, now one of the richest heiresses in England.

Although it’s an arranged marriage, it turns out to be a very happy one – but there are many at court who are not at all pleased with the favour being shown to William and his brothers. The powerful Simon de Montfort and his wife, the King’s sister, believe that part of the Marshal inheritance belongs to them and they set out to make life as difficult for William and Joanna as they possibly can. Meanwhile Queen Eleanor becomes resentful of the influence William and the other Lusignans wield over her young son, Prince Edward, and her previously good relationship with Joanna grows tense and strained. As the atmosphere becomes more and more hostile and the King’s power begins to weaken, Simon de Montfort and his barons see their chance to seize control of the throne and suddenly William and Joanna find themselves driven away from court as the country heads towards civil war.

I always enjoy Elizabeth Chadwick’s novels and this is another great one. Although I found it a bit slow to start with – the first half of the book is devoted mainly to the early days of Joanna’s marriage to William and the domestic details of their lives together – once the tension starts to build between the different factions surrounding the throne and the events leading to the Second Barons’ War get underway, it quickly became difficult to put down. I have read about this war before but only from the points of view of de Montfort and the King and Queen, so it was interesting to see things from the Lusignan/Marshal perspective. Simon de Montfort is very much the villain here (the lack of nuance in his characterisation was one of the few things that disappointed me about this book) and there’s a sense that the Lusignans are unfairly targeted because they are ‘foreign newcomers’ and because of the preferential treatment they are believed to receive from Henry. The King himself is caught in the middle and it’s quite sad to see how weak and ineffective he eventually becomes.

I loved Joanna and William and the way their marriage is depicted. Their relationship is a close and affectionate one, based on trust and love, but the sensible, practical Joanna often finds herself frustrated by her husband’s more impulsive nature which leads him to make mistakes and damage both of their reputations at court. There’s not much information available on the real historical figures, particularly Joanna, but Chadwick’s portrayal feels convincing and believable and I enjoyed getting to know them both.

Among the secondary characters in this book, my favourite was Leonora (Eleanor) of Castile, the young wife of the future Edward I. She’s such a strong and vivid character, I wondered whether Elizabeth Chadwick might have her in mind as the subject of a future novel – and it seems that I was right, so that’s something to look forward to!

Thanks to Sphere for providing a copy of this book for review via NetGalley.

Book 44/50 read for the 2021 Historical Fiction Reading Challenge.