The Collector of Dying Breaths by M.J. Rose

The Collector of Dying Breaths This is the sixth book in M.J. Rose’s Reincarnationist series and although I haven’t read any of the others I think this is the third to feature the character of Jac L’Etoile (the previous two are The Book of Lost Fragrances and Seduction).

The Collector of Dying Breaths is set in two different time periods, one contemporary and one historical. The historical storyline is set in the 1500s and begins with Rene le Florentin, a young apprentice in an Italian monastery, being wrongly accused of murdering his master, the monk and apothecary Dom Serapino. Rescued from prison by Catherine de Medici, who is about to marry into the French royal family, Rene starts a new life in Paris as perfumer to the French court. But while his knowledge of fragrances, potions and poisons makes him indispensable to Catherine, Rene continues to work on a secret project he and Serapino had begun in Italy based on the theory that a person’s dying breath can be captured in a bottle. Rene believes that if he can discover the correct combination of ingredients to mix with the dying breath, he will be able to use the resulting mixture to reanimate the soul.

In present day France, we meet mythologist Jac L’Etoile. Jac comes from a family of perfumers but tries to avoid becoming too closely involved in the perfume industry because certain scents seem to cause her to experience vivid memories of the past – not just her own past, but other people’s too. However, when the rich, eccentric Melinoe Cypros asks her to come to her chateau and continue the work of Rene le Florentin, Jac reluctantly agrees. But as Jac begins to search for the formula needed to reanimate a dying breath, she finds herself haunted by visions of the 16th century perfumer and the woman he loves.

While this is a complete novel in itself and it’s not completely necessary to have read the previous ones, there are frequent references to events from Jac’s past which I’m assuming must have been covered in earlier books and I did feel that I was missing something by coming to the series so late. The author does attempt to give new readers all the backstory we need, but there was too much of this and I found it a bit overwhelming. I did think the historical sections of the novel were well done and I found them more compelling than the contemporary sections. The way Catherine de Medici was portrayed was interesting, if more negative than I’d expected, and I enjoyed the dynamics between Catherine, Rene and Catherine’s astrologer, Ruggieri.

Although it took me a while to get into the present day storyline, once Jac and the others began to work on deciphering lists of ingredients and trying to prepare potions, I became much more interested. I was fascinated by the idea that simply using the same ingredients that Rene used in the 16th century may not work because their properties have altered so much over the centuries. For example, we are told that ambergris (a secretion produced by whales that was commonly used in fragrances) could be slightly different in its modern form because the diet of the whales and the quality of the water in which they live is not the same as five hundred years ago.

This is a very imaginative book, perfect for those readers who like a touch of the paranormal in their historical fiction. I think it was just my unfamiliarity with the series and the characters that prevented me from enjoying it as much as I would have liked to.

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I read The Collector of Dying Breaths as part of the Historical Fiction Virtual Book Tour. For more reviews, interviews and guest posts please see the tour schedule.

Empress of the Night by Eva Stachniak

Empress of the Night This is a follow up novel to The Winter Palace, a novel about Russia’s Catherine the Great which I read in 2012. I remember having a few problems with The Winter Palace so I wasn’t sure whether to read this book or not, but I do love Russian historical fiction and in the end I couldn’t resist. Looking back at my review of The Winter Palace, which was narrated by a fictional character, Varvara, I had said that I would have preferred a book written from Catherine’s perspective. That is exactly what Eva Stachniak has done in Empress of the Night, so I was interested to see whether that would help me to enjoy this book more than the first.

The novel has an unusual structure, beginning on the final day of Catherine’s life in 1796. She has just suffered from a stroke and in the hours that follow she looks back on her life in the form of flashbacks and memories. Occasionally we return to the present to see how Catherine and the people around her are trying to deal with what has happened. By the time she takes her last breath we have watched the whole of Catherine’s story unfold, from her early days in Russia at the court of the Empress Elizabeth to the final years of her own reign.

Although this is the second of Eva Stachniak’s Catherine the Great books, the two could be read in either order (for this reason the publishers are describing it as a ‘follow up’ rather than a ‘sequel’). For anyone who hasn’t yet read The Winter Palace, this book (or the first part of it, anyway) covers some of the same events, including the young Catherine’s arrival in Russia as the Princess Sophie of Anhalt-Zerbst, intended bride of the Empress Elizabeth’s nephew, Peter, and her relationship with her friend and spy, Varvara. If you have already read The Winter Palace, however, you are seeing everything from a different perspective this time.

Catherine the Great was a fascinating woman but she is not someone I’ve read about in any depth before and this meant that I really learned a lot from this book. But while major events such as Russia’s war with the Ottoman Empire, the Pugachev Revolt and the creation of the Legislative Commission are discussed, Catherine devotes much more time to remembering her relationships with her various lovers. And there are a lot of them! Her marriage to Peter III was not a happy one and ended with his assassination in 1762 after which Catherine succeeded him to the throne. She was romantically involved with many other men, including Serge Saltykov, Stanislaw Poniatowski (the future king of Poland), Grigory Orlov, and her favourite lover, Grigory Potemkin.

More interesting than the love affairs, for me at least, were the descriptions of Catherine’s family life. It was so sad that her son, Paul, was taken from her by the Empress Elizabeth and allowed to spend very little time with his mother so that in later life he is somebody she barely knows and doesn’t like. But Catherine has warm, loving relationships with several of her grandchildren, particularly Alexander and Alexandrine.

Empress of the Night - UK cover The style of the writing in this book seemed to me to be very different from The Winter Palace – it’s very fragmented and probably what you could describe as ‘stream-of-consciousness’. The disjointed narrative meant that at first I struggled to really get into the story and connect with Catherine, but on reflection I can see that a woman who had just had a stroke and knew that she was dying probably would be confused and incoherent. It would have been nice to have been given some dates, though, because I found it difficult to measure the passing of time and would have liked to have had some idea of when various events were taking place and of how old Catherine was.

I didn’t find this a particularly ‘easy’ read because of the way the narrative jumped around and I think maybe The Winter Palace is my favourite of the two books after all, but I did enjoy learning more about this important and powerful woman.

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Empress of the Night is available now published by Bantam in the US or by Traverse Press as an ebook only in the UK. Both covers are pictured above. I received a copy for review from Bantam via NetGalley.

Watch the Wall, My Darling by Jane Aiken Hodge

Watch the Wall My Darling - Jane Aiken Hodge I had never heard of Watch the Wall, My Darling until it started appearing in my recommendations on Goodreads, and with such an intriguing title I knew it was a book I would have to consider reading eventually!

First published in 1966, Watch the Wall, My Darling is a gothic romantic suspense novel set on the south-east coast of England during the Napoleonic Wars. As the story begins, Christina Tretton, a young American woman whose father has recently died, is returning to her family’s ancestral home, Tretteign Grange. After encountering a gang of smugglers on the journey, Christina arrives at the Grange – also known as the Dark House – and is met by her Aunt Verity, her invalid grandfather and her handsome cousin, Ross.

Settling into her new home, Christina quickly takes control of the management of the house and the servants. Impressed with his granddaughter, old Mr Tretteign decides to change his will and leave the Grange to Christina – on the condition that she must marry either Ross or her other cousin, Richard. Christina insists that she has no intention of marrying either of them, but her two cousins, who each have their own reasons for wanting the Grange, have other ideas. Despite herself, she finds herself drawn to Ross, but soon discovers that he is involved in something very dangerous – and with England expecting a French invasion at any moment, the lives of everyone at the Dark House could be at risk.

I enjoyed this book – it was a fun, undemanding read with plenty of adventure and intrigue and a touch of romance. I kept being reminded of Daphne du Maurier’s Jamaica Inn, Georgette Heyer’s Cousin Kate and Mary Stewart’s Nine Coaches Waiting, though this is not as well written or memorable as any of those, in my opinion. The historical background didn’t feel particularly strong and Christina felt more like a woman of the 1960s than the 1800s, while I didn’t find Ross quite as fascinating and attractive as she did. The introduction of two new characters towards the end of the book didn’t really add anything to the story either. Still, with smugglers, soldiers and spies, a crumbling abbey believed to be haunted, family secrets and an inheritance to be decided, there was more than enough to keep me happy!

And if you’re wondering, the title comes from a poem by Rudyard Kipling called A Smuggler’s Song:

“Five and twenty ponies
Trotting through the dark
Brandy for the parson,
‘Baccy for the clerk;
Laces for a lady; letters for a spy,
And watch the wall, my darling, while the gentlemen go by!”

Frog Music by Emma Donoghue

Frog Music This is the second book I’ve read by Emma Donoghue – the first was Room, which I enjoyed, and since then I’ve been wanting to try one of her historical fiction novels. This new one, Frog Music, is set in San Francisco in 1876 and is based on a true crime story.

Twenty-four-year-old Blanche Beunon, once a star of the Cirque d’Hiver in Paris, is now a dancer in a San Francisco burlesque club. She lives in the city’s Chinatown with her lover, Arthur Deneve, and his friend – and former partner on the flying trapeze – Ernest Girard. One week in August, two newcomers enter their little circle. One of these is P’tit, Blanche and Arthur’s baby boy, reunited with his parents after a year of separation. Blanche has rarely even thought about her baby during his absence, but now she discovers what being a mother really means.

The other new arrival is a woman called Jenny Bonnet, just released from jail after being arrested for the crime of dressing in men’s clothes. Jenny, who makes her living from catching frogs and selling them to French and Chinese restaurants, is like nobody else Blanche has ever met and makes her think differently about herself and her life. But when Jenny is shot dead, Blanche is convinced that she herself was the intended victim. Can she find the murderer before he kills again and before she loses P’tit again forever?

The real life murder case on which Frog Music is based remains an unsolved crime to this day, but the solution Donoghue provides is believable and consistent with what we have learned about the personalities and motives of the characters involved. The author also includes a detailed Afterword in which she explains which of the characters and events in the story are factual and which are purely fictional.

While there are some very unpleasant, unlikeable people in this novel, I thought the central character, Blanche, was wonderful. Her personality is a mass of contradictions: she’s tough yet vulnerable, intelligent yet naïve, self-absorbed yet sensitive. She’s such a well drawn character and felt completely real. I loved her and desperately wanted her to find some real happiness. Her story is so sad at times – I don’t want to say too much, but the circumstances surrounding the reappearance of P’tit are shocking and heartbreaking; I found that part of the book quite painful to read. As for Jenny, she remains a secretive and mysterious character throughout the novel. It is only towards the end of the book that we (and Blanche) begin to see beneath her protective outer shell and are finally given some glimpses of the real Jenny Bonnet.

The sense of time and place is very strong. I’m not sure I’ve read a book set in 1870s San Francisco before and I found it a vivid, atmospheric setting. The action takes place during both a heat wave and an epidemic of smallpox and both have an impact on Blanche’s story. Another interesting element of the novel is the role of music. Many songs and rhymes are quoted from in the book and information on each of them is given in an appendix. I thought this really added something to the story, helping to provide context and historical background. As Blanche and the other main characters are French and often use French slang, there is a glossary provided at the back of the book too, if you need help in translating any unfamiliar words.

My only criticism of this book is that the way the story is structured could cause confusion. It follows two time periods – one in Blanche’s present, describing Jenny’s murder and its consequences; the other flashing back to the beginning of their friendship a month earlier. Gradually the two storylines converge until they are only a day or two apart and at this point it becomes slightly difficult to follow the chronological sequence of events. Sometimes we are given the date, but not always, so it’s not immediately clear which thread of the story we are reading.

One other thing I should mention is that as Blanche is an exotic dancer there are some quite graphic descriptions of her work. It was maybe a bit excessive, but I could appreciate that it was all part of who Blanche is and it would have been hard to convey the realities of her life without being explicit at times.

Frog Music is not a book that will appeal to everyone (though you could say the same about any book, I suppose) but I thought it was great and having enjoyed this one and Room I’ll be looking for more of Emma Donoghue’s books soon.

These Mortals by Margaret Irwin

These Mortals I wasn’t familiar with Margaret Irwin until a few months ago when Jane wrote about one of her other books, Still She Wished for Company. It sounded intriguing, so when I had the opportunity to read this one, which has been released this month as an ebook by Bloomsbury Reader, I decided to investigate.

These Mortals is a fantasy novel originally published in 1925, taking its title from Shakespeare’s A Midsummer Night’s Dream (“Lord, what fools these mortals be”). But it was another of his plays – The Tempest – that I was reminded of when I began to read, because like Miranda in The Tempest, the heroine in this book is the daughter of a powerful magician. Her name is Melusine and she has grown up isolated from human society, living with her father, the Enchanter Aldebaran, in his palace by the sea.

Although Melusine loves her three best friends, the Cat, the Raven and the Snake, she longs to meet other human beings like herself. One day she makes a magic ship from a shell, a rose petal and a silver pin and uses it to sail across a moonbeam to the human world beyond. Arriving in the kingdom of the Emperor Eminondas, Melusine begins to learn the ways of mortals and discovers what it means to fall in love.

This book is written in the style of a fairy tale, complete with princes and princesses, shipwrecked kings and woodcutters’ daughters, poets, magicians and talking animals. It’s all very dreamlike and it feels timeless. There are elements of other classic myths and legends too, particularly the legend of the water fairy, Melusina, who married a mortal man, Count Raymond of Poitou.

The only problem with this fairy tale atmosphere is that I felt there was a distance between the reader and the characters; they didn’t feel like real people and apart from Melusine herself, they didn’t come to life at all. I found it difficult at first to distinguish between the various members of the Emperor’s court (Princess Blanchelys, Lady Valeria, Sir Oliver and Sir Diarmid) and to remember who was in love with who. I was much more interested in Melusine’s personal story. I particularly enjoyed the scenes where she uses her magical powers – and I found myself looking forward to any appearances of the Cat, the Raven and the Snake!

There’s also some humour in the story, as there are so many aspects of human life of which Melusine has no knowledge or understanding.

“Tell me,” she said, “of that game I have heard you speak of to others, an ancient solitary game that is played with clubs by half-naked savages in the northern hills. There seems so much to tell of that game that it must surely be more exciting than any tale of love or perilous adventure.”

“Ah, there’s nothing like a good game of golf,” he said.

I suspect this was probably not the best Margaret Irwin book for me to have started with, but it was an unusual and entertaining novel and I still enjoyed it. It’s a very short book, but long enough for the story that is being told. Now I’m interested in trying some of the historical novels the author is more famous for.

Thanks to Bloomsbury for providing a review copy via NetGalley

The Crimson Ribbon by Katherine Clements

The Crimson Ribbon The Crimson Ribbon is a new historical fiction novel set during the English Civil War. As the story begins in 1646, our narrator, Ruth Flowers, is a servant in the household of Oliver Cromwell. When her mother is hanged for witchcraft, Ruth is forced to flee to London to the home of Master Poole and his daughter, Elizabeth (Lizzie), friends of Cromwell’s mother. On the journey she meets a former Parliamentarian soldier, Joseph Oakes, who has deserted after the Battle of Naseby and is hoping to become a printer’s apprentice so that he can continue the fight using words instead of violence.

Still haunted by her mother’s death, Ruth finds it difficult to trust Joseph and separates from him when they reach London, expecting never to see him again. As she settles into her new life at the Pooles’ house, Ruth becomes captivated by the beautiful Lizzie Poole and is delighted to find that Lizzie returns her love. But when Lizzie’s religious and political beliefs draw her into the conflict between King Charles I and Oliver Cromwell, the lives of both women could be in danger.

Ruth is a fictional character and her story is imagined by the author, but Elizabeth Poole was a real historical figure who really did claim to have visions and argued against the execution of King Charles I. It seems that there is not a lot of information available about Elizabeth’s life and she eventually disappears from historical records, allowing Katherine Clements to come up with an interesting conclusion to her story. In her author’s note she does explain where the story has moved away from the known facts about Lizzie.

This book is set during a fascinating period of history and one that I wish more historical fiction authors would write about. Ruth’s relationships with Lizzie, with Joseph and with Oliver Cromwell form the basis of the novel, but other subjects and themes are included too, particularly witchcraft and the witch hunts that were so common in seventeenth century England. These were superstitious times and anyone who led an unconventional life could find themselves under suspicion. Through Joseph we also learn a little bit about army life and what happened at Naseby, while Lizzie’s storyline involves prayer meetings and the writing of religious pamphlets.

As the story is narrated by Ruth in the first person, I felt that I got to know her better than any of the other characters. However, I didn’t like the character of Elizabeth Poole and this made it hard for me to understand Ruth’s love for her. It frustrated me that she continued to remain so devoted and loyal, despite the way Lizzie often treated her. Apart from this, my only problem with the book was that it was written in the present tense which I almost always dislike, although I can understand the reasons for choosing to write in that way – it does give the story a sense of immediacy and intimacy.

I did enjoy The Crimson Ribbon and as this is Katherine Clements’ first novel I will be looking out for news of a second!

Thanks to Headline for sending me a review copy of this book.

The Convictions of John Delahunt by Andrew Hughes

The Convictions of John Delahunt Imagine you’re a poor student at Dublin’s Trinity College in the 1840s. You’re newly married and living with your wife in a squalid tenement, cut off from friends and family. The future looks bleak, so when the authorities at Dublin Castle suggest that you become an informer, it seems to be the perfect solution. You will be rewarded well for any information you can give them leading to a conviction…and if you could just manage to witness a few murders, your money troubles could be over!

This is the situation in which our narrator finds himself in this wonderfully moody and sinister historical crime novel, The Convictions of John Delahunt. As the novel opens, John is sitting in a prison cell awaiting his death. We’re not sure exactly what he has done, except that it appears to involve the murder of a child. As he begins to write his final testimony, we are taken back to the origins of John’s dangerous career as an informer and discover how and why this young student of natural philosophy has been sentenced to hang.

Andrew Hughes is also the author of a non-fiction book about the residents of Dublin’s Fitzwilliam Square, Lives Less Ordinary, and so he has been able to draw on his knowledge of the city’s history to make John Delahunt’s world feel authentic and real. Because of the circles in which Delahunt moves, the focus is on the darker side of society – workhouses, grave robbing, illegal abortions, rat-killing and laudanum addiction are all explored. Dublin’s streets and alleys, taverns and parks, courtrooms and drawing rooms are all vividly described and although the language the author uses is modern enough to be accessible and easy to read, it never feels out of place with the Victorian setting.

John Delahunt himself is an intriguing narrator, though not always entirely reliable. He is certainly not easy to like – one of his first actions in the book is to tell a lie to the police that leads to a friend being found guilty of a crime he didn’t commit – yet I could still feel for him when things didn’t go according to plan and when he saw his life beginning to disintegrate around him.

A large part of John’s story revolves around his relationship with his wife, Helen, who is another interesting character – although we never get to see things from her perspective as John is narrating in the first person. At first Helen seems to be on the same wavelength as her husband, attending a hanging with him and even helping him to compile a list of friends, family and neighbours to inform on. Later in the book she experiences a personal tragedy and after this she seems to undergo a change, though because we only see her through John’s eyes, her true thoughts and emotions are not very clear.

I loved this dark and atmospheric book and was completely gripped by John Delahunt’s fascinating story (based on true events, by the way). A word of advice to potential readers – don’t start reading it in your lunch break at work or in bed when you need to be up early the next day, as you may find that you really don’t want to put it down!

Thanks to the publisher for providing a review copy via NetGalley