#1936Club – Some previous reads

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Starting on Monday, Karen and Simon are hosting another of their clubs where we all read and write about books published in a certain year; this time the year is 1936, which appears to have been a particularly wonderful year for publishing! I have just finished reading my first book for the club and normally at the end of my review I would include a list of other books from that year previously reviewed on my blog. Usually I have read maybe three or four books from the year in question, but for 1936 the list is so long I decided it really needs a post all to itself! I thought I would post this a few days in advance in case anyone is still looking for inspiration.

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First of all, a real gem reissued by Dean Street Press which I read and loved in February:

Good by Stealth by Henrietta Clandon

Next, some more classic crime:

The ABC Murders by Agatha Christie
The Ghost It Was by Richard Hull
A Shilling for Candles by Josephine Tey
The Santa Klaus Murder by Mavis Doriel Hay

Some fun with the Scarlet Pimpernel:

Sir Percy Leads the Band by Baroness Orczy

Three great books by authors I love:

Jamaica Inn by Daphne du Maurier
The Talisman Ring by Georgette Heyer
South Riding by Winifred Holtby

The book which inspired The Lady Vanishes:

The Wheel Spins by Ethel Lina White

Two books by Marjorie Bowen published under different pseudonyms:

Night’s Dark Secrets by Joseph Shearing
The Poisoners by George Preedy

And Margery Allingham, also writing under a pseudonym:

The Devil and Her Son by Maxwell March

An interesting insight into 1930s life:

Keep the Aspidistra Flying by George Orwell

Also read before I started blogging:

Gone With the Wind by Margaret Mitchell
Ballet Shoes by Noel Streatfeild

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Have you read any of these? What are your favourite 1936 books?

Imperfect Alchemist by Naomi Miller

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Mary Sidney may not be as well known as her brother Sir Philip Sidney, the Elizabethan poet who wrote Astrophel and Stella, but she was a successful and accomplished author in her own right – and one of the first Englishwomen to publish under her own name. In Imperfect Alchemist, Naomi Miller brings Mary’s story to life in fictional form, beginning in 1575 when Mary is summoned to court to attend the Queen. Marriage follows a few years later to Henry Herbert, Earl of Pembroke, and although it is an arranged marriage rather than one based on love, Henry at least seems to accept his new wife’s intelligence and learning and allows her the freedom to pursue her literary interests, leading to her eventually establishing a literary circle at their home, Wilton House.

Mary’s story, which is written in the third person, alternates with a first person narrative from the perspective of another young woman, Rose Commin. Rose, a fictional character, comes from a very different background, having grown up in the countryside, the daughter of a cloth merchant and a herbalist. After her mother is put on trial for witchcraft, Rose is sent away to the safety of Wilton House, where she becomes maid to Lady Catherine Herbert, Countess of Pembroke, who encourages her to develop her talent for drawing, as well as teaching her to read and write. Sadly, Lady Catherine dies shortly after Rose’s arrival, but when Henry Herbert marries again and brings his young wife, Mary Sidney, to Wilton House, a friendship begins to form between Rose and her new mistress.

Before reading Imperfect Alchemist, I knew almost nothing about Mary Sidney. Her brother Philip has appeared in one or two books I’ve read (such as Towers in the Mist by Elizabeth Goudge and Watch the Lady by Elizabeth Fremantle) but I can’t remember ever reading anything about Mary. As well as shedding some light on her personal life, the novel explores her involvement with alchemy and medicine, her relationships with other historical figures such as Sir Walter Raleigh, Ben Jonson and Aemilia Lanyer, and her major literary achievements. Not only does Mary prepare and publish an edition of her brother’s The Countess of Pembroke’s Arcadia, she produces new translations of the Psalms and her version of the Antony and Cleopatra story is thought to inspire Shakespeare’s famous play.

Although Mary is, on the surface, the more interesting character, I think I preferred Rose’s sections of the book – possibly because Rose narrates her chapters herself, making her easier to identify with and to warm to. However, I’ve read a few other historical novels recently that have alternated a real woman’s story with an invented one (usually a lady’s maid), and along with the ‘healer being accused of witchcraft’ theme, which also seems to be an increasingly common trend in historical fiction, I didn’t feel that this book had anything very new or different to offer. As an introduction to the life and work of Mary Sidney Herbert, though, it’s excellent and I was certainly able to learn a lot from it. This is Naomi Miller’s first novel and apparently the first in a projected series of novels about early women authors, so I’ll be interested to see who she writes about next.

Book 17/50 read for the 2021 Historical Fiction Reading Challenge.

The Haunting of Alma Fielding by Kate Summerscale

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I’ve had mixed experiences with Kate Summerscale’s books so far: I loved The Suspicions of Mr Whicher, liked The Wicked Boy and gave up on Mrs Robinson’s Disgrace after a few chapters. I didn’t know what to expect from The Haunting of Alma Fielding, then, but I hoped it would be another good one!

Like Summerscale’s others, this is a non-fiction book based on a true story, in this case the story of an ordinary thirty-four-year-old woman, Alma Fielding, who becomes the centre of paranormal activity in her London home. The book follows Nandor Fodor of the International Institute for Psychical Research as he investigates Alma’s claims, desperately hoping that this time – after being disappointed by a long line of frauds – he has finally come across a genuine haunting.

At first, having witnessed for himself the smashed glasses, spinning teacups, moving furniture and broken eggs, Fodor is convinced that a poltergeist is at work in the Fielding household. The more he learns about Alma’s abilities, which include producing live animals out of thin air and transporting herself from one area of London to another, the more intrigued he becomes…until, eventually, he begins to have doubts. Is this a real paranormal phenomenon he is investigating or is Alma haunted by something very different?

I found some parts of this book fascinating. Although I was sure Alma must have been involved in some sort of elaborate hoax and that there must have been logical explanations for the things she claimed were happening to her, I didn’t know exactly what she was doing or how she was doing it. I was amazed to see the lengths Alma went to in her efforts to prove that her psychic abilities were real and the lengths Fodor and the other ghost hunters went to in their efforts to verify them. Some of the methods they used to investigate Alma’s claims were quite harmless, such as conducting word association tests, but others were intrusive and cruel, and although I didn’t like Alma it made me uncomfortable to read about the way she was treated – particularly as Fodor believed that her powers were the products of various traumas she had suffered earlier in life.

At times, Summerscale widens the scope of the book to put Alma’s story into historical context, to discuss the influence of novels and films of that period, and to look at some of the other things going on in society at that time. The ‘haunting’ and the investigation took place in 1938, when the world was on the brink of war and Summerscale suggests that people were turning to spiritualism as a distraction:

The ghosts of Britain, meanwhile, were livelier than ever. Almost a thousand people had written to the Pictorial to describe their encounters with wraiths and revenants, while other papers reported on a spirit vandalising a house in Stornoway in the Outer Hebrides, and on a white-draped figure seen gliding through the Hawker aircraft factory in Kingston upon Thames. The nation’s phantoms were distractions from anxiety, expressions of anxiety, symptoms of a nervous age.

However, although I found plenty of things to interest me in this book, I did have some problems with it. I felt that it became very repetitive, with endless descriptions of Alma’s various manifestations and detailed accounts of the researchers’ experiments. I thought Summerscale also devoted too much time to anecdotes about other alleged psychics and spiritualists, which didn’t really have much to do with Alma. It seemed that Alma’s story on its own wasn’t really enough to fill a whole book, so a lot of padding was needed.

I didn’t like this book as much as Mr Whicher or The Wicked Boy, but Kate Summerscale does pick intriguing topics and I’ll look forward to seeing what she writes about next.

Six Degrees of Separation: From Shuggie Bain to A House of Pomegranates

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It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we are starting with Shuggie Bain by Douglas Stuart, winner of the 2020 Booker Prize. I haven’t read it and I’m not planning to, but this is what it’s about:

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners’ children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.

It can be difficult to know where to start with a chain when you haven’t read the first book and have no interest in reading it, but the word that jumped out at me in the blurb was Glasgow, so I will begin by linking to another book set in Glasgow – Gillespie and I by Jane Harris (1). The novel is narrated by Harriet Baxter, an elderly woman looking back on her relationship with the artist Ned Gillespie, whom she met while visiting the International Exhibition in Glasgow in the 1880s. The 19th century setting and clever plot twists reminded me of the Victorian sensation novels I love by authors such as Wilkie Collins, so it’s no surprise that I loved this book too.

The Gabriel Hounds by Mary Stewart (2) also features a character whose name is Harriet – or ‘Lady Harriet’ as she prefers to call herself. Lady Harriet is a fascinating character who lives in the palace of Dar Ibrahim near Beirut and models herself on the legendary Lady Hester Stanhope, wearing male Arab dress and living in seclusion with only her servants and saluki hounds for company. I always enjoy Mary Stewart’s suspense novels and I think this is a particularly good one!

Hounds are dogs, of course, so this leads me straight to The Dog Stars by Peter Heller (3). This post-apocalyptic novel set in Colorado several years after a flu pandemic kills most of the world’s population was not my usual sort of book at all, but I found it much more interesting than I’d expected. I certainly wouldn’t want to read it now, though! What seemed like pure science fiction a few years ago feels uncomfortably close to reality now.

Another post-apocalyptic novel I found surprisingly enjoyable, if unsettling, was The Day of the Triffids by John Wyndham (4). In this book, it’s not a pandemic that brings an end to the world as we know it, but a meteor shower which leaves almost everyone blind, followed by an invasion of triffids – giant killer plants with long, stinging arms.

Susan Fletcher’s House of Glass (5) is the next book in my chain and is also a book about plants – nice normal plants this time, you’ll be pleased to hear! Our heroine, Clara, is an amateur botanist who is offered a job working in the gardens of Shadowbrook, a large estate which appears to be haunted. Although the book seems to be a typical ghost story at first, it turns out to be something slightly different. An impressive and beautifully written novel.

My final link this month is to another book with ‘house of’ in the title: A House of Pomegranates (6), a collection of fairy tales by Oscar Wilde. There are four stories in the book and although each one has a moral and a message, they are also very entertaining! Like many fairy tales, they are quite dark in places, but I think they’re suitable for both children and adults. I must get round to reading Oscar Wilde’s other similar collection, The Happy Prince and Other Tales, which has been on my TBR since reading this one back in 2011.

And that’s my chain for April! My links have included Glasgow, the name Harriet, dogs, the end of the world, plants and ‘house of’ titles.

In May, we’ll be starting with Beezus and Ramona by Beverly Cleary.

The Drowned City by KJ Maitland

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I had already been drawn to The Drowned City, the first in a new series of historical mysteries set in the 17th century, before it dawned on me that KJ Maitland was Karen Maitland, an author whose books I’ve enjoyed in the past. All the more reason to want to read it, then!

In January 1606, exactly a year after the execution of the conspirators who tried to blow up Parliament in the failed Gunpowder Plot, a towering wave sweeps up the Bristol Channel, leaving a scene of devastation. Whole families are drowned, buildings are swept away and farmland is destroyed. As the survivors try to come to terms with what has happened, rumours begin to arise. Some say the wave was summoned by witches, others that it was God’s way of taking revenge for the executions. The King’s most trusted adviser, Charles FitzAlan, fears that it’s all part of another Catholic conspiracy and decides to send someone to Bristol to investigate. Luckily, he knows just the man for the job…

That man is Daniel Pursglove, currently languishing in Newgate Prison awaiting what seems to be certain death. Daniel’s particular background and skills have brought him to FitzAlan’s attention and when he is offered his freedom in return for carrying out some investigations in Bristol, he jumps at the chance. Arriving in the city, Daniel begins his search for the missing Catholic conspirator known as Spero Pettingar, but almost immediately finds himself caught up in another mystery – a series of murders. Are they all part of the same plot or is something else going on in the flooded city?

Like Maitland’s earlier novels, this is a dark and atmospheric story with an interesting historical setting. I’ve never read anything about the Bristol Channel Floods of 1607 (or 1606; Maitland uses the old Julian calendar rather than the Gregorian), so that was something completely new for me. The descriptions of the devastated city in the aftermath of the wave are vivid and even quite eerie and almost otherworldly. It’s always refreshing to read historical novels with a setting other than London, and the flooded Bristol, in a superstitious age when natural disasters were often attributed to witchcraft or messages from heaven, was the perfect choice for this particular story.

Although there a few real historical characters in the book, notably Robert Cecil, most are fictional. Daniel Pursglove, the central character in this and presumably the rest of the series, intrigued me as we know so little about him at first. What is his background? How did he come to be a prisoner? What are the special talents that make him so suitable for this task? As the story unfolds, so does our understanding of Daniel and gradually some of our questions are answered. I’m sure we’ll be learning more about him in future books.

Where this book was less successful, in my opinion, was with the mystery element; once Daniel arrives in Bristol the plot takes off in so many different directions I kept forgetting what his original purpose was in going there. Had it been shorter and more tightly focused, I think I would have enjoyed it much more; instead, I found myself struggling to keep track of what was happening at times. Still, this is a promising start to a new series and I’m definitely interested in reading the second book.

Thanks to Headline for providing a review copy of this book via NetGalley.

Book 16/50 read for the 2021 Historical Fiction Reading Challenge

My Commonplace Book: March 2021

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A selection of words and pictures to represent March’s reading:

commonplace book
noun
a book into which notable extracts from other works are copied for personal use.

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Are there not little chapters in everybody’s life, Beth had read in Vanity Fair only that morning, that seem to be nothing, and yet affect all the rest of history?

Too soon to tell…but perhaps this was, in fact, going to be one of them.

The Rose Code by Kate Quinn (2021)

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Frances Cromwell, daughter of Oliver Cromwell

‘We don’t rebel against our parents,’ I begin slowly, as if I am carving each word from stone. ‘We take up our beliefs like a battle standard and advance them further even than they could have imagined. We take their victories for liberty and apply them to our own lives. The freedom to find fulfilment. The freedom to shape our futures. The freedom to choose whom we love.’

The Puritan Princess by Miranda Malins (2020)

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‘To be sure, my Arcadia is amply supplied with kings and shepherds, lovers and villains, shipwrecks and mistaken identity, but it doesn’t depend on monsters and sorcerers for adventure. My tales take place in the natural world, one in which readers may find mirrors of themselves. Why turn a plot on sorcery when love and envy are sufficient to drive men mad?’

Imperfect Alchemist by Naomi Miller (2020)

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She knew exactly what her father would have said on the matter too, quoting Heraclitus: “No man steps in the same river twice.” To which Rose would have replied, obligingly, “For it’s not the same river, and he’s not the same man.”

The Lost Diary of Venice by Margaux DeRoux (2020)

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Newstead Abbey in 1880

The contrast between the bustle of Westminster and the serenity of Newstead – with its waterfalls, wildlife and seasonal cloaks of snowdrops, bilberries and yellow gorse – provided a useful introduction to both the natural world and urban living.

The Fall of the House of Byron by Emily Brand (2020)

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“Most successes are unhappy. That’s why they are successes – they have to reassure themselves about themselves by achieving something that the world will notice.”

“What extraordinary ideas you have, Anthony.”

“You’ll find they are quite true if you only examine them. The happy people are failures because they are on such good terms with themselves that they don’t give a damn. Like me. They are also usually agreeable to get on with – again like me.”

Sparkling Cyanide by Agatha Christie (1945)

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A loyal heart is not enough to keep a man from the gallows, until that heart is ruled by a sagacious mind. A bird has eyes either side of the head, so that it may look two ways at once, but man’s eyes are on the front of his face. He cannot look behind him and in front at the same time, and if he tries, sooner or later, he’ll trip and fall.

The Drowned City by KJ Maitland (2021)

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It was his belief that only people whose emotions are communal rather than individual can honestly experience passion without jealousy. Though love may die quickly among civilised people, self-love and rivalry are harder to kill. Indeed they only flourish the more under suppression.

The Deadly Truth by Helen McCloy (1941)

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Italian Chapel, Orkney

There can be no single point when a person breaks, surely. Rather, a person’s patience is like the cloth bandage that holds a wound together: over time, it is rubbed thinner and thinner, until the material is all but worn away. The final threads are simply a mesh over the rawness.

The Metal Heart by Caroline Lea (2021)

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When the worst happens, dread, at least, is over.

The Pact by Sharon Bolton (2021)

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Favourite book read in March:

The Rose Code

Authors read for the first time in March:

Kate Quinn, Miranda Malins, Naomi Miller, Margaux DeRoux, Emily Brand

Places visited in my March reading:

England, USA, Italy, Scotland

The Puritan Princess by Miranda Malins

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As someone who reads a lot of historical fiction, it’s always nice to come across books featuring historical figures I’ve never read about before. The Puritan Princess, Miranda Malins’ debut novel, tells the story of Frances Cromwell, youngest daughter of Oliver Cromwell. Despite the title, Frances never actually became a princess, but the book covers the period from 1657 to 1658 when this looked as though it could be a possibility.

Following years of civil war and the execution of King Charles I, Oliver Cromwell has been named Lord Protector of the Commonwealth of England, Scotland and Ireland…but for some of his supporters, this is not enough. In 1657, Parliament offers him the crown, leaving Cromwell facing a dilemma. On the one hand, accepting might bring about stability, which is what Parliament hopes, but on the other, having recently been involved in abolishing the monarchy, he is reluctant to become monarch himself. History tells us that he will eventually turn the offer down, but while it is under consideration Frances wonders what his decision will mean for her and what implications it could have for her marriage. Frances is in love with the young courtier Robert Rich, whose father supported the opposite side in the recent civil war; they already face difficulties in persuading Cromwell to allow them to marry and any change in Frances’ status could make it even less likely.

As well as her relationship with Robert, the relationships Frances has with her sisters also form an important part of the story. Her eldest sisters, Bridget and Elizabeth are much older; they reached adulthood before their father rose to power and can remember a different way of life; Mary, though, is only a year older than Frances and the two are very close, to the extent that Mary is prepared to sacrifice her own happiness for her sister’s sake. Less attention is given to Cromwell’s sons, but they do appear in the novel now and then – Richard, who will succeed his father as Lord Protector, and Henry, who is Lord Deputy of Ireland.

Oliver Cromwell himself is shown in a much more positive light than usual. Seen through his daughter’s eyes, he is depicted as a loving father and husband, fond of art, music and hunting – very different from the image most people have of the strict Puritan opposed to all forms of enjoyment. However, although it’s good to see a different side of Cromwell, because the story is narrated by Frances and she is clearly biased in favour of her father, I don’t think it’s a very balanced portrayal.

I found the first half of the book slightly slow and repetitive as it is mainly concerned with whether or not Frances will marry Robert Rich and whether or not Cromwell will accept the crown, but I’m glad I kept going as the plot does become more gripping later on. I previously knew very little about the final years of Cromwell’s Protectorate and, as I’ve said, I had never read about Frances until now, so I do feel that I’ve learned something new from The Puritan Princess and I’m already looking forward to Miranda Malins’ next book.

Book 15/50 read for the 2021 Historical Fiction Reading Challenge.