My Commonplace Book: August 2020 – and 20 Books of Summer comes to an end

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A selection of words and pictures to represent August’s reading:

commonplace book
noun
a book into which notable extracts from other works are copied for personal use.

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“Leave it alone? Our very own murder mystery – if it was murder!”

“It was murder, I think. And that’s just why I should leave it alone. Murder isn’t – it really isn’t – a thing to tamper with lightheartedly.”

Sleeping Murder by Agatha Christie (1976)

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‘Of course I am a hero,’ he said, getting up and laughing very cheerfully. ‘Every man is a hero of his own tale. Surely, Dr Maturin, every man must look on himself as wiser and more intelligent and more virtuous than the rest, so how could he see himself as the villain, or even as a minor character? And you must have noticed that heroes are never beaten. They may be undone for a while, but they always do themselves up again, and marry the virtuous young gentlewoman.’

The Surgeon’s Mate by Patrick O’Brian (1980)

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She was conscious of a glow of spurious strength, followed by a rush of confidence, as she climbed out of the traitor’s hell into which she had hurled herself.

“Lost causes are the only causes worth fighting for,” she told herself.

The Wheel Spins by Ethel Lina White (1936)

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Portrait miniature, thought to be Catherine Howard by Hans Holbein c. 1540

She had never stitched so much embroidery. Where once she had done nothing but dance, she could not now bear to have music, for she felt so fragile that it must surely break her. Music evoked joy or sadness; it brought back memories or lifted the soul. She could not take any of that now. She was merely existing, trying not to think too much. When her musicians knocked at her door, she told her women to tell them that it was not the time for dancing.

Katheryn Howard, the Tainted Queen by Alison Weir (2020)

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People want love. People demand love. They prescribe love. They proscribe it, too. People make mistakes, and people grow afraid, and they fail and hurt each other. Some people talk about love like drunkards, and their words end up meaning nothing. But some people cannot talk about love; it kills them to do so, and with time, passing straight through the hurt itself, we come to see the nature of their love. We come to see how transformative it was, and what an honour it was to have it in our lives.

The Intoxicating Mr Lavelle by Neil Blackmore (2020)

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“Oh dear,” she said impulsively, “I wish you could be happy.”

…But the hard-eyed Cornishwoman was looking at her with an odd surprised kind of approval. “A perilous wish!” she said. “For where one may be made happy by harmless things, another may find happiness only in hurting. But good may come of it.”

Greenwitch by Susan Cooper (1974)

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Favourite books read in August:

Sleeping Murder, Greenwitch

New authors read in August:

Neil Blackmore, Ethel Lina White

Countries visited in my August reading:

England, Italy, France, Canada

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Have you read any of these books? Which books did you enjoy reading in August?

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This year’s 20 Books of Summer challenge has also come to an end now. I only managed to read 13 of the 20 books on my list, but I hadn’t expected to do much better than that so I’m quite happy!

Here are the books I read, with links to reviews where available:

1. Moonflower Murders by Anthony Horowitz
2. A Time to Die by Hilda Lawrence
3. The Silver Collar by Antonia Hodgson
4. The Honey and the Sting by EC Fremantle
5. Tsarina by Ellen Alpsten
6. The Sin Eater by Megan Campisi
7. When We Fall by Carolyn Kirby
8. Katheryn Howard, the Tainted Queen by Alison Weir
9. The Silken Rose by Carol McGrath
10. Sleeping Murder by Agatha Christie
11. City of Dragons by Robin Hobb
12. The Surgeon’s Mate by Patrick O’Brian
13. Greenwitch by Susan Cooper

Here are the books I didn’t read (although I have started two of them). I will have to make these autumn or winter reads instead of summer ones.

14. These Old Shades by Georgette Heyer
15. The Land Beyond the Sea by Sharon Penman
16. The Green Gauntlet by RF Delderfield
17. Confusion by Elizabeth Jane Howard
18. The Wheel of Fortune by Susan Howatch
19. Daniel Deronda by George Eliot
20. The Horseman by Tim Pears

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How was your summer reading? Did you take part in 20 Books of Summer – and did you complete your list?

Ready for R.I.P. XV

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It’s been a strange summer in many ways and I can’t really say that I’m sorry it’s nearly over. As we move into September and the darker nights and colder weather begin to arrive again, my favourite reading event – R.I.P. (or Readers Imbibing Peril) – is also returning for a fifteenth year.

This year the rules are much more relaxed than usual. There’s no need to officially sign up and there are no levels or targets to aim for. All you need to do to join in is read some spooky, mysterious or suspenseful books in September and October and, if you have Instagram or Twitter, you can follow the event @perilreaders.

Here is a list of some of the possible choices I have on my TBR. I won’t read all of these and could end up reading different books entirely, but I like to have plenty of options.

The Devil and the Dark Water by Stuart Turton
Dead March for Penelope Blow by George Bellairs
The Haunting of Alma Fielding by Kate Summerscale
The Butcher of Berner Street by Alex Reeve
The Silent Companions by Laura Purcell
The Printer’s Coffin by MJ Carter
A Gathering of Ghosts by Karen Maitland
Tombland by CJ Sansom
The Sussex Downs Murder by John Bude
The Mummy Case by Elizabeth Peters
The Grey King by Susan Cooper
Grim Tales by E Nesbit
Ghost Stories of an Antiquary by MR James

Will you be taking part in R.I.P. this year?

Greenwitch by Susan Cooper

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Greenwitch is the third novel in Susan Cooper’s The Dark is Rising sequence. I loved the first two books, so I was pleased to find that I enjoyed this one just as much. It brings together characters from both the first book and the second, so I would recommend reading both of those before starting this one, if possible.

The novel opens with the Drew children – Simon, Jane and Barney – whom we met in Over Sea, Under Stone, returning to Trewissick in Cornwall with their Great Uncle Merriman. The Grail, which played such a big part in Over Sea, has been stolen from the British Museum and the children know who is responsible: the forces of the Dark. However, the inscription on the Grail can be of no use to the Dark without the manuscript that will help to decipher it – and the manuscript is lost at the bottom of the sea.

To help the Drews in their quest to recover the Grail and locate the missing manuscript, Merriman has brought along Will Stanton, the boy we first met in The Dark is Rising. But Will doesn’t reveal to the others that he, like Merriman, is one of the Old Ones and working for the forces of Light, so they are left feeling uneasy and resentful about his presence and his relationship with their Great Uncle.

Like the previous books in the series, this is an atmospheric and eerie story, steeped in magic and ancient folklore. The ‘Greenwitch’ of the title is a giant effigy in the form of a woman made of sticks, constructed by the women of Trewissick and sacrificed to the sea in a yearly ritual – not just an inanimate object, but a living being, with a mind of her own. This is referred to as a type of ‘Wild Magic’, or the magic of nature, another element in the ongoing battle between Light and Dark. The Greenwitch holds the key to understanding the Grail, but the children will have to persuade her to give up her secrets before the agents of the Dark get there first.

I found this book as compelling as the first two and read most of it in one day; as a book aimed at younger readers, it’s quite short and the plot moves along at a fast pace, but as an adult there’s still enough depth and complexity to the story and characters to hold my attention. It was good to see the three Drew children again, after they were absent from the last book, and this time I particularly liked the large and important part Jane played in trying to befriend the Greenwitch and defeat the Dark. At first I was disappointed by the children’s hostility towards Will and the way he seemed to have a much quieter, more passive role in this novel after being the central protagonist of the last one, but later I decided that the decision to tell most of the story from the Drews’ perspective was actually quite effective. It made Will appear aloof and otherworldly, in keeping with his position as one of the Old Ones working on behalf of the Light. Still, I found the reluctance of Will and Merriman to confide in the other children quite frustrating, as it would have made things so much easier for them.

There are some wonderful moments and set pieces in this book: the ritual sacrifice of the Greenwitch; the evil that emanates from the paintings produced by the artist of the Dark; Jane watching from her window as magic and madness take hold of the village of Trewissick. Although this is the middle book in the series and so there are still things that haven’t been resolved and things that I don’t quite understand yet, I really enjoyed it and am looking forward to continuing with The Grey King.

This is book 13/20 from my 20 Books of Summer list. Obviously I am not going to complete the list this summer, but I’ve enjoyed most of the books I’ve read, which is the most important thing!

Moonflower Murders by Anthony Horowitz

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A few years ago I read Anthony Horowitz’s Magpie Murders, a wonderful, imaginative novel containing a story-within-a-story – the outer one being a crime story set in the contemporary publishing world and the inner one being an entire Golden-Age-style murder mystery featuring a detective called Atticus Pünd. When I finished that book I remember feeling disappointed that there weren’t more Atticus Pünd novels to read, so I was delighted to find that Horowitz’s latest book, Moonflower Murders, is written in the same format.

Both books stand alone so it’s not essential to have read Magpie Murders before starting Moonflower Murders (although there are a few references in this one to the events of the previous book). At the beginning of the novel, we rejoin Susan Ryeland who is now running a small hotel in Crete with her boyfriend, Andreas. It’s not quite the idyllic life Susan had hoped for, though, and just as she is beginning to long for her old career in publishing, two guests approach her with an intriguing proposition.

Their names are Lawrence and Pauline Treherne and they run a hotel of their own in England, where a murder took place eight years ago. Stefan Codrescu, one of the hotel employees, was found guilty of the murder, but the Trehernes’ daughter, Cecily, has always believed him to be innocent. Now Cecily has disappeared, just after telling her parents that she had uncovered a clue in an Alan Conway novel called Atticus Pünd Takes the Case which proves that the wrong man had been charged with the crime. Knowing that Susan was the editor who worked on the Atticus Pünd novels in her publishing days, the Trehernes have come to ask for her help. What was the clue Alan Conway hid within the pages of his novel? Is Stefan innocent or guilty? And what has happened to Cecily?

After several chapters in which Susan begins to investigate the events of eight years earlier and how they could be connected with Cecily’s disappearance, we have the pleasure of reading the whole of Atticus Pünd Takes the Case, a detective novel dealing with the murder of a famous actress. Although this story-within-a-story is enjoyable in its own right, at first it’s not clear how it is linked to the murder at the Trehernes’ hotel, but Susan’s knowledge of how Alan Conway’s mind worked helps her to pick out possible hints and clues. I certainly didn’t manage to solve the mysteries – either the one in the Pünd story or the one in the framing story – myself, but I enjoyed watching everything unfold.

I didn’t love this book quite as much as Magpie Murders, probably because I already knew what to expect so it didn’t feel as original, but it was still hugely entertaining and, like the previous novel, packed with word games and other little puzzles cleverly woven into the text. And of course, as an Agatha Christie fan I adore the Atticus Pünd stories in both books, which are such perfect homages to Christie herself. As we have been told that the fictional author Alan Conway apparently wrote a whole series of Atticus Pünd novels, I hope Anthony Horowitz will give us the opportunity to read at least one more of them!

Thanks to Random House UK for providing a copy of this book for review via NetGalley.

This is book 12/20 from my 20 Books of Summer list.

The Surgeon’s Mate by Patrick O’Brian

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The Surgeon’s Mate is the seventh novel in Patrick O’Brian’s Aubrey and Maturin series. Every time I review one of these books I say that I’m not going to leave such a long gap before picking up the next one, but then I get distracted and before I know it two or three years have passed by! It was September 2017 when I read the previous book, The Fortune of War, so I was worried at first that I might struggle to get back into the story and was relieved to find that it wasn’t a problem. As soon as I started to read, the events of book six came back to me quite vividly.

If you have not yet met Captain Jack Aubrey and his friend, Dr Stephen Maturin, I would strongly recommend that you start at the beginning with Master and Commander. It will make it so much easier to follow the various storylines, which do continue from one book to the next, and to understand the complex relationships between the characters, particularly the one between Stephen and Diana Villiers.

This seventh novel opens with Jack, Stephen and Diana arriving in Halifax aboard the HMS Shannon following the Royal Navy’s victory over the American ship USS Chesapeake (a real event in the War of 1812). From Canada, they make their way home across the Atlantic to await further instructions. It’s not long before details of their next mission emerge: with his half-Catalan/half-Irish background, Stephen is required to travel to Grimsholm, a heavily fortified island in the Baltic, to persuade the Catalan army there to side with Britain against Napoleon. After seeing the pregnant Diana safely settled in Paris, Stephen accepts the job – on the condition that Jack Aubrey will command the ship on the voyage.

Jack is pleased to have a ship to command once again – and grateful to have an excuse to escape from the various entanglements of his life in England. Not only is he being cheated financially by a man he thought he could trust, he has also received a letter containing some unpleasant news from a woman he met in Halifax. The Baltic mission provides a welcome distraction, then, and at first things seem to be going well. Unfortunately, things then begin to go badly, and after a series of mishaps our heroes find themselves taken prisoner yet again!

I didn’t love this book quite as much as the previous two in the series; in fact, I felt that a lot of time was spent tying up some of the loose ends from those two and perhaps laying the foundations for the next one. There was still a lot to like, though; I enjoyed the sections set in Halifax and later in Paris and the details of Stephen’s work, both as a doctor and natural philosopher and as a spy, are always interesting. There are some funny moments too, although maybe not as many as in some of the earlier books; I loved Jack’s account of how he once played Ophelia in a sailors’ production of Hamlet:

‘Why, there was only one midshipman in the flagship pretty enough for a girl, but his voice was broke and he could not keep in tune neither; so for the part where she has to sing, I put on the dress and piped up with my back to the audience. But neither of us was going to be drowned and buried in real earth, Admiral or no Admiral, so that part fell to a youngster who could not defend himself; and that made three of us, do you see.’

I still struggle with the nautical jargon and the lengthy descriptions of sea battles, but seven books into the series I now know that I don’t really need to follow the battles too closely as long as I can get the basic gist of what has happened and what the outcome is. However, with this particular novel I found the nautical parts more confusing than usual, for some reason. Maybe I’m just out of practice and need to move quickly on to book eight!

This is book 11/20 from my 20 Books of Summer list.

The Honey and the Sting by EC Fremantle

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After 2018’s The Poison Bed, a Jacobean thriller based on a real life murder scandal, EC Fremantle has returned to the same period – the early seventeenth century – with another historical thriller, this time one which is only partly inspired by a true story.

Hester, Melis and Hope are three sisters who live together in a cottage in Iffley, Oxfordshire. With no male relative in the household, apart from Hester’s little boy Rafe, their living arrangements are unusual for the time – not quite respectable, some would say. Yet all three women have their reasons for avoiding outsiders and keeping themselves to themselves. Hester’s secret is perhaps the most scandalous: the father of her son is George Villiers, the powerful Duke of Buckingham and the King’s favourite. The beautiful, eccentric Melis experiences visions and premonitions which have an unsettling habit of coming true. And Hope’s African heritage makes her stand out from the other girls in Iffley, while also making her the target of unwelcome attention from men.

When we first meet the sisters, they are leading quiet lives at Orchard Cottage, filling their days with cooking, gardening, needlework and tending the bees in their hives. This will all change when George Villiers decides that the time has come to claim his son – something Hester refuses to contemplate as the Duke had cruelly cast her aside and left her to raise Rafe alone. In order to keep Rafe out of his hands, the three women are forced to go on the run, fleeing to an isolated house in the woods. But even here it seems there’s no guarantee of safety and they must decide who can and cannot be trusted.

Hester and her sisters are fictional, but their story is entwined with a sequence of real historical events involving George Villiers, Duke of Buckingham. I won’t say too much here, but if you know anything about Buckingham then as soon as a certain character appears in the novel you will be able to guess what is ultimately going to happen. Knowing this didn’t spoil the story for me, though; I found this particular character and the motivations for their actions very intriguing and their inclusion made the book much more compelling than it would otherwise have been.

The novel is written in present tense, never my favourite but I didn’t find it as annoying as I often do because it somehow suited the pace of the story and gave it a sense of urgency and danger. Some of the chapters are told from Hester’s perspective and these are written in the first person, but others are from Hope’s perspective, in the third person. I didn’t really understand the reason for this and would have preferred one style or the other. We don’t hear from Melis at all, only seeing her through the eyes of the other characters, but this is quite effective and adds to the aura of mystery that surrounds her. I think she was probably the sister I found most interesting; Hester and Hope both frustrated me with the number of poor decisions they made!

The only other thing that bothered me slightly was the way Hester refers to Buckingham throughout the novel as ‘George’. I felt that, as she had been a servant in Buckingham’s household when he seduced her, she would have spoken of him as ‘the Duke’ or ‘Buckingham’ or ‘His Grace’. A servant calling a nobleman by his first name in the seventeenth century just didn’t seem right to me, but maybe I’m just being pedantic. Overall, this was an enjoyable novel, even if it wasn’t one of my favourites by Fremantle.

Thanks to Penguin Michael Joseph for providing a copy of this book for review via NetGalley

This is book 10/20 of my 20 Books of Summer.

Sleeping Murder by Agatha Christie

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I was doing so well with the Read Christie 2020 challenge earlier in the year. I read the suggested novels for January, February and March (Murder on the Orient Express, A Murder is Announced and The Hollow) but then, distracted by Covid-19 and lockdown, I never picked up April’s book – or May’s or June’s or July’s. I think I’ve officially failed this year’s challenge now, don’t you? Anyway, Sleeping Murder is the book I was supposed to have read in April. Published in 1976, it’s a Miss Marple mystery and was the final book in the Marple series.

The novel opens with a young woman, Gwenda Reed, arriving in England from New Zealand. Her husband, Giles, is due to come and join her soon, and Gwenda hopes to have found somewhere to live in time for his arrival. As soon as she sees Hillside, a house in the seaside town of Dillmouth, she decides she wants to buy it. There’s something about the house that feels strangely familiar and in fact, she seems to know things about it that she really shouldn’t know at all. When she suddenly has a vivid memory of seeing a dead body at the bottom of the staircase, Gwenda panics, believing that she is losing her mind.

After confiding in Miss Marple, who is related to Giles’ cousin, Gwenda discovers that there is a logical explanation for her recent experiences: Hillside had actually been her home as a very small child, before she left England for New Zealand. Convinced that a murder must have taken place in the house – and that she herself had witnessed the aftermath – Gwenda and Giles begin to investigate. However, Miss Marple has serious forebodings; she likes the young couple and is worried that they could put themselves in danger by trying to uncover secrets that have remained buried for almost twenty years. The only way to protect her new friends is to solve the mystery herself and catch the murderer before he or she has the chance to strike again!

I haven’t read all of Christie’s Marple novels yet, but this is one of my favourites so far. I didn’t manage to solve the mystery – I thought I had, but I was wrong – and I was surprised to find out who the murderer really was. The clues were all there, but I didn’t pick up on them; in fact, the biggest clue went over my head because I didn’t have the general knowledge to be able to interpret it. I can’t explain what I mean without spoiling the story, but if you’ve read the book you’ll know which clue I’m talking about.

I love the atmosphere Christie creates in this novel, with a sense of lingering evil from the moment Gwenda walks through the doors of Hillside. With the crime being one that took place in the past and which needs to be solved in retrospect, I was reminded of the Poirot mystery Five Little Pigs, although I enjoyed reading this one more, maybe because the present day characters are more actively involved in the story. We see most of the investigation unfold from Gwenda’s perspective, but Miss Marple herself has a large role to play in the novel. Although the book wasn’t published until the 1970s, it was actually written much earlier in Christie’s career (possibly in 1940) so Marple is actually younger and livelier than she is in some of the other books in the series which were published before this one!

Have you read Sleeping Murder? Which is your favourite Marple novel?

This is book 9/20 from my 20 Books of Summer list.