The Santa Klaus Murder by Mavis Doriel Hay

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Mavis Doriel Hay wrote three mystery novels during the 1930s, all of which are now available as British Library Crime Classics. This one, The Santa Klaus Murder, sounded as though it would be perfect for the time of year, and of course it was. I enjoyed it, although I found it very similar to Agatha Christie’s Hercule Poirot’s Christmas and Georgette Heyer’s Envious Casca, and not as good as either of those books.

The Santa Klaus Murder is set in and around Flaxmere, a country estate belonging to Sir Osmond Melbury. The novel opens with several first-person accounts written by members of Sir Osmond’s family as they gather at the house to celebrate Christmas and in this way we get to know all of the main characters and learn a little bit about their backgrounds and the relationships between them.

It seems that for many years, Sir Osmond has been trying to control and manipulate the lives of his adult children. His son, George, has the security of knowing that, as the only male heir, his inheritance is safe, but for the four daughters things are much more uncertain. He has already tried to influence, with varying success, the marriages of the three eldest girls – Hilda, Edith and Eleanor – and is now trying to do the same with Jennifer, the youngest. Philip Cheriton, the man Jennifer loves, is attending the Christmas gathering, but Sir Osmond has also invited Oliver Witcombe, whom he would prefer to see as her husband. Jennifer is desperate to marry Philip but needs to find a way to do so without upsetting her father.

We do see a kinder side to Sir Osmond when, on Christmas Day, he asks Oliver to dress up in a Santa Klaus costume and distribute gifts to the family and servants. When the old man is discovered shot dead at his desk in the study that same afternoon, all the clues seem to point towards Santa…but why would Oliver want Sir Osmond dead? Colonel Halstock, the Chief Constable, is brought in to investigate and quickly discovers that almost everyone who spent Christmas at Flaxmere may have had a motive for murder. Could the killer be one of Sir Osmond’s children or one of their partners? What about his pretty young secretary, Grace Portisham, who may be expecting to receive something in his will? Or could it be Ashmore, the family’s old chauffeur, who lost his job at Flaxmere just before Christmas?

Most of the remaining chapters in the book, with one or two exceptions, are narrated by Col. Halstock as he tries to identify the culprit. There’s a lot of discussion of alibis, people’s movements, and the layout of the rooms, so if you enjoy trying to solve those sorts of puzzles – where somebody was at a certain time and what they were doing, or how somebody could have moved from one room to another without being seen – then this is probably the book for you. I didn’t work out who the murderer was, although I had my suspicions, but I did find other parts of the plot easy to predict. As a traditional country house mystery, there wasn’t much that made this book stand out from other books of its genre and era, but as an entertaining and undemanding Christmas read I found it satisfying enough.

Mavis Doriel Hay’s other novels are Murder Underground and Death on the Cherwell, both of which I’m now interested in reading.

Historical Musings #45: My Year in Historical Fiction – 2018

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It’s my final Historical Musings post of 2018, which means it’s time for my annual summary of my year in historical fiction! I have kept the same categories as in the previous two years so that it should be easy to make comparisons and to see if there have been any interesting changes in my reading patterns and choices (my 2017 post is here and 2016 is here).

I know the year is not quite over yet, but I like to stick to a weekend in the middle of the month for my Historical Musings posts – and I don’t think I’ll read enough historical fiction in the final two weeks of the year to significantly affect these statistics anyway.

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Time periods read about in 2018

No big surprises here – this is a very similar picture to last year, with books set in the 19th and 20th centuries making up nearly half of my reading. The 16th and 17th centuries were popular again too (all those Tudor and English Civil War/Restoration books). Apart from Ancient Greece, very early periods of history are still poorly represented in my reading. Recommendations are always welcome!

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31.2% of the historical fiction authors I read this year were new to me.

Down from 47.3% last year. I’m disappointed I haven’t tried more new authors this year – although it does mean I’ve been enjoying books by favourite authors instead.

Three books I’ve read by new-to-me historical fiction authors in 2018:
Smile of the Wolf by Tim Leach
Dear Mrs Bird by AJ Pearce
By Sword and Storm by Margaret Skea

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Publication dates of books read in 2018

I’ve been reading a lot of new or recent historical fiction again this year, with the rest spread across the 20th century. Sadly, I haven’t read anything published earlier than 1900 but that could change next year as I do have some older historical fiction on my Classics Club list which I’m looking forward to reading.

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14.3% of my historical reads in 2018 were historical mysteries.

Up from 9.6% last year – but not a big difference.

Three historical mysteries I’ve enjoyed reading this year:
Traitor by David Hingley
A Morbid Taste for Bones by Ellis Peters
Lamentation by CJ Sansom

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I’ve read historical fiction set in 22 different countries this year.

One more country than last year (if I’m allowed to count Martinique, an overseas territory of France). I’m still finding it difficult to get away from mainly reading books set in my own country, England, but while France and Italy occupied the next two positions in both 2017 and 2016, this year Scotland is in second place with France third and Italy a long way behind.

Three books I’ve read set in countries other than my own:
My Beautiful Imperial by Rhiannon Lewis (Chile and Wales)
The Sealwoman’s Gift by Sally Magnusson (Iceland and Algeria)
The English Girl by Katherine Webb (Oman)

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Five historical men I’ve read about this year:

William Lilly

Prince Rupert (The Winter Prince by Cheryl Sawyer)
William Marshal (Templar Silks by Elizabeth Chadwick)
Henry Tudor (The Tudor Crown by Joanna Hickson)
René Descartes (The Words in My Hand by Guinevere Glasfurd)
William Lilly (The Magick of Master Lilly by Tobsha Learner)

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Five historical women I’ve read about this year:

Ana de Mendoza

Jane Seymour (Jane Seymour: The Haunted Queen by Alison Weir)
Elizabeth I (Young Bess by Margaret Irwin)
Ana de Mendoza, Princess of Eboli (That Lady by Kate O’Brien)
St Hilda (The Abbess of Whitby by Jill Dalladay)
Elizabeth Mortimer (Queen of the North by Anne O’Brien)

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Have you read any good historical fiction this year? Have you read any of the books or authors I’ve mentioned here?

The Poppy Field by Deborah Carr

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2018 has been an eventful year in many ways and in November we marked the one hundredth anniversary of the end of the First World War. I picked up Deborah Carr’s new novel, The Poppy Field, to read over the centenary weekend, but I’ve since fallen behind with my reviews, which is why I’m only posting about it now.

The Poppy Field has two narratives, one set in 2018 and the other in 1916-18. First, in the present day, we meet Gemma, a British trauma nurse who has taken some time away from her stressful job to work on the renovation of a farmhouse in Doullens, in Northern France. Her father has recently inherited it and wants to get it into a good enough condition to be able to sell. With the help of Tom, a man she meets in Doullens who offers to assist with the building work, Gemma begins the long and difficult task of restoring the house to its former beauty. During the refurbishment, they discover a bundle of old letters dating back to World War I, written by an Alice Le Breton, and as soon as Gemma settles down to start reading them, she becomes obsessed with finding out how Alice’s story will end.

The other thread of the novel follows Alice, a young woman from Jersey in the Channel Islands, who volunteers as a VAD nurse at a casualty clearing station near Doullens during the war. Working conditions at the station are challenging and often horrifying, as wounded soldiers are brought in from the front line and the doctors and nurses do their best to save lives with the limited medication and equipment available to them. In the midst of so much pain and suffering, Alice is still able to find some happiness when she falls in love with one of her patients – but in times of war life is uncertain and Alice knows that her dreams could be shattered in an instant.

Although Alice and Gemma are very different people, there are many parallels between their stories – they are both nurses, they have both reached important turning points in their lives, and they have both found themselves in the same part of France. They also each become involved in a romance, but while I found Alice’s very moving (as wartime romances usually are), I thought Gemma’s was less convincing and very predictable. She meets the man who will become her love interest almost as soon as she arrives in France and there’s no real suspense involved in wondering whether they will end up together or not. Gemma’s whole storyline felt like little more than a frame for Alice’s, but I find that’s often the case with dual-time period novels and I almost always prefer one narrative over the other.

Although I’d hoped for more from this book, I did still enjoy it, particularly the historical sections and the details of Alice’s nursing work. The two separate threads of the story tie together nicely towards the end and the novel as a whole is an interesting and poignant read.

Thanks to HarperImpulse for providing a copy of this book for review via NetGalley.

Thoughts on finishing The Tawny Man Trilogy (The Golden Fool and Fool’s Fate)

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After reading Fool’s Errand a few months ago, I knew I didn’t want to wait too long before reading the other two books in Robin Hobb’s Tawny Man Trilogy; on the other hand, I didn’t want to read them too quickly because then it would all be over and I wouldn’t have them to look forward to anymore (I’m sure I’m not the only one who feels that way about long-anticipated books). Once I started reading The Golden Fool, though, I had to keep going until I’d reached the end of the trilogy. I cared too deeply about the characters to abandon them while I read other books.

Before I go any further, I will give my usual advice that if you are new to Robin Hobb, the place to start is the Farseer Trilogy, which begins with Assassin’s Apprentice. After that, you should read The Liveship Traders Trilogy – it’s not completely necessary but I strongly recommend it as it will give you a better understanding of the world Hobb has created – and then move on to Fool’s Errand. If you have not yet read all of those books, you will come across spoilers for them in the rest of this post (it would be impossible for me to avoid them).

First, The Golden Fool. As the middle book in the trilogy, this one is neither as tightly plotted as the first nor as epic as the third. Its main function seems to be to tie up some of the storylines begun in the first book (such as Laudwine and the Piebalds), while setting the scene for the quest that will form the basis of the final book. The foundations of this quest are laid during negotiations for Prince Dutiful’s betrothal to an Outislander princess, the Narcheska Elliania. Dutiful’s mother, Queen Kettricken, intends this marriage to form a lasting alliance between the Six Duchies and the Outislands, but it seems that things aren’t going to go quite as smoothly as she’d hoped. Before the Narcheska will agree to marry the prince, she insists that he will have to prove himself worthy…by bringing her the head of the black dragon Icefyre, who lies in a glacier on a distant ice-covered island.

To help Dutiful prepare for his mission, Fitz – still posing as Tom Badgerlock, servant to the nobleman Lord Golden (the Fool) – reluctantly agrees to take on the role of Skillmaster, tutoring the prince in the Farseer magic known as the Skill. The importance of creating a coterie for Dutiful – a circle of those gifted in the Skill who will offer support and strength to the prince – is clear, but at present Fitz has other things on his mind. His adopted son, Hap, is in love with a girl from Buckkeep Town whose parents strongly disapprove of the match, and Hap risks losing his apprenticeship as a result. Meanwhile, his daughter Nettle, with whom he is linked through the Skill, is being visited in her dreams by a blue dragon; Kettricken and Chade want her brought to the safety of Buckkeep Castle and raised as befits a Farseer heir, but Fitz disagrees…

Worst of all, the friendship between Fitz and the Fool, which has endured for so many years, comes under threat when a delegation from Bingtown arrives. Among them is a certain woman called Jek, who will be remembered by readers of the Liveship Traders, and who seems to be under a misapprehension about the Fool. And this is one of several points in the novel where I was glad I had resisted the temptation to go straight from the Farseer Trilogy to the Tawny Man – this particular scene would have made far less sense otherwise. Even with my understanding of what it was all about, I found this a difficult and uncomfortable scene to read – it’s never nice to see people who care so much about each other hurting each other so badly.

Fool’s Fate picks up the story in the middle of the preparations for Dutiful’s journey to the Outislands where he must hunt down and behead the dragon Icefyre. Along with his old mentor Chade, and the difficult but strongly-Skilled Thick, Fitz is accompanying the prince on his voyage but insists that the Fool, who has predicted his own death on the icy island of Aslevjal, must stay behind. Can the future really be changed as easily as that – or will fate refuse to be defied?

This is the book where the significance of everything we’ve learned in the previous eight novels regarding dragons, Elderlings, White Prophets and Catalysts finally starts to become clear and I found the ‘quest’ element of the novel more compelling than the one in the final Farseer novel, Assassin’s Quest – although, having said that, there are some direct links between the two and, remembering that earlier quest, I enjoyed the brief glimpses we are given of Girl on a Dragon and Verity as Dragon! This is such a visual book too; some of the scenes involving Icefyre, the glaciers of Aslevjal and the Elderling ruins beneath the ice are described so vividly, I almost felt as though I was watching them unfold on film. We also see both the Skill and the Wit being used in new and fascinating ways.

As the final book in the Tawny Man Trilogy and, until the publication of the Fitz and the Fool Trilogy in 2014 (which I still have to look forward to), the final book about Fitz, there are a lot of loose ends to tie up and a lot of ongoing storylines to be resolved. I think whether or not you will be satisfied with these resolutions will depend on how you feel about the characters concerned. Although one of Fitz’s relationships is given a happy ending, it comes at the expense of at least two others – and because I had felt much more closely engaged with the latter two characters than with the former, I found it a very bittersweet conclusion to Fitz’s story.

As usual, coming to the end of one of Robin Hobb’s trilogies has left me feeling bereft. I’m planning to start her Rain Wild Chronicles soon, but I’m wondering where the novella The Wilful Princess and the Piebald Prince fits in and whether I should maybe read that first.

Nonfiction Mini-Reviews: A Tudor Christmas and Henry VII

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I didn’t have time last month to write about all of the books I read for Nonfiction November, so I’m combining the final two into one post today, which I think is quite appropriate as they are both Tudor related!

First, A Tudor Christmas. If you haven’t finished your Christmas shopping yet, this lovely little book by historian and novelist Alison Weir and her co-author Siobhan Clarke, a guide for Historic Royal Palaces, could be the perfect gift for any history lovers in your life (or for yourself, at any time of year, of course).

Divided into twelve sections to represent each of the twelve days of Christmas, the book takes us through the origins of many of our favourite Christmas traditions, as well as some that were popular in Tudor times but have disappeared over the years. The text is interspersed with recipes, poems, carols and illustrations, so if you don’t want to read it straight through from beginning to end, you could just pick it up and read a page or two whenever you have a few spare moments over the festive period. This is much shorter than the other non-fiction books I’ve read by Alison Weir and obviously doesn’t have the same level of depth, but even so she and Clarke manage to cover a large amount of material, touching on almost every aspect of Christmas you could think of.

I enjoyed reading about the various ways in which St Stephen’s Day/Boxing Day was celebrated in different parts of Europe, ranging from hunting the wren and taking beribboned horses to be blessed by the priest, to distributing alms to the poor. There’s a discussion of when the turkey was first introduced to England, a fascinating chapter about the typical games that would be played at home or at court, and some eye-opening accounts of how much money Henry VIII would spend on celebrating Christmas. There are also descriptions of earlier traditions such as the burning of the yule log and the origins of holly, ivy and mistletoe being used as decorations and, although I would have preferred a tighter focus on the Tudor period itself (which is what I’d expected from the title), I did find the whole book an interesting and worthwhile read.

From a Tudor Christmas to a Tudor king…Henry VII by Gladys Temperley is a biography of the first Tudor monarch who reigned from 1485 to 1509. Originally published in 1914 (and reissued more recently by Endeavour Compass), it does feel a bit dated and dry in places, but I still found it perfectly readable.

I started to read this book shortly after finishing The Tudor Crown by Joanna Hickson, a fictional account of Henry’s life before he became king, so I was particularly interested in the earlier sections which gave the facts behind some of the episodes which were featured in the novel such as Henry’s time in exile and preparations for his return to England at the head of an army. However, all of this is passed over very quickly, to be followed by a much longer section on the rebellions, conspiracies and pretenders to the throne – including Perkin Warbeck and Lambert Simnel – that repeatedly threatened Henry’s reign. As Temperley says, “He trusted few men, suspected many. He had plunged too early into the bitter waters of adversity, and as a fugitive exile, eating the bread of dependence at the courts of France and Brittany, had learnt to watch and school himself until repression had killed all spontaneity.”

Henry VII isn’t one of my favourite kings, but Gladys Temperley seems to have a lot of respect and admiration for him, which I think is a good thing – as long as it doesn’t lead to too much bias, I always think it’s better when an author likes and is genuinely passionate about their subject. Temperley highlights many of Henry’s lasting achievements, such as his ‘Mercantile System’, a policy which aimed to increase foreign trade and improve England’s economy, and the steps he took towards reforming the country’s judicial system.

The book feels thoroughly researched; there are footnotes throughout the text, three appendices giving more information on The Star Chamber, Perkin Warbeck and Juana of Castile, and a very impressive bibliography. You do need to remember, though, that this is a very old biography and that what we know of history is constantly evolving. For a more modern look at Henry VII, I recommend Winter King by Thomas Penn.

House of Glass by Susan Fletcher

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I loved Susan Fletcher’s Corrag, a novel about the Glencoe Massacre of 1692, but for some reason have never read any of her other books until now. That has clearly been a mistake because House of Glass is another impressive novel. Although it is a very different type of story from Corrag, there are still some similarities, such as the beautiful writing and the interesting, unusual protagonist.

The novel is set in 1914, just before the outbreak of the First World War. Our narrator is Clara Waterfield, a young woman who suffers from osteogenesis imperfecta, better known as brittle bone disease. Because of her condition, Clara has led a very sheltered life, kept indoors where she is less likely to fall and injure herself. She has made the best of her situation, using books to educate herself on the people and places she is never likely to see, but still she longs to go out into the world and have the experiences that other people take for granted. When she is twenty years old, Clara loses her mother to cancer and, left alone in their London home with her well-meaning but over-protective stepfather, she takes her first tentative steps towards taking control of her own life.

Venturing as far as Kew Gardens, Clara discovers a love of plants and returns day after day to learn everything the head gardener can teach her about botany. Her new skills lead to her being summoned to Shadowbrook, a large estate in Gloucestershire, where the owner, Mr Fox, is looking for an expert to help fill his new glasshouse with plants from Kew. Almost as soon as Clara arrives at Shadowbrook, however, she becomes aware that something is wrong. Why do the housekeeper and the maids seem so afraid? Could the house really be haunted by the ghost of a former occupant, Veronique Pettigrew? And is the mysterious Mr Fox ever going to make an appearance?

House of Glass seems at first to be a typical Gothic ghost story. It certainly has all the elements of one: a neglected mansion with secrets hidden behind closed doors; unexplained noises in the night; servants who hint at trouble in the house’s past; and various other eerie occurrences which may or may not have a rational explanation. There are definite shades of classic novels such as Jane Eyre and Rebecca or, to give a more recent comparison, The Little Stranger by Sarah Waters. Throughout the first half of the book the sense of mystery builds as we try to work out what is really happening at Shadowbrook and Clara is as much in the dark as we are. Because of the way her life has been until now, her contact with other people has been very limited which means, as well as trying to solve the mysteries of Shadowbrook, she also has a lot to learn about social relationships and human nature. As she moves around the house and its grounds, asking questions and making observations, she not only makes some discoveries about Mr Fox and the Pettigrews, but she grows in confidence as a person too. I didn’t always like Clara quite as much as I felt I should have done, but I admired her for her strength and resilience.

In the second half of the book, everything changes; some revelations are made which send the story in a different and slightly unexpected direction and although some of my questions – and Clara’s – were answered, I wasn’t entirely convinced by these new plot developments. I wasn’t disappointed, exactly, but I did feel that I was reading a different type of story than it had seemed to be at first.

Now I need to go back and read some of the other Susan Fletcher books I seem to have missed out on over the last few years. Apart from this one and Corrag, have you read any you can recommend?

Thanks to Virago for providing a copy of this book for review via NetGalley.

The Blue by Nancy Bilyeau

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Since reading the Joanna Stafford trilogy (The Crown, The Chalice and The Tapestry) a few years ago, I’ve been waiting and hoping for a new book from Nancy Bilyeau and here it is at last: The Blue. Bilyeau wrote so convincingly about Tudor England in the Joanna Stafford books that I was surprised to find she was switching to an entirely different period for this latest novel – the Seven Years War of 1756 to 1763, a war which involved most of Europe, with Britain and France on opposite sides. Set against this backdrop, The Blue is an exciting, thrilling tale of espionage, art, religious persecution – and the race to create a new and beautiful shade of blue.

Our heroine, Genevieve Planché, is a young Huguenot woman whose family fled France when it became impossible for them to openly practise their religion. Despite her French ancestry, Genevieve has grown up in London among the silk weavers of Spitalfields and considers herself to be English, viewing the French king as someone to be feared. As a talented artist, she longs to have the chance to study painting and develop her skills, but as a woman she discovers that most of the opportunities open to men are closed to her. Her grandfather has made plans for her to go to a porcelain manufactory in Derby where she can paint pretty designs on plates and vases, but that’s not what Genevieve wants out of life. Then, just as she’s losing hope, she meets Sir Gabriel Courtenay at a party and receives a very tempting offer…

Sir Gabriel urges her to take up the position she has been offered at the Derby Porcelain Works and track down their chemist who is working on the development of a new colour blue. If Genevieve can steal the formula for blue and pass it to Sir Gabriel, he will help her travel to Venice where, he tells her, she will be taken seriously as a female artist. Genevieve is quick to agree, but once she is in Derby and the true scale of her mission becomes apparent, she begins to have doubts. Why is Sir Gabriel so desperate for the blue? What is the colour’s significance? And what will happen if she is caught?

The Blue is a fascinating novel – I learned so much about the production and decoration of porcelain, the meanings of different colours, and the ways in which art and science can combine to create things of beauty – but it is also a gripping and suspenseful historical thriller. One of the things I enjoyed most about the story was that it was so difficult to decide who could and could not be trusted. From the young woman Genevieve shares a room with at the Porcelain Works to Sir Gabriel himself, she has no idea who is on her side and who is likely to betray her. Although she sometimes makes silly mistakes, that is to be expected when she is faced with trying to navigate her way through so many dangerous situations!

This is the first book I have read via The Pigeonhole, a website/app which makes books available in daily instalments (referred to as ‘staves’). Each stave ended on a cliffhanger which left me desperate to get back to the story the following morning and reading it over a period of ten days was a wonderful experience. The book is written in present tense, something I usually find off-putting, but it seemed to work much better in the serialised format because it helped me to feel closer to Genevieve, almost as if I was sharing in her adventures as they happened.

I would love to read a sequel to The Blue, but if that doesn’t happen then I will look forward to whatever Nancy Bilyeau chooses to write about next.

Thanks to The Pigeonhole and Endeavour Quill for the opportunity to read this novel.