Tag: 17th century

The Miniaturist by Jessie Burton

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The Miniaturist In October 1686, eighteen-year-old Petronella (Nella) Oortman travels from Assendelft to Amsterdam to join the household of her new husband, Johannes Brandt. Johannes is a merchant with the VOC – the Dutch East India Company – and spends a lot of time away from home, leaving his young wife in the company of his sister, Marin, and their two servants, Cornelia and Otto. Disappointed with the lack of affection from her husband and confused by Marin’s cold, unwelcoming reception, Nella quickly finds that married life is certainly not what she had hoped and expected it would be.

Unable, for various reasons, to give Nella the attention she deserves, Johannes presents her with a special wedding gift to help her pass the time: a cabinet containing a dolls’ house that resembles the Brandts’ own home. The little rooms are empty and it is up to Nella to decide how to furnish them. Responding to an advertisement by a ‘miniaturist’, she sends a letter with her requests, but when the tiny items and figures begin to arrive, Nella is amazed by how accurately they reflect life within the real Brandt household. How can the miniaturist possibly know so much about Nella and her family?

I was drawn to The Miniaturist by its striking cover and although the book itself didn’t quite live up to my expectations, it was certainly an unusual and intriguing story. I have seen comparisons with Tracy Chevalier’s Girl with a Pearl Earring and it’s easy to see why, as both books tell the story of a young woman living in 17th century Holland, but apart from this I don’t think the two novels really have a lot in common. While I found that Girl with a Pearl Earring felt realistic and true to life, The Miniaturist has an element of magical realism that makes it very different – and this supernatural aspect was possibly the reason why I didn’t love the book as much as I wanted to. I thought the mystery of the miniaturist’s creations was a great idea, but I felt that it was never sufficiently explained or resolved, which left me wondering if I’d missed the point.

I found a lot to like about The Miniaturist, though, particularly the setting – not a common one in historical fiction, but very interesting to read about. I learned a lot about Amsterdam in the 1600s and the world of trade and commerce in which Johannes Brandt and his fellow merchants operate. It’s quite an atmospheric novel too, and a bit darker than I’d expected; bad things happen to some of the characters in the story and not everyone gets a happy ending. Nella herself is a character who grows and changes, from an innocent, nervous young girl at the beginning of the book to a strong, mature woman at the end. And I must mention Marin, secretive and hostile, but with much more depth than is obvious at first.

I had assumed this was a purely fictional story, so I was surprised to find that Petronella Oortman was a real person and her miniature house can be seen in the Rijksmuseum in Amsterdam. As for the true story behind the house and its contents, who knows?

I received a copy of this book for review via NetGalley

Secrecy by Rupert Thomson

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Secrecy Secrecy is set in 17th century Florence and tells the story of Gaetano Zumbo, a sculptor famous for creating gruesome wax models depicting the human body in various stages of decay. Zumbo (or Zummo, as he is usually referred to in the novel) arrives in Florence in 1691, having fled from his home in Sicily for reasons which are revealed later in the book. The Grand Duke of Tuscany, Cosimo III de’ Medici, is an admirer of Zummo’s work and commissions a very special sculpture from him – one which must be kept a secret between the two men.

After settling into his new home, the House of Shells, and getting to know his landlady, her young daughter, and another lodger, a French acrobat, Zummo concentrates on creating the Grand Duke’s special wax model. But when he falls in love with the apothecary’s niece, Faustina, and makes an enemy of Stufa, a monk and advisor to the Grand Duke’s mother, Zummo’s life suddenly becomes a lot more complicated.

Gaetano Zumbo was a real person, although I didn’t know anything about him or his work before reading this book. If you’re curious and not too squeamish, you can find plenty of images online showing his various plague scenes, dismembered bodies and rotting corpses. Apparently some examples of his work are displayed in Florence’s Museum of Zoology and Natural History, but I have to admit I don’t have any desire to go and look at them as they sound a bit too grotesque for my liking!

There’s no doubt, though, that Zumbo is an unusual and intriguing subject for historical fiction. The setting is fascinating too. I don’t think I’ve ever read about this particular period of Italian history before and I enjoyed reading about Florence under the rule of Cosimo III – portrayed here as a corrupt and dangerous place. The novel has a dark, unsettling atmosphere and the theme of secrecy is woven into the complex plot in several different ways.

But the interesting protagonist and atmospheric setting were not quite enough to make me love Secrecy. I found the characters, even Zummo himself, difficult to fully connect with and never really managed to engage with any of them on an emotional level. I also thought the narrative style was slightly confusing as it was sometimes not immediately obvious when Zummo was dreaming or remembering something that had happened in his past.

Still, if you enjoy historical fiction set in Italy and are in the mood for something a little bit different, this book could be just what you’re looking for.

I received a copy of this book via NetGalley for review.

Plague by C.C. Humphreys

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Plague I’ve always been fascinated by the Great Plague of 1665. I know that probably makes me sound morbid, but it’s true – with my interest in the history of medicine, I love reading about the theories suggested by 17th century people to explain what was happening to them, the weird and wonderful ‘cures’ they came up with and the impact of the epidemic on English society. So when I saw a novel called Plague in my library’s ebook catalogue, I was immediately intrigued, especially as it’s by C.C. Humphreys, an author I’ve been wanting to try since I saw Audra’s review of one of his other books, Jack Absolute.

Plague, I quickly discovered, is not simply a novel about the plague (although it’s always there in the background affecting the lives of all our characters in one way or another) but it’s also an action-packed historical mystery set in Restoration London.

In 1665, England is still recovering from the aftermath of the recent Civil War which had resulted in the execution of King Charles I. Although his son, Charles II, has now been restored to the throne, lots of former royalists are still struggling after losing everything in the war. One of these is Captain William Coke, who has had to resort to highway robbery to survive.

One night, Coke is surprised to find that his shouts of “stand and deliver” have no effect on the approaching carriage. The reason: the driver and the passengers have all already been brutally murdered. Coke takes an expensive necklace from the neck of one of the bodies before running away, but leaves one of his pistols behind in his hurry to escape. This is found by the thief-taker, Pitman, who becomes determined to capture Coke and receive the reward for bringing him to justice. We, the readers, know that Coke is innocent – but who is the real killer?

Two women also become embroiled in the mystery. One of them, Lucy Absolute, is the sister of a wartime comrade of Captain Coke’s. She is now an actress at a London theatre – and the mistress of the notorious Earl of Rochester. The other woman is Lucy’s friend, Sarah Chalker, another actress. When Sarah’s husband goes missing, the unlikely pairing of Coke and Pitman must work together to investigate his disappearance…and meanwhile, plague is continuing to spread through London. As the novel’s subtitle tells us, ‘murder has a new friend’.

Although the story deals with serious subjects such as murder, illness, robbery and treachery, and can be quite graphic at times, Plague is an entertaining novel that I found fun to read. Humphreys’ writing style is clear and engaging and I knew from the first page that this was a book I was going to enjoy. It’s always a relief when that happens! It’s a very atmospheric novel too, taking us from the dark, dirty cells of Newgate Prison and the squalid, claustrophobic homes of the plague victims to the splendour of the royal court and the drama of the theatrical world. Each location is brought to life vividly and realistically and the author doesn’t shy away from describing some of the less pleasant sights, sounds and smells of the period!

We meet lots of interesting characters in Plague, including some real historical figures such as Charles II and the fascinating Earl of Rochester. But my favourite was Captain Coke. He’s a complex, flawed character and I liked him from the beginning, even though we first see him as a highwayman and a thief. I enjoyed watching his relationship with Pitman develop from hunter and prey to unlikely partners. One aspect of the book I was less happy with, though, was the inclusion of a conspiracy plot involving a religious sect called the Fifth Monarchists. I think this sort of thing is overused in historical crime and I’m starting to get a bit bored with it. Other than that, I really enjoyed this book. The ending sets things up nicely for a sequel; I don’t know if there will be one, but I would like to have the chance to meet some of these characters again.

Girl with a Pearl Earring by Tracy Chevalier

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Girl with a Pearl Earring Set in the 1660s, Girl with a Pearl Earring is narrated by Griet, the sixteen-year-old daughter of a tile painter who lives in Delft in the Netherlands. When her father is left unable to work after being blinded in an accident, he arranges for Griet to become a maid in the household of the artist Johannes Vermeer. Settling into her new job, Griet soon finds that coping with the cleaning, washing and dusting are the least of her worries; she also has to learn to deal with the hostility of Vermeer’s wife, the cruelty of one of their young daughters and the jealousy of the family’s other servant, Tanneke. And why is Tanneke jealous? Because Griet has been given the job of dusting Vermeer’s studio – a room rarely entered by the rest of the household. As the months go by, Griet watches painting after painting slowly take shape on Vermeer’s easel, but when she discovers that she herself is going to be the subject of his next portrait she senses that the fewer people who know about it the better…

Having read two of Tracy Chevalier’s other books, Remarkable Creatures and The Virgin Blue, it seemed silly that I still hadn’t read Girl with a Pearl Earring. Now that I’ve read it I can see why it’s her most famous novel. The thing I found most striking about the book is that the writing style actually feels like one of Vermeer’s paintings: clear and detailed and true to life. I am not an expert on Vermeer (or any other artist, to be honest) but this was something that I noticed almost immediately and was very impressed by. If you’re not familiar with Vermeer’s work I highly recommend searching for an image of each painting as it is referred to in the book – I can promise that it will add to your appreciation of the story and of Chevalier’s writing.

This book is set in a time and place that I know very little about and I loved the descriptions of 17th century Delft. Most of Griet’s time is devoted to carrying out her duties within the Vermeer home, but she also has plenty of opportunities to visit other areas of the town – buying meat for the family at the meat market, going to church, visiting her brother at the tile factory where he is an apprentice, or spending time with her parents and the young butcher they hope she will marry. I have never been to Delft but by the time I finished this book I felt I could almost picture what it would have been like to live and work there in the 1660s. The religious aspect of the book – the tensions between the town’s Catholic and Protestant people – was also handled well, showing us the distrust and suspicion that existed between the two communities.

Although there is a romantic element to the story it is quite understated. We are in no doubt as to how Griet feels about Vermeer – it’s noticeable that while she thinks of other people by name, Vermeer is always ‘he’ or ‘him’ and this instantly sets him apart from all the other characters in the story. However, Griet is very slow to admit to herself the significance he has in her life. The romantic aspect of the book is quiet and subtle and lacks drama and passion, as does the rest of the story, but I didn’t have a problem with that. I enjoyed following Griet’s everyday life – shopping at the market, chopping vegetables, dusting the studio – and I enjoyed learning about Vermeer’s work and painting techniques. I didn’t need drama.

But despite finding so much to like about this book, there were also some things that I didn’t like. With the exception of Griet, I thought most of the other characters felt more like stereotypes than fully developed characters. And while I did find the writing style very effective, there seemed to be a distance between the narrator and the reader; the books that I really love are the ones where I can share in the characters’ hopes and fears, where I can laugh with them and cry with them – but I didn’t feel any of that with this book. Still, of the three Chevalier novels I’ve now read, this is my favourite so far and I’m looking forward to trying some of her others.

The Chains of Fate by Pamela Belle

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The Chains of Fate This is the second book in Pamela Belle’s Heron series, set in the 17th century and following the adventures of Thomazine Heron and her family in an England torn apart by civil war. I loved this one almost as much as The Moon in the Water, which I read last month, and would highly recommend these books to anyone who enjoys family saga-style historical fiction. The only problem is that they are now out of print, but I definitely think it’s worth trying to find copies.

*Spoiler warning – As this is a sequel and as the previous book ended on such a big cliffhanger, it would be almost impossible for me to discuss this novel without making references to the first one. If you’re interested in this series, please see my review of The Moon in the Water before reading any further!*

The Chains of Fate begins where The Moon in the Water ended, with Thomazine embarking on a journey north to Scotland in search of her cousin and lover, Francis Heron. Believing Francis to have drowned, Thomazine had married Dominic Drakelon before discovering that she had been misled and he was not dead after all. Leaving her husband and baby son behind, she sets off to find Francis with only her friend Grainne, servant Holly and Grainne’s two young children for company. The road north through a country at war is not without its dangers but Thomazine eventually arrives at the Borders home of her Graham cousins – only to discover that convincing Francis of her innocence will not be as easy as she’d hoped.

Will Francis and Thomazine find happiness together in the end or will they be separated forever by war or by the evil scheming of cousin Meraud? I’m not going to say any more because the story that unfolds throughout The Chains of Fate is a wonderful, epic tale of love, war and betrayal and I wouldn’t want to spoil a single page of it for you.

Much as I enjoyed reading this book, however, it’s not without a few flaws that prevented me from loving it quite as much as the first book. While I love Thomazine as a narrator, the fact that she is telling her story in the first person means that she is usually far removed from the centre of the Civil War action. The outcomes of various battles and the movements of the armies are described to Thomazine through letters or gossip picked up in taverns and I thought this became a bit tedious at times. Having said that, I am not a big fan of battle scenes, so I did appreciate the focus on ordinary families and the people who were forced to stay behind, worrying about their loved ones in the thick of the fighting.

I was also slightly disappointed that Thomazine and Francis are kept apart for such long stretches of the book. The other storylines the author brings into the novel – the relationship between Thomazine and her little boy, Kit; the love affairs of Grainne, Lucy and Jamie; and the question of who will inherit Goldhayes – were compelling too and did interest me, but I still found myself getting impatient wondering when Francis was going to make another appearance!

Anyway, this was another great book and I’m now looking forward to reading the third one, Alathea – but apprehensive too because I’m aware that it’s about the next generation of Herons and in my experience sometimes a series is not as good once we leave the original characters behind. I’m hoping this won’t be the case with Alathea and it shouldn’t be too long before I have the chance to find out.

The Moon in the Water by Pamela Belle

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The Moon in the Water Pamela Belle’s name first came to my attention two or three years ago when I was looking for lists of novels about Richard III and saw a mention of one of her books, The Lodestar. After discovering that it was out of print, I never actually got round to looking for a copy and forgot about it…until a few weeks ago when I came across one of her other novels, The Moon in the Water. Not the one I had originally wanted to read – and set in an entirely different period – but it sounded good so I decided to try it anyway. And I can’t say that I regret reading this one instead of The Lodestar, as I loved it from the first page to the last!

First published in 1983, The Moon in the Water is the kind of historical family saga I used to love reading – books like Colleen McCullough’s The Thorn Birds, Susan Howatch’s Penmarric or John Jakes’ North and South trilogy come to mind – but haven’t read very often in recent years. It was a joy to discover this one and to know that I have many more Pamela Belle books still to look forward to. The Moon in the Water is the first of her Heron series, following the story of Thomazine Heron and her family, and is set during the English Civil War.

When Thomazine, our narrator, is orphaned at the age of ten, her father’s cousin, Sir Simon Heron, becomes her guardian. Arriving at Sir Simon’s estate of Goldhayes in Suffolk, Thomazine settles into her new life and gets to know the other Heron children – Simon, the eldest and the heir; Edward, who wants to become a soldier; the rebellious, quick-witted Francis; Lucy, an avid reader of stage plays; and six year-old Jamie, the baby of the family. Thomazine soon forms friendships with each of her five cousins, but it’s Francis with whom she feels the closest connection. When a marriage is arranged between Thomazine and another cousin, Dominic Drakelon, Thomazine is horrified but consoles herself with the knowledge that the wedding won’t take place until she is sixteen and a lot can happen in six years.

As time passes and the Heron children grow up, Thomazine discovers that she has fallen in love – not with Dominic, but with her cousin Francis. With Sir Simon now dead, his eldest son, Simon, has become head of the family, but unfortunately he distrusts and disapproves of his younger brother; if Thomazine is to have any chance of escaping from her betrothal to Dominic, she must first find a way to repair the relationship between Simon and Francis. Meanwhile, tensions between King Charles I and his Parliament intensify and the Herons, who choose to support the King, find themselves facing a host of new challenges as civil war breaks out in England.

The Moon in the Water is a romance, but not a silly, bodice-ripping one. There is so much more to this book than just the central love story. Music and poetry are shared interests of several of the characters and we are given fragments of song and verse. The historical background is well researched and there are descriptions of battles, sieges and the ways in which civil war affects not just the people at the heart of the action but also those who have stayed at home. And while it’s sometimes too easy to predict what is going to happen, the story is gripping enough to make this a difficult book to put down.

But going back to that central love story, it’s a great one. Rather than coming out of nowhere, the relationship between Thomazine and Francis develops slowly from friendship to romantic love and it feels believable – although it’s obvious to the reader long before the characters themselves start to become aware of how they feel! It also helps that they are both such great characters. I had a look at some of the other reviews on Goodreads after finishing the book and was intrigued by the fact that several reviewers mentioned that Francis Heron is very like Francis Crawford of Lymond from Dorothy Dunnett’s Lymond Chronicles, which is exactly what I kept thinking too, to the point where I started to find it distracting and wished the author had chosen a different name! The intelligent, imaginative young Francis Heron is very much as I would imagine Francis Crawford as a child and as an adult his relationship with his brother Simon is similar in some ways to Lymond’s relationship with his brother Richard.

I also loved Thomazine, which is fortunate as this is really her story, narrated in the first person, which means her personality comes through on every page. Another favourite character was Grainne, the Irish girl who marries a friend of the Herons and becomes almost one of the family. The villains were maybe a bit disappointing – and it was easy to guess who they were going to be, even before they committed any villainous acts – but that’s just a small criticism of such an enjoyable book.

It’s frustrating that these books and so many others that I want to read are out of print, but at least in this age of the internet it’s a lot easier to find copies of them than it used to be! I’m very excited about reading Pamela Belle’s other novels, beginning with the next in the Heron series, The Chains of Fate. With this one ending on a big cliffhanger, I can’t wait to see what the future holds for the Heron family – although I’m sure things aren’t going to go smoothly for them!

The Crimson Ribbon by Katherine Clements

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The Crimson Ribbon The Crimson Ribbon is a new historical fiction novel set during the English Civil War. As the story begins in 1646, our narrator, Ruth Flowers, is a servant in the household of Oliver Cromwell. When her mother is hanged for witchcraft, Ruth is forced to flee to London to the home of Master Poole and his daughter, Elizabeth (Lizzie), friends of Cromwell’s mother. On the journey she meets a former Parliamentarian soldier, Joseph Oakes, who has deserted after the Battle of Naseby and is hoping to become a printer’s apprentice so that he can continue the fight using words instead of violence.

Still haunted by her mother’s death, Ruth finds it difficult to trust Joseph and separates from him when they reach London, expecting never to see him again. As she settles into her new life at the Pooles’ house, Ruth becomes captivated by the beautiful Lizzie Poole and is delighted to find that Lizzie returns her love. But when Lizzie’s religious and political beliefs draw her into the conflict between King Charles I and Oliver Cromwell, the lives of both women could be in danger.

Ruth is a fictional character and her story is imagined by the author, but Elizabeth Poole was a real historical figure who really did claim to have visions and argued against the execution of King Charles I. It seems that there is not a lot of information available about Elizabeth’s life and she eventually disappears from historical records, allowing Katherine Clements to come up with an interesting conclusion to her story. In her author’s note she does explain where the story has moved away from the known facts about Lizzie.

This book is set during a fascinating period of history and one that I wish more historical fiction authors would write about. Ruth’s relationships with Lizzie, with Joseph and with Oliver Cromwell form the basis of the novel, but other subjects and themes are included too, particularly witchcraft and the witch hunts that were so common in seventeenth century England. These were superstitious times and anyone who led an unconventional life could find themselves under suspicion. Through Joseph we also learn a little bit about army life and what happened at Naseby, while Lizzie’s storyline involves prayer meetings and the writing of religious pamphlets.

As the story is narrated by Ruth in the first person, I felt that I got to know her better than any of the other characters. However, I didn’t like the character of Elizabeth Poole and this made it hard for me to understand Ruth’s love for her. It frustrated me that she continued to remain so devoted and loyal, despite the way Lizzie often treated her. Apart from this, my only problem with the book was that it was written in the present tense which I almost always dislike, although I can understand the reasons for choosing to write in that way – it does give the story a sense of immediacy and intimacy.

I did enjoy The Crimson Ribbon and as this is Katherine Clements’ first novel I will be looking out for news of a second!

Thanks to Headline for sending me a review copy of this book.