The Heart of Midlothian by Sir Walter Scott

The Heart of Midlothian In 2012 I read my first Walter Scott novel, Ivanhoe, and was surprised by how much I enjoyed it. Having found Scott less difficult to read than I’d expected, I decided to add another of his books to my Classics Club list and something drew me to this one – possibly memories of the Scottish football results being announced on the television on a Saturday afternoon (Heart of Midlothian is the name of an Edinburgh team).

The novel – which predates the football team, being published in 1818 – takes its title from the Old Tolbooth Prison in Edinburgh, which was in the heart of the county of Midlothian. Scott based his plot on two real historical events: the Porteous Riots of 1736 and the story of a young woman who walked all the way to London to obtain a royal pardon for her sister who had been wrongly charged with infanticide. In Scott’s version, the young woman’s name is Jeanie Deans and she lives on a dairy farm at St Leonard’s Crags with her father, Davie, a strict Cameronian (a Presbyterian faction).

Jeanie’s younger sister, Euphemia – known as Effie – is in the Tolbooth facing the death penalty, having been accused of giving birth in secret and murdering her newborn child. Jeanie is sure Effie is innocent, but with no witnesses to the pregnancy or the birth and no way to prove what happened to the baby, she is guilty in the eyes of the law. If Jeanie would only tell the court that she had known her sister was pregnant, Effie could be freed, but she is unwilling to tell a lie and instead she decides to go to London to ask Queen Caroline for a pardon. Armed with a letter of introduction to the Duke of Argyll and some money borrowed from an admirer, the Laird of Dumbiedikes, Jeanie sets off on foot to save her sister’s life.

The first half of the novel sets the scene, describing a riot that breaks out in Edinburgh during a protest over the hanging of two smugglers. When Captain John Porteous orders the city guard to fire into the crowd, causing the deaths of several people, he himself is imprisoned in the Tolbooth. The prison is then stormed by a mob and Porteous is lynched and killed. These events become entwined with Effie’s story and provide the historical backdrop for the novel. The second half of the book concentrates on Jeanie’s journey to London, which includes encounters with some characters we previously met in Scotland: George Robertson, the father of Effie’s child; and Meg Murdockson and her mentally ill daughter, Madge Wildfire, two women who could hold the key to the mystery of the missing baby.

Well, The Heart of Midlothian was not the relatively easy read that Ivanhoe was! I found it much more challenging, for several reasons. First, as the novel is set mainly in Scotland, the dialogue is written almost entirely in Scots. I wouldn’t normally have a problem with this, but added to the fact that the book was written in the early 1800s, it did slow down the pace of my reading quite a lot. I find that whenever a book uses a large amount of dialect – even one you’re familiar with – a little more effort is required to read it and that was definitely the case here. If you think you might struggle with the dialect, I would recommend choosing an edition of the book with a good glossary!

Also, unlike Ivanhoe, which is a medieval adventure story packed with sword fights, sieges, villainous knights and feuding noblemen, this is a very different type of novel. While Jeanie’s personal story was gripping, I have to admit I had very little interest in the long passages describing the religious situation in eighteenth century Scotland and the discussions between Jeanie’s father, Davie Deans, and his neighbours on their different moral beliefs. I also thought the plot relied too heavily on coincidence, with Jeanie meeting people from her own small community in Scotland hundreds of miles away in England – and I felt that the final few chapters of the book were unnecessary as the story had already reached a more natural ending point.

I did enjoy parts of The Heart of Midlothian, though. Jeanie is a strong heroine who behaves with honesty and integrity throughout the novel, and although some of her choices were frustrating, I did like her. There is a romantic interest for Jeanie too – the schoolmaster, Reuben Butler – but this only forms a small part of the story. I was also interested in the descriptions of eighteenth century life and the relationship between Scotland and England in the years following the union of 1707. And there are plenty of memorable scenes, from the storming of the Tolbooth near the beginning to Jeanie’s meeting with Queen Caroline, wife of George II, towards the end.

I certainly didn’t love this book the way I loved Ivanhoe, but I’ll still read more of Scott’s novels and will hope that the next one I pick up is more to my taste than this one was!

Nelly Dean by Alison Case

Nelly Dean I have always loved Wuthering Heights by Emily Brontë. Not everyone does, I know – it seems to be a book that people either love or hate – but ever since I first read it at the age of twelve it has remained one of my favourites. That’s why, when I heard about Alison Case’s new book, Nelly Dean, I knew I wouldn’t be able to resist reading it despite my usual dislike of prequels, sequels and re-tellings of classic novels.

Nelly Dean, as those of you who have read the Brontë novel will remember, was the housekeeper at Thrushcross Grange who entertained Mr Lockwood with the story of Cathy, Heathcliff and the other inhabitants of Wuthering Heights. This new novel is written in the form of a letter to Mr Lockwood in which Nelly tells the parts of the story that weren’t told or that were brushed over in Wuthering Heights.

Nelly begins by talking about her childhood and her relationship with her parents. To keep her away from her abusive father, her mother is happy for her to spend most of her time at Wuthering Heights with the Earnshaw children, Hindley and Cathy. Later, Nelly becomes housekeeper for the Earnshaws, but by this time life at Wuthering Heights is changing significantly. First, Mr Earnshaw comes home from a trip to Liverpool with an orphan boy called Heathcliff, and then Hindley – with whom Nelly is falling in love – goes away for several years and breaks her heart when he returns.

The rest of the novel follows Nelly as she struggles with her feelings for Hindley and her own change of status in the Earnshaw household from friend to servant. The major events of Wuthering Heights are covered, but in far less detail than in the original; Heathcliff and Cathy are pushed into the background so that the focus is on Nelly and her personal story. And this, I think, is why I had a problem with this book. There’s a reason why Emily Brontë chose to write about Heathcliff and Cathy rather than Nelly: it’s because Nelly’s story is just not as interesting. The novel started off promisingly enough but by the time I’d read several chapters devoted to Nelly’s attempts to find a wet nurse for baby Hareton, I was bored. Even the hints of a shocking family secret in Nelly’s past failed to interest me, mainly because it was far too easy to guess what that secret was.

There were things that I liked, of course. I liked the overall concept of the book – the idea of taking a beloved classic and reading between the lines to fill in the gaps and to bring a new interpretation to a well-known story. I liked Nelly herself; she is much easier to warm to than the Nelly of Wuthering Heights, and while the original character can be seen as an unreliable narrator, there’s a sense that this Nelly is being more open and honest with the reader. And I liked some of the minor characters, particularly Bodkin (Robert Kenneth), the doctor’s son who befriends Nelly. But the novel lacked the drama and the Gothic atmosphere I associate with Wuthering Heights and, although it was well written, there was none of the passion I admire so much in Emily Brontë’s writing.

Having finished this book and written my review, I decided to have a look and see what other readers thought of it. It seems that most people loved Nelly Dean and some even prefer it to Wuthering Heights, so I am clearly in the minority and wouldn’t want to put anyone off trying it for themselves. I couldn’t help feeling that I would have enjoyed this novel more if it had been presented as an original work of historical fiction with the names of the characters changed and the references to Wuthering Heights removed. The Victorian period is a big favourite of mine and if Alison Case decides to write a second book set in that era – one that is not based on another book – I will happily read it.

What Angels Fear by CS Harris

What Angels Fear When I made my list for this year’s RIP challenge, I decided to give priority to books I’ve been wanting to read for a while rather than search out new titles. What Angels Fear, the first in CS Harris’ Sebastian St. Cyr mystery series, is one of those books. I can’t remember where I first heard about this series but I know it has been recommended to me several times over the last few years and did sound like something I would enjoy. There are now ten books in the series, which is slightly overwhelming, especially as I’m already in the middle of so many other series, but I thought it was time I at least gave the first one a try.

What Angels Fear is set in London in 1811. With King George III suffering from mental illness, the Prince of Wales is preparing to start his period as Regent and members of the two main political parties, the Whigs and the Tories – who are strongly divided over issues such as Britain’s role in the Napoleonic Wars – are hoping to gain positions of power and influence in the newly-established Regency.

At the beginning of the novel, Sebastian St. Cyr, Viscount Devlin, returns from fighting a duel to discover that he has become a suspect in a murder investigation. A beautiful young actress, Rachel York, has been found dead on the steps of a church altar and evidence found at the scene has implicated Sebastian. Determined to clear his name, Sebastian decides to investigate the murder himself. As he delves deeper into the circumstances surrounding Rachel’s death, more and more people are drawn into the mystery, including a French spy, an Italian artist and a London street urchin, as well as some of the country’s top politicians and even members of Sebastian’s own family.

I’m pleased to say that I enjoyed What Angels Fear enough to want to read the next book in the series. I didn’t love it, but I found it very entertaining with a good mixture of mystery, political intrigue and romance (Sebastian’s love interest in this book is an actress whose stage name is Kat Boleyn). Harris captures the atmosphere of the Regency period very well, although I occasionally came across a choice of word that didn’t feel quite right. It was probably a mistake to read this book immediately after finishing April Lady as there are few authors who bring the Regency to life as convincingly as Georgette Heyer!

I haven’t really warmed to Sebastian yet, but I’m hoping that will eventually happen if I continue with the series. He is certainly an intriguing character: Harris gives him an interesting past, with five years spent in the army, some family secrets which are only hinted at in this book, and some unusual abilities (he has quick reflexes and very acute eyesight and hearing, which according to the author’s note are signs of Bithil Syndrome, although I couldn’t seem to find out whether this is a real condition or not). Because so many things are left unresolved at the end of this first novel, I’m sure there’s still a lot more to learn about Sebastian and I’m curious to see how his character develops.

What Angels Fear was a good start not only to my reading for the RIP challenge, but also to a new series. Now I’m looking forward to the second Sebastian St. Cyr novel, When Gods Die.

April Lady by Georgette Heyer

April Lady I first tried to read April Lady five years ago but didn’t get very far with it, so when it was one of the ten books I chose at random for my Ten from the TBR project I didn’t feel very enthusiastic about trying it again. It seems, though, that it had probably just been the wrong book at the wrong time (I was very new to Heyer then and had previously only read The Talisman Ring) and on my second attempt I found it much more enjoyable.

April Lady is one of Heyer’s Regency romances – although the couple in this novel are already married at the beginning of the book and the romantic aspect of their story centres around learning to love and trust each other. Nell Irvine, our heroine, is only seventeen when she marries the Earl of Cardross in what she believes to be a marriage of convenience. Nell does love her husband, but he is much older than she is and – as her new sister-in-law informs her – he has had a mistress until very recently, so Nell isn’t sure exactly why he has chosen to marry her.

Cardross (Giles) is also very rich, but his new wife has no experience of managing money and quickly finds herself in trouble. Cardross helps her to pay off her debts, but when Nell discovers another outstanding dressmaker’s bill that she had forgotten about she decides to keep it hidden from her husband. She is sure he will be angry with her and the last thing she wants is for him to think she only married him for his money. To make matters worse, Nell has also been giving money to her brother, Dysart, to cover his gambling debts and she knows Giles won’t be happy about that either!

April Lady follows Nell as, with the help of Dysart, she tries to obtain the three hundred pounds she needs to pay the dressmaker – while ensuring that her husband is kept in blissful ignorance. It’s obvious to the reader from the beginning that Giles does love Nell and that all they need to do is talk to each other, but each is unaware of the other’s feelings and their lack of communication leads to a whole series of misunderstandings. But Nell is not the only woman with a secret in the Cardross household. Her young sister-in-law, Letty, is determined to marry the man she loves, Jeremy Allandale…but Giles disapproves. Will Letty be tempted to elope against her brother’s will?

This book reminded me very much of an earlier Heyer novel, The Convenient Marriage, which I read about a year ago. It seemed to me that the characters of Nell, Cardross and Dysart (and the relationships between them) were very similar to Horry, Rule and Pelham in The Convenient Marriage and large parts of the plot were almost the same too, right down to a scene in which Nell’s carriage is held up by highwaymen on the way to a ball. However, I didn’t find April Lady as entertaining to read as The Convenient Marriage; the dialogue wasn’t as funny and although Nell didn’t annoy me as much as Horry did, I preferred Rule to Cardross and Pelham to Dysart. Maybe I would have felt differently about this book if it had been the one I’d read first, as I found it difficult not to make comparisons.

I did enjoy April Lady but I didn’t love it and I wouldn’t rank it very highly on my list of Heyer novels read so far. I still have plenty of her books left to read, though, including some that I’m particularly looking forward to as I know they’re big favourites with Heyer fans. I’m also wondering if I could find time to read another one of her mysteries before the end of October for this year’s RIP challenge, having enjoyed Envious Casca a few years ago.

Kit by Marina Fiorato

Kit Marina Fiorato’s latest novel, Kit, tells the story of Kit Kavanagh, a young woman from Ireland who disguises herself as a man and follows her husband to war. Those of you who have never heard of Kit Kavanagh (and I hadn’t until I read this book) may be surprised to know that she was a real person and that this novel is loosely based on a true story.

Kit’s adventures begin one evening in a Dublin inn when her husband, Richard Walsh, is pressed into the British army and disappears overnight. Having only been married for a few weeks, Kit is devastated and can’t stop thinking of her beloved father who was killed in battle several years earlier. Determined to save Richard from the same fate, she decides to dress as a man and enlist in the army herself. Soon Kit finds herself on a ship heading for Italy where she will serve with the Scots Grey Dragoons under the command of the handsome Captain Ross.

It’s 1702 and the death of the last Habsburg king of Spain has sparked conflict across Europe. The heir to the throne is the grandson of King Louis XIV of France, meaning that both Spain and France could potentially be ruled by the same monarch. In an attempt to prevent one man from gaining so much power, England and Scotland have formed an alliance with the Holy Roman Empire and the Dutch Republic in support of a rival claimant, Leopold I. The two opposing armies are battling for control of the north of Italy as Kit arrives in Genova to begin her search for Richard Walsh.

The first half of the novel follows Kit as she fights alongside the men of her regiment, hoping that her luck will hold out and her true identity won’t be revealed before she catches up with her husband. To complicate things further, she finds herself falling in love with Captain Ross – but as he believes her to be a man, she is unsure how he really feels about her. The second half of the novel is where Fiorato moves away from reality and further into the realms of fiction, creating a storyline in which Kit is recruited by the scheming Duke of Ormonde to spy on the French.

Kit is the third book I’ve read by Marina Fiorato (the other two are The Glassblower of Murano and Beatrice and Benedick) and this is my favourite so far. I loved Kit as a character and was completely gripped by her story. This is the first time I’ve ever read about the War of the Spanish Succession, but as Kit also knows nothing about it, we have the opportunity to learn along with her. Battle strategies and political intrigue are clearly explained and we meet important historical figures of the period such as the Duke of Marlborough and Prince Eugene of Savoy.

I particularly loved the first part of the book – The Sword – which concentrates on Kit’s time in the army, the beginning of her relationship with Captain Ross, her friendships with the other dragoons (whose names Fiorato chose from her local war memorial), and her clashes with the villainous Sergeant Taylor and the sinister army surgeon Atticus Lambe. I was very impressed by the amount of detail Fiorato goes into in showing how thoroughly Kit prepares herself for life as a man, not only by changing the way she dresses, but also by adjusting her speech, her mannerisms and her whole persona. Knowing that the character is based on a woman who really existed just makes Kit’s story even more fascinating!

The second part of the novel – The Fan – in which Kit falls into the hands of the Duke of Ormonde, has a different feel and I didn’t like it as much as the first part, although I did enjoy watching the development of Kit’s friendship with the Italian castrato singer, Lucio Mezzanotte. The various threads of the story came together nicely at the end, and while I didn’t really think the epilogue was necessary it did mean that all the loose ends were tied up.

In Kit I found the combination of history, adventure and romance that I love in historical fiction and I’m now looking forward to reading the rest of Marina Fiorato’s novels. The Madonna of the Almonds, The Botticelli Secret and The Venetian Contract all sound appealing, but I should probably start with Daughter of Siena, which I already have on my shelf.

Glorious Apollo by E. Barrington

Glorious Apollo Endeavour Press have been publishing some very intriguing titles recently, including reissues of some older or out-of-print historical fiction novels. I had never heard of the author E. Barrington (a pseudonym of Elizabeth Louisa Moresby, who also wrote under the name Lily Adams Beck) but when I saw Glorious Apollo available on NetGalley I thought I would give it a try.

A bestseller in the 1920s, Glorious Apollo is a fictional biography of the Romantic poet, Lord Byron. Beginning as he prepares to takes his seat in the House of Lords in 1809, the novel takes us through Byron’s entire life and career right up to his death in Greece at the age of thirty-six.

The main focus of the novel is on the women in Byron’s life, particularly Lady Caroline Lamb, Augusta Leigh and Anne Isabella (Annabella) Milbanke. Caroline had an affair with Byron while married to William Lamb, Lord Melbourne, and is the woman who famously described him as “mad, bad and dangerous to know”; Augusta, Byron’s half-sister, was believed to be involved in an incestuous relationship with the poet; Anne was his wife and the mother of his daughter, Ada, but her marriage to Byron was not a happy one. While other aspects of his life and career are also covered in the novel – such as several of his male friendships, his health and weight problems, and the inspiration behind some of his poetry – none of these other things are given as much attention as his relationships with these three women.

This is a novel, so it can’t be assumed that everything in the book happened exactly as Barrington writes it, but it does seem to me that she has closely followed historical fact. At times the book reads more like a work of non-fiction, particularly at the beginning when we are given a lot of biographical information to help us understand Byron’s family background, but she has clearly used some imagination to fill in the gaps, to recreate conversations and to convey the thoughts and emotions of the characters. However, I would have liked to have had the opportunity to get inside Byron’s head more often and to see more of the story from his own perspective rather than from the perspectives of the people around him. The author’s sympathies do seem to be mainly with Anne and the overall impression the book gives of Byron himself is not a very flattering one.

Throughout the novel Barrington also draws on letters, diaries and other primary sources, sometimes quoting from them directly, and she also incorporates extracts from poems, some by Byron and some by other poets. Many of Byron’s major works are briefly discussed, including Childe Harold’s Pilgrimage, Manfred, English Bards and Scotch Reviewers, and So We’ll Go No More A-Roving, and their significance in the context of Byron’s personal life is explored.

Although I did enjoy some parts of the story – and there’s no doubt that Byron is a fascinating subject – Glorious Apollo didn’t quite work for me as a novel. I found Barrington’s writing slightly dry and I couldn’t help feeling that the book would have worked better as non-fiction rather than fiction. It was an interesting read, though, and worth considering if you would like to learn more about Byron and his poetry. I’m still curious about Barrington’s other novels, which include books on Anne Boleyn and Marie Antoinette, so if anyone has read them I would love to know what you thought!

Thanks to the publisher for providing a review copy via NetGalley.

Gildenford by Valerie Anand

Gildenford In 1036 the exiled Alfred Atheling, son of the late King Ethelred and his wife, Emma of Normandy, is invited to return to England to visit his mother. While lodging with Godwin, Earl of Wessex, in the town of Gildenford (now known as Guildford), Alfred and his men are betrayed and captured on the orders of King Harold Harefoot. The Atheling dies after being brutally tortured and blinded.

Several years later, Alfred’s brother, Edward the Confessor, succeeds to the throne of England but the truth of what happened in Gildenford remains shrouded in mystery. Was Harefoot acting alone or with Godwin’s help? Worse still, was it a plot of Emma’s to have her own son murdered? Edward can’t be sure, but one man thinks he knows. His name is Brand Woodcutter, a servant of Godwin’s who has been part of the Earl’s household for many years and is considered to be a friend of the family. Brand’s battle with his conscience as he tries to decide what to do with his knowledge of Gildenford is at the heart of this novel as we move through some of the key events leading up to the Norman Conquest of 1066.

I’ve been reading a lot of fiction set in this period recently and more than one person has recommended Valerie Anand’s Norman trilogy to me. I’m glad they did because I really enjoyed it – this is definitely my type of book! It does exactly what a good historical novel should do…brings a bygone age back to life, entertains as well as educating, and reminds us that the people who lived in those distant times were human beings like ourselves, not just names we might have seen in a school textbook.

Most of the characters in Gildenford are real historical figures and they are all so well-drawn and convincing that at first I wasn’t sure it was really necessary to incorporate fictional characters such as Brand into the story as well. I did soon warm to Brand, however, and enjoyed the scenes written from his perspective as he observes the actions of others, struggles with conflicting loyalties and agonises over some very difficult decisions. I was impressed by the way Anand manages to weave his personal storyline together with the historical facts, particularly the abduction of the Abbess of Leominster and the uprising in Dover during the visit of Count Eustace of Bologne.

Gildenford was published in 1977 and like most of Valerie Anand’s books is currently out of print. I managed to obtain an ebook version from Open Library but unfortunately they don’t have the second one, The Norman Pretender. Judging from the prices being asked for used copies they must be quite rare, but I’ll watch out for a reasonably priced one and hopefully it won’t be too long before I can continue with the series.